Sweet Charity (Concert Band) - Coleman & Fields - Baldwin, Geoff

Includes: If They Could See Me Now; Sweet Charity; I'm a Brass Band; Big Spender.

Sweet Child o' Mine (Concert Band - Score and Parts) - Murtha, Paul

This classic rocker from 1987 was featured on the Guns N' Roses debut album, and became their first No.1 chart hit. Still popular 30 years later, this is sure to be a blast from the past for the audience members and a fun piece for the band as well.

SWEET GEORGIA BROWN (Advanced Concert Band) - Parson, Ted

Durtation: 3:15

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Sweet Georgia Brown (Concert Band - Score and Parts) - Bernie & Pinkard - Woodfield, Ray

Duration: 2.45

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Sweet Georgia Brown (Flexible Ensemble - Score and Parts) - Murtha, Paul

This early jazz standard became the theme song for the famed Harlem Globetrotters, and has remained popular through the years. Paul's clever version for flexible instrumentation passes the melody between upper and lower parts and even includes a stop-time section that features the percussion. Duration: 2.15

Sweet Land of Liberty

From the breathless introduction to the touching chorale on ``America,'' from the brilliant fanfare to the stirring finale, this patriotic fantasy is truly a memorable salute to the spirit and heritage of our great nation. Expanded from the very popular field version, this powerful, dignified, yet playable setting is sure to evoke the strongest feeling of pride and love of our ``Sweet Land of Liberty.''

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SWEET LIKE THAT (BandQuest) - Theofanidis, Christopher

An outstanding addition to the BandQuest series, "Sweet like that" features tuba solo, trap set, and other requests from students with whom Mr. Theofanidis workshopped the piece. This work is exuberant, joyful, and with a whiff of gospel; capsulizing the sound of the American street, instrumental doo-wop; an urban march. American Grade 3

Sweet Little Jesus Boy (Concert Band - Score and Parts) - Hosay, James L.

Duration: 3.45

SWEET MARY (Easy Concert Band) - Naulais, Jerome

Duration: 2:10

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Sweet Nightingale (Flute Solo with Concert Band - Score and Parts) - Jacob, Gordon

A beautiful atmospheric treatment of this well-known folk song, and an absolute model for any orchestration student. If played without cues, every single instrument in the band, including triangle, is essential for a complete realisation - although it is heavily cued to allow for performance under less than perfect circumstances.