Results
-
£154.99Celtic Concertino - Bruce Fraser
This little concerto for clarinet was written for Peter Holligan , a friend of its composer, and the Fife Youth Concert Band (Scotland). The work was based on traditional Celtic music, and consists of three movements. 1. Reel - a fast dance ending in an atmospheric but virtuoso cadenza. 2. Lament - a slow and melancholy song hinting at the sound of bagpipes. 3. A fast and virtuoso dance in 6/8 time with Irish influence. The work is a wonderful audience-pleaser and an absolute 'must' for all clarinet-players. The band too is called upon and by all means does have its part to play in the piece. Band grade 4, soloist grade 5. Dit Concertino voorklarinet werd geschreven voor Peter Holligan , een vriend van de componist, en de Fife Youth Concert Band (Schotland). Het werk is gebaseerd op de traditionele Keltische muziek, en bestaat uit drie delen. 1. Reel - een snelle dans die eindigt in een sfeervolle, maar virtuoze cadens. 2. Lament - een trage en melancholische melodie die het geluid van doedelzakken verbeeldt.3. Een snelle en virtuoze dans in 6 / 8 maatsoort met Ierse invloeden. Voor het publiek een heerlijk werk om naar te luisteren en een uitdaging voor de solist(e)! Het orkest ondersteunt deze om het tot een kleurrijk geheel te maken! Orkest graad 4, solo graad 5.
Estimated dispatch 7-14 working days
-
£117.80Freedom Defended - Rossano Galante
Inspired by the non-violent civil rights protest of February 1, 1960 against a segregated lunch counter in Greensboro, NC, Freedom Defended strives to encapsulate the story of this now historic event. Commissioned by the band directors of the North Carolina Central District and East Central District Bandmasters Associations, this four movement piece honors each of the North Carolina Agricultural and Technical State University students known as the "Greensboro Four", Joseph McNeil, Franklin McCain, Ezell Blair Jr., and David Richmond. Their actions directly led to the Civil Rights Act of 1964 which mandated desegregation in public spaces. Movement 1 (Da Sogno) - The opening thematic material is dream-like and idyllic as the "Greensboro Four" enter the Woolworth Store at 132 South Elm Street and peacefully sit at the lunch counter and order coffee. Movement 2 (Con Fuoco) - The piece takes a dark turn when they are refused service and are told "We don't serve Negros here". The music is somewhat dissonant and rhythmic but a heroic theme captures the tenacity and courage of these brave young men. Movement 3 (Molto Cantabile) - A plaintiff theme portrays the hopelessness the four freshmen faced as they continued to be refused service until they leave when the store closed that night. Movement 4 (Con Spirito) - Undeterred, the "Greensboro Four" returned the next day, this time joined by more than twenty other black students. While they were again refused service, the sitins began to attract media attention and each day more and more students, both black and white, joined the cause. By February 4th, over 300 students staged sit-ins not only at the Woolworth Store but also the lunch counter at Greensboro's S. H. Kress & Co. The music is rejoicing and uplifting, similar to the opening statement, but now fully orchestrated and more fully developed. Coda - a quiet theme based on the motives from the opening thematic material brings the work to a reflective close as we remember these four men who, in the face of adversity, stood up for equality for all men and women.
Estimated dispatch 7-14 working days
-
£127.30Easy Peasy - Hilde Høyvik Dahl
This suite is written for beginning band at grade level 1. It consists of five short movements of various style. You may perform the movements as single pieces. The composition consist basically of three voices to make it playable also for smaller ensembles. However, it's preferable that trumpet/cornets play part no. 1 and clarinets play part no. 2 when necessary.
