Forever Joyful! - Brian Balmages

Forever Young - Jerry Goldsmith

Forevermore - Chris Bernotas

A quiet, stately theme opens Forevermore, building and adding layers of lush harmonics. Once the table is set, Bernotas shifts gears to a punchy, rhythmic interplay, using 5/8 and 7/8 time changes that just work. The final section is tight, percussive, and brilliant.

Forevermore - Christina Huss

Dedicated to her graduating senior class, Forevermore by composer Christina Huss is a heartfelt and meaningful new addition to the band repertoire. A wonderful introduction to lyrical playing, this piece would work well as a tribute piece or on any program.

Forevermore - Thomas Doss

The work Forevermore was commissioned for a wedding; it describes the themes of friendship, partnership, and loyalty. One of the most beautiful things in life is going through it together and maintaining the bond of love forever. This solemn work opens with warm woodwind sounds and