Results
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£52.50
Aardvark Parade - Graydon A. Toms
You can almost smell the aardvarks! Oh, no, wait. The kids had P.E. just before band rehearsal. Never mind.Seriously though, this cheerful and engaging new piece by Graydon Toms is a sure winner for every Grade 1 1/2 band. Big areas of contrast between the upper Woodwinds and the Brass and Saxophone combination ensure that each player feels important to the group, while an easy change of tempo near the end helps the piece sound harder than it plays.Whimsical!
Estimated dispatch 7-14 working days
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£53.50God Bless America - Irving Berlin
Exemplifying pride in our country, Irving Berlin's beloved classic continues to be the standard bearer of patriotic anthems. This concert band arrangement was designed to accompany the well-known choral arrangement by Joyce Eilers, however, it can also be effectively performed by concert band alone. Hal Leonard Corporation is proud to announce that a portion of the proceeds from this publication will go to the God Bless America Fund to assist victims of the September 11th terrorist attack. 08743061 SATB $1.60 40207012 2-Part $1.50 04490209 String Pak $35.00 08551584 ShowTrax CD $22.95.
Estimated dispatch 7-14 working days
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£38.50Freedom's Song - James Curnow
It has been difficult to find mature sounding arrangements of patriotic music for the Grade 1 band. The stately tempo and carefully controlled ranges and rhythms in this one makes James Curnow's skillful interpretation of TheBattle Hymn of the Republic accessible to young bands while sounding sophisticated enough for groups that normally play more difficult music. Freedom's Song belongs in every music library. (Grade 1)
Estimated dispatch 7-14 working days
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£110.00Mount Everest - Kees Vlak
This composition basically consists of three fragments and an epilogue (conclusion):1) Plateaux, 2) Sherpas, 3) Climb. The piece starts with a musical depiction of the deserted plateauxs and mountain peaks of the Himalayas. The mysteriousness of theTibetan country was caused by its inaccessibility to other nations. One even believed that there was a paradise behind the huge mountains; the land of Shangra La. 1) After the sound of a gong, the Asian-like theme arises extremely softly from thedecay of the percussion. In bars 4 and 5 the syllables of Hi-ma-la-ya echo. Then a second theme appears; it symbolises the enchantment of the mountaineers by seeing the Mount Everest. 2) Eastern percussion, very evenly without emotion, sound from thedeserted village of the sherpas. The phrasing is prescribed by the number 'three'. From measure 56 Tibetian monks sing a chant, also with the religious background of the number 'three'. 3) The third part starts of with the sight of the giant MountEverest with an entirely new theme, that is played impressively by the strong low brass instruments of the band, immediately followed by the excited big climbing. The many surprises are depicted by the changing time signatures. Two themes are inconstant battle; the binary Himalaya theme and the ternary Mount Everest theme. Only once there is a steely composure. The registers in which the piece is played increase. The tension rises...Then the peak is reached. A long pause follows before onerealises that one is on top of the world. Slowly the emotions of joy grow and lead to an enormous climax. The first enchanted theme sounds again in total glory.
Estimated dispatch 7-14 working days
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£137.99Paladin - Kevin Houben
Paladin (heroic knight) was written for the music society De Heibloem from Meeuwen, Belgium and tells the story of the disastrous Saint Nicholas Day of 1648. In the first half of the seventeenth century, the mercenary armies of Karel van Lorreinen terrorized several villages in the province of Limburg. Between 1,500 and 1,600 farmers gathered in Peer on December 6, 1648, to battle against the cruel mercenaries who looted and burned down their villages. The brave farmers did not stand a chance and were ambushed in Meeuwen and within quarter of an hour there were four hundred fatalities and at least as many wounded. In history books, this encounter is referred to as the shortestbattle ever. A truly heroic work suitable for all concert programmes.
Estimated dispatch 7-14 working days
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£37.50
Agon - James Curnow
Grade 1 literature acts as something of a bridge between beginner literature and "real" music for the nascent musician. With that in mind, it is critical to choose just the right Grade 1 compositions as your group develops.As something of a competition for musical dominance between the Brasses, Woodwinds, and Percussion sections, AGON may be the perfect choice for your festival opening number. Each section, in fact every player, is shown to be an important part of the ensemble. Both smooth and marked playing are called for, while many stylistic and dynamic contrasts complete the recipe for a great young band showpiece.Compelling!