Estimated dispatch 7-14 working days
-
£38.50Distant Journey - Paul Lavender
Explorer Level (correlates with Book 1, p. 11) Using brash open harmonies and bold tutti rhythms, Paul has created a powerful-sounding work for beginners to sink their teeth into. Using only quarter and half notes, this is sureto sound great with only a few rehearsals. Dur: 1:40
Estimated dispatch 7-14 working days
-
£42.50Malaguea
Artist Level (correlates with Book 1, p. 34) Taking a more traditional Spanish approach to this well-known tune, Michael Sweeney uses a 3/4 key signature throughout, active percussion writing and solid scoring to create thisexciting yet easy-to-play arrangement. (1:45)
Estimated dispatch 7-14 working days
-
£57.50Dueling Xylos
Take your two best percussionists, stage them up front and let them dazzle your audience with this clever feature for two xylophone players (or 1 xylophone and 1 marimba). Using the classic Dueling Banjos, Richard Saucedo has written a great novelty with easy band parts as accompaniment.
Estimated dispatch 7-14 working days
-
£53.50God Bless America - Irving Berlin
Exemplifying pride in our country, Irving Berlin's beloved classic continues to be the standard bearer of patriotic anthems. This concert band arrangement was designed to accompany the well-known choral arrangement by Joyce Eilers, however, it can also be effectively performed by concert band alone. Hal Leonard Corporation is proud to announce that a portion of the proceeds from this publication will go to the God Bless America Fund to assist victims of the September 11th terrorist attack. 08743061 SATB $1.60 40207012 2-Part $1.50 04490209 String Pak $35.00 08551584 ShowTrax CD $22.95.
Estimated dispatch 7-14 working days
-
£42.50Rock-a-My Sax
Discovery Series - Grade 1.5 Based on the spiritual Rock-a-My Soul, Eric has created a clever feature for your saxophones. Using a medium swing style with a touch of gospel, this will be a great motivational piece for your young players and a favorite with the parents. (1:30)
Estimated dispatch 7-14 working days
-
£149.99Jericho - Bert Appermont
Jericho is the musical translation of the well-known story from the book of Joshua about the capture of the city of Jericho by the Israelites.Part 1 depicts the cruel journey through the desert to Canaan, the promised land. An emotional lamentation for the yearning for a home, for the end of a roaming existence.The capture of Jericho is the theme of part 2. The city cannot be captured immediately and Jehovah orders an impressive army to march around the city for six days. On the seventh day, they marched around the city seven times and the priests blew their trumpets and the people cried so loud that the walls of Jericho came tumbling down. The Jews stormed the city and drove theinhabitants away. The music clearly reveals the marching army and you can hear the walls falling down with a tremendous noise. However, there is quite some artistic freedom in the actual story.A majestic and grand melody subsequently evokes the triumphant emotions that emerged as the fortified city fell (part 3).Following a personal and romantic interpretation, the scene ultimately ends in a typical Jewish feast (part 4) whereby the virtuosity of melodies played by the woodwinds and the passionate rhythms refer to traditional Jewish music. All themes are repeated in this last part in various forms, often simultaneous and in duelling counterpoint. The piece ends with fragments from the main theme of part 1 in major: peace and quiet return at last.
Estimated dispatch 7-14 working days
-
£248.99Missa Brevis - Jacob de Haan
Missa Brevis, written for choir and wind band, was commissioned by the Conseil Dpartemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX'sbirth in guisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Deiare very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In thisoption, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. Inthat case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, youcan opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of theseoptions (vocally/instrumentally) is also possible not just from an artistic point of view (variation), but also from a practical starting point for example in the case that the choir has rehearsed only two movements. With a full strength, theconductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible:1. clarinet choir (from Eb Clarinet to BassClarinet)2. clarinet choir + saxophones3. brass (flugelhorns, horns, euphoniums, bass section)4. brass (2 trumpets / 2 trombones)5. double reeds (optional + flute, optional + string bass)6. tutti7. all winds8. allbrassIn a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combinedquartet (two cornets and two trombones) + brass band.Choral parts available separately.
Estimated dispatch 7-14 working days
View Music