Scalin' and Wailin' (Concert Band - Score and Parts) - Duffy, Thomas

Scalin' and Wailin' is a flexible, fun piece written with a differentiated instruction model. Three different difficulty levels meet students where they're at in their development and allows space for each to grow. This piece is also ideal for educators and conductors looking for "side by side" programming - younger ensembles can all play within the easiest group and more advanced ensembles can play within the more difficult groups, all fitting together in one energetic piece. Celebrate BandQuest's 20th anniversary with this special release, and find what works for your ensemble!

Scapino (A Comedy Overture) (Concert Band - Score and Parts) - Walton, William - Noble, Paul

William Walton's Scapino: A Comedy Overture took as its inspiration the three-act comedy of intrigue Scapin the Schemer (French: Les Fourberies de Scapin) by the French playwright Moli?re. The title character Scapin is similar to the archetypical Scapino character. His name is related to the Italian word "scappare" (to escape) and his name translates to "little escape artist" in reference to his tendency to flee from fights, even those he himself begins. The play was first staged on 24 May 1671 in the theatre of the Palais-Royal in Paris. Scapino tends to make a confusion of anything he undertakes and metaphorically "flees" from one thought, activity or love interest to another, as his name implies, although he usually will return to it - eventually. Self-preservation and self-interest are his main concerns. This is not to say his wits are without merit. He is a schemer and scoundrel, and takes a certain pride in these facts. He was originally a masked character, although later versions usually have the actor simply powder his face. He is traditionally shown with a hooked nose and a pointed beard. Scapino was composed on commission from Frederick Stock and the Chicago Symphony on the occasion of the group's 50th anniversary, and received its world premiere by that ensemble, conducted by Stock, in 1941. This faithful arrangement is sure to find its way into the serious repertoire of outstanding Concert/Wind Bands worldwide.

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Scaramouche (Euphonium Solo with Concert Band - Score and Parts) - Sparke, Philip

Scaramouche was commissioned by Katrina Marzella with a grant from the BBC Performing Arts Fund.Undoubtedly the finest baritone player of her generation, Katrina was granted an education bursary from the BBC Performing Arts Fund as a result of winning the BBC Radio 2 Young Brass Soloist of the Year in 2004. This has allowed her to commission a series of new works for her instrument, including Scaramouche.In this version for euphonium and concert band, Scaramouche continues Sparke's series of works which uses the Italian improvisational theatre tradition of commedia dell'arte as an inspiration. Pantomime, Harlequin and, now, Scaramouche draw on the contrasting moods of pathos and comedy characterised by the happy/sad masks which symbolise European theatre. A slow expressive ballad, followed by a spirited vivace allows the composer to exploit both the lyrical and technical sides of the euphonium, therefore giving the soloist the chance to display the full capabilities of their instrument.Duration: 7.00

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Scarborough Fair (Concert Band - Score and Parts)

Wonderfully re-scored for concert performance, this Glenn Cliffe Bainum arrangement is simply one of the all time great marches in the Barnhouse catalog.

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Scarborough Fair (Concert Band - Score and Parts) - Henderson, Kenneth

A very accessible young band arrangement of a true classic. Audiences will love it.

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Scarborough Fair (Concert Band - Score and Parts) - Moss, John

The chant-like quality of this traditional melody lends itself to a beautiful and creative setting by John Moss. Perfect for teaching expressive playing and balancing the ensemble sound.

Scarborough Fair (Concert Band - Score and Parts) - Boysen Jr, Andrew

The final movement of Three Folk Song Settings for Band, "Scarborough Fair," concludes the suite with a rousing setting of this well-known folk song, and includes references to the previous two movements.Duration: 4:15

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Scarborough Fair (Concert Band - Score and Parts) - Smith, Robert W.

Robert W. Smith's setting of this classic melody is perfect as a lyrical selection for your concert, contest and festival performance. Expressive and independent performance opportunity with flowing harmonic effects make this a very unique and effective arrangement of this timeless folk song. Expertly voiced to create a mature sonority for your band, this hauntingly beautiful melody will continue to be loved for generations to come. Highly recommended! Duration: 3.30

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Scarborough Fair, Variations on (Concert Band - Score and parts) - Custer, Calvin

First published in 1989, this work from the late Calvin Custer epitomises his command of orchestration and understanding of musical pacing. The familiar folk melody is stated first by a solo flute then followed by a remarkable series of variations starting with a brass choir accompanied by woodwind flourishes. An Andante variation features the woodwind choir accompanying solos by baritone and oboe, and this leads to a striking fugue variation and bold finish. Truly symphonic band writing at its best.Duration: 4:45

Scarlet and Gold (Concert Band - Score and Parts) - Wiffin, Rob

This work was commissioned to open the Scarlet and Gold Concert in 2015. The concert is given annually in London by the musicians of the Household Division (Guards) of the Army, renowned for the splendour of their uniforms. The piece is intentionally energetic, vivacious and brilliant in style, seeking to capture the sparkle of gold in the uniforms with a few strong and majestic seams of scarlet underpinning the texture. There are no specific military connotations in the music and the piece is a dynamic concert opener for any programme. In the original performance a fanfare team was added for dramatic effect but the piece is fully performable without fanfare trumpets.Duration: 5:00

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