Estimated dispatch 7-14 working days
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£248.99Missa Brevis - Jacob de Haan
Missa Brevis, written for choir and wind band, was commissioned by the Conseil Dpartemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX'sbirth in guisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Deiare very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In thisoption, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. Inthat case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, youcan opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of theseoptions (vocally/instrumentally) is also possible not just from an artistic point of view (variation), but also from a practical starting point for example in the case that the choir has rehearsed only two movements. With a full strength, theconductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible:1. clarinet choir (from Eb Clarinet to BassClarinet)2. clarinet choir + saxophones3. brass (flugelhorns, horns, euphoniums, bass section)4. brass (2 trumpets / 2 trombones)5. double reeds (optional + flute, optional + string bass)6. tutti7. all winds8. allbrassIn a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combinedquartet (two cornets and two trombones) + brass band.Choral parts available separately.
Estimated dispatch 7-14 working days
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£154.99Celtic Concertino - Bruce Fraser
This little concerto for clarinet was written for Peter Holligan , a friend of its composer, and the Fife Youth Concert Band (Scotland). The work was based on traditional Celtic music, and consists of three movements. 1. Reel - a fast dance ending in an atmospheric but virtuoso cadenza. 2. Lament - a slow and melancholy song hinting at the sound of bagpipes. 3. A fast and virtuoso dance in 6/8 time with Irish influence. The work is a wonderful audience-pleaser and an absolute 'must' for all clarinet-players. The band too is called upon and by all means does have its part to play in the piece. Band grade 4, soloist grade 5. Dit Concertino voorklarinet werd geschreven voor Peter Holligan , een vriend van de componist, en de Fife Youth Concert Band (Schotland). Het werk is gebaseerd op de traditionele Keltische muziek, en bestaat uit drie delen. 1. Reel - een snelle dans die eindigt in een sfeervolle, maar virtuoze cadens. 2. Lament - een trage en melancholische melodie die het geluid van doedelzakken verbeeldt.3. Een snelle en virtuoze dans in 6 / 8 maatsoort met Ierse invloeden. Voor het publiek een heerlijk werk om naar te luisteren en een uitdaging voor de solist(e)! Het orkest ondersteunt deze om het tot een kleurrijk geheel te maken! Orkest graad 4, solo graad 5.
Estimated dispatch 7-14 working days
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£117.80Freedom Defended - Rossano Galante
Inspired by the non-violent civil rights protest of February 1, 1960 against a segregated lunch counter in Greensboro, NC, Freedom Defended strives to encapsulate the story of this now historic event. Commissioned by the band directors of the North Carolina Central District and East Central District Bandmasters Associations, this four movement piece honors each of the North Carolina Agricultural and Technical State University students known as the "Greensboro Four", Joseph McNeil, Franklin McCain, Ezell Blair Jr., and David Richmond. Their actions directly led to the Civil Rights Act of 1964 which mandated desegregation in public spaces. Movement 1 (Da Sogno) - The opening thematic material is dream-like and idyllic as the "Greensboro Four" enter the Woolworth Store at 132 South Elm Street and peacefully sit at the lunch counter and order coffee. Movement 2 (Con Fuoco) - The piece takes a dark turn when they are refused service and are told "We don't serve Negros here". The music is somewhat dissonant and rhythmic but a heroic theme captures the tenacity and courage of these brave young men. Movement 3 (Molto Cantabile) - A plaintiff theme portrays the hopelessness the four freshmen faced as they continued to be refused service until they leave when the store closed that night. Movement 4 (Con Spirito) - Undeterred, the "Greensboro Four" returned the next day, this time joined by more than twenty other black students. While they were again refused service, the sitins began to attract media attention and each day more and more students, both black and white, joined the cause. By February 4th, over 300 students staged sit-ins not only at the Woolworth Store but also the lunch counter at Greensboro's S. H. Kress & Co. The music is rejoicing and uplifting, similar to the opening statement, but now fully orchestrated and more fully developed. Coda - a quiet theme based on the motives from the opening thematic material brings the work to a reflective close as we remember these four men who, in the face of adversity, stood up for equality for all men and women.
Estimated dispatch 7-14 working days
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£47.50Turbo Rock - Michael Sweeney
Explorer Level (correlates with Book 1, p. 11) Let your beginners crank up the energy level on their very first concert with this driving rock original. Featuring tutti rhythms and nothing faster than a quarter note (exceptpercussion), every section gets a chance to rock out on this winner. Dur: 1:30
Estimated dispatch 7-14 working days
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