Results
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£16.95FANFARE FOR A FESTIVAL (Prestige Concert Band Extra Score) - Arnold, Malcolm - McDermott, Michael
Extra Score. The work has no opus number but was written between his famous Tam O'Shanter overture for orchestra (opus 51) and his John Clare Cantata (opus 52) and completed in April 1955. Originally scored for 4 horns, 3 trumpets, 1 cornet, 3 trombones, timpani and 3 percussion. This new version for concert band by Michael McDermott was made in celebration of Malcolm Arnold's 80th birthday. Performance time 2'00"
Estimated dispatch 7-14 working days
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£82.95
FANFARE FOR A FESTIVAL (Prestige Concert Band Set) - Arnold, Malcolm - McDermott, Michael
Score and Parts. The work has no opus number but was written between his famous Tam O'Shanter overture for orchestra (opus 51) and his John Clare Cantata (opus 52) and completed in April 1955. Originally scored for 4 horns, 3 trumpets, 1 cornet, 3 trombones, timpani and 3 percussion. This new version for concert band by Michael McDermott was made in celebration of Malcolm Arnold's 80th birthday. Performance time 2'00"
Estimated dispatch 7-14 working days
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£16.95
FLOURISH FOR A BIRTHDAY (Prestige Concert Band Extra Score) - Arnold, Malcolm - McDermott, Michael
Extra Score. Originally entitled 'Flourish for a 21st Birthday' (opus 44) the work was scored for 4 horns, 3 trumpets, 2 cornets, 3 trombones, tuba, timpani and 3 percussion. This new version for concert band by Michael McDermott was made in celebration of Malcolm Arnold's 80th birthday. (Grade 5) Performance time 2'15"
Estimated dispatch 7-14 working days
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£82.95
FLOURISH FOR A BIRTHDAY (Prestige Concert Band Set) - Arnold, Malcolm - McDermott, Michael
Score and Parts. Originally entitled 'Flourish for a 21st Birthday' (opus 44) the work was scored for 4 horns, 3 trumpets, 2 cornets, 3 trombones, tuba, timpani and 3 percussion. This new version for concert band by Michael McDermott was made in celebration of Malcolm Arnold's 80th birthday. (Grade 5) Performance time 2'15"
Estimated dispatch 7-14 working days
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£95.995 Tantum Ergo (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (SSATB) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.Duration: 11.00
Estimated dispatch 7-14 working days
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£60.99Cloud Dancing (Concert Band - Score and Parts) - Saucedo, Richard L.
Filled with tuneful melodies and an energetic lilt throughout, Cloud Dancing is sure to have great appeal for students as well as audiences. There is a wealth of teachable elements as well; developing confidence in 3/4, use of simple mixed meters in the slow middle section, and brief solo opportunities for Flute, Clarinet, Alto Sax, and Trumpet. Enjoyable as well as educational. Duration: 3:15
Estimated dispatch 7-14 working days
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£72.99Farewell and Celebration (Concert Band - Score and Parts) - Saucedo, Richard L.
This powerful work for band is composed in two main sections. The opening slow section features stunning impact points mixed with moments of majestic lyricism and distinctive harmonies. The energetic Presto section in 3/4 is introduced using a percussion ostinato with heroic and fanfare-like figures layered in from various sections of the band. The piece builds to an exciting finish resulting in a true celebration of sound! Duration: 3:45
Estimated dispatch 7-14 working days
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£69.99Nightlife in Paris (Flexible Ensemble - Score and Parts) - Schaars, Peter Kleine
The magnificent shows at the Moulin Rouge have left their mark on the collective imagination of all who read about them. For decades, a small but spectacular band formed one of the basic ingredients in this internationally famed cabaret theatre. With the first sounds of this composition by Peter Kleine Schaars, the exciting Parisian nightlife immediately comes to mind. The musette takes us to quartier Pigalle, the red-light district of Paris, and when the doors of the Moulin Rouge open, we hear the recognizable rhythms of a contemporary disco: a combination of the rhythmic cells 8 / 4 and 3 / 14. In addition, the composition has been highlighted with a plentiful and varied use of rhythmic cell 5. Naturally, the themes and accompaniments have been divided equally among all parts.Duration: 3.30
Estimated dispatch 7-14 working days
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£62.95Derivations (Flexible Ensemble - Score and Parts) - Kamuf, Michael
This version of Derivations by Michael Kamuf is designed with maximum flexibility for use by any mix of instruments: wind, strings, and percussion, including like or mixed-ensembles with as few as 5 players. The suggested instrumentation and a customisable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys. After a mysterious introduction, Kamuf's original work takes off with contrasting themes in both 4/4 and 3/4. Bold melodies, contemporary harmonies, and driving percussion combine to create a perfect opening or closing selection for your next concert or festival performance. Relentless! Duration: 3.00
Estimated dispatch 7-14 working days
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£66.95Derivations (Concert Band - Score and Parts) - Kamuf, Michael
After a mysterious introduction, this original work takes off with contrasting themes in both 4/4 and 3/4. Bold melodies, contemporary harmonies, and driving percussion combine to create a perfect opening or closing selection for your next concert or festival performance. Relentless! Duration: 3:00
Estimated dispatch 7-14 working days
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