Holy Night, Silent Night (Concert Band - Score and Parts) - Adam & Gruber - Jones, Clifton Jameson

This setting of O Holy Night and Silent Night beautifully re-imagines the colouristic possibilities of two Christmas favourites. The arrangement pays respect to the traditional melodies, and especially follows the dramatic contours of Adolphe Adam's O Holy Night, while using original and intriguing harmonic choices. A lovely and memorable addition to your holiday season concert program.Duration: 4.30

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Holy, Holy, Holy (Concert Band - Score and Parts) - Dykes, John Bacchus - Curnow, James

The music for the beloved hymn Holy, Holy, Holy (also known as Nicaea) was composed by the English composer John Bacchus Dyke in 1861 and was first published that year in the book Hymns Ancient and Modern. The beautiful melody is not only suitable for use in church services but also makes an ideal reflective concert work.Duration: 3:30

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Homage

From the lyrical opening theme, HOMAGE rises through a series of climaxes to a truly stunning conclusion. Every section of the band is featured in writing that is idiomatic without resorting to formula. This is a work with a unique and inspiring message that is certain to please audiences from the most general to the most sophisticated.

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Homage (Concert Band - Score and Parts) - Van der Roost, Jan

In the most literal sense: a piece for an occasion. The actual occasion was Jan de Haan's twentieth anniversary as a conductor of the top Dutch brass band, "Soli Deo Gloria" (Leeuwarden). To mark the occasion, the band commissioned the Belgian composer Jan Van der Roost to create a surprise piece: without knowledge of the person being celebrated, a suitable source of inspiration was sought for. After some thought the chorale-theme from Camille Saint-Sans organ symphony was chosen, a piece with which Jan de Haan has a special bond. Apart from this chorale, Homage is also based on the names of notes taken from 'Jan de Haan' and 'Soli Deo Gloria', resulting in the tone row: DEGAH. Both elements are combined together and form a grand climax towards the end of the piece when the whole band unites in the Saint Sans' theme.Duration: 5:30

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Homage (Guardians of the Sea) (Concert Band - Score and Parts) - Yagisawa, Satoshi

This work was commissioned by the Japanese Maritime Self Defence Force Band, based at Kure City, Hiroshima, Japan, to celebrate their 60th anniversary. The composer used a passage from Kosaku Yamada's Umi No Sakimori (Sakimori of the Sea), ceremonial music of the Maritime Self-Defence Force. The result is Homage, expressing Yagisawa's respect for Yamada and his work, a tribute to a composer whose legacy includes a large number of Japanese songs.Duration: 7.45

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Homage (Variations on a Theme in Ancient Style) (Concert Band - Score and Parts) - De Haan, Jan

Homage comprises six variations on an original theme in Renaissance style. Written as a test piece for the renowned contest 'Gouden Spiker Festival' in Friesland (The Netherlands), it is a challenging concert or contest piece, presenting attractive and demanding parts for all sections.Duration: 10:15

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HOMAGE FANFARE (Programme Concert Band) - Wiffin, Rob

This fanfare was originally written to open a major Military Tattoo and was designed as a homage to the festal brass writing of Richard Strauss.

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Homage March (Concert Band - Score and Parts) - Grieg, Edvard - Van der Beek, Wil

Along with the movement In the King's Hall, The Homage March from Act III of Sigurd Jorsalfar remains one of the most popular Scandinavian pieces of classical music. This arrangement has, once again, has been skilfully crafted by Wil van der Beek for a younger Concert Band and will be a popular addition to any concert.Duration: 9:00

Homage to America (Concert Band - Score and Parts) - Feldstein & O'Reilly

Based on 'America the Beautiful' and 'Yankee Doodle,' this tribute to America uses contrasting soli and duet sections with full band to create constant interest for performer and listener alike.

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HOMAGE TO THE QUEEN (Novello Symphonic Band) Extra Score - Arnold, Malcolm - Kondoh, Hisaatsu

Differing from the original Ballet Suite Op.42a, this arrangement presents the fourth tableau, Fire, as the first movement, the third tableau, Water, as the second movement and the Finale to the fifth tableau, Air, as the third movement. Duration: 17 mins.