KALINKA (Easy Concert Band) - Naulais, Jerome

Duration: 4:30

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Kalinka (Flexible Ensemble - Score and Parts) - Woodfield, Ray

8 Part Flexible Ensemble and Percussion

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Kalinka (MusicWorks Concert Band - Score and Parts) - Larionov, Ivan - Longfield, Robert

In the traditional bottle-dance format, Kalinka is a classic Russian folk dance, carefully crafted here for second year players. A terrific opportunity to teach and perform music, style and tradition from another land. Duration: 2:35

Kampala (Flexible Ensemble - Score and Parts) - Fernie, Alan

8 Part Flexible Ensemble and Percussion

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Kanata Spring (Concert Band - Score and Parts) - Eastmond, David

Bold and playful, lyrical and dramatic, this new work by young Canadian composer David Eastmond is sure to delight. An original hymn tune forms the basis of bold fanfares, lush lyrical settings, dramatic melodies, imitative counterpoint and surprising harmonic twists. A variety of articulations and dynamic contrasts will show off your ensemble's versatility. An outstanding choice for concert or contest performance.Duration: 7.00

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KANGAROO CHA CHA (Intermediate Concert Band) - Noris, Gunter

Duration: 3:45

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Karate Rock (Concert Band - Score and Parts) - Henderson, Kenneth

Get your band in the groove with this cool sounding piece by Kenneth Henderson. Has alittle mix of oriental flavor to give it that final punch!

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Karate Rock (Concert Band - Score and Parts) - Mussorgsky, Modest

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Karma Chameleon (Concert Band - Score and Parts)

Encourage by his role model, David Bowie, British singersongwriter George Alan O'Dowd reinvented himself as a dazzling and stylishly unique artist known as Boy George. Boy George founded the group Culture Club, which had several worldwide hits during the 1980's. One of his biggest hits was Karma Chameleon, which Peter Kleine Schaars has used to create this dazzling arrangement for concert band. 0:03:30

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KARMAN LINE, The (Prestige Concert Band Extra Score) - Meechan, Peter

Extra Score. This work takes inspiration from photos taken at the Karman Line (an invisible line 100 kilometres above sea level and is the boundary where the atmosphere of Earth ends, and outer space begins). It portrays the vastness of Space, the mechanics of Space (including shuttles and astronauts), as well as stunning views of the Earth. The main thematic material for the piece is modal, and is developed from key pitches and intervals that define the character and nature of the mixolydian mode. These are gradually introducted as accented notes over the opening ostinato. This modal music is gradually juxtaposed with a more conventional minor scale originally creating conflict and tension, but eventually harmony between these two sound-worlds. Duration: 6'24" Recorded on Polyphonic QPRM 155D Scenes from Childhood.

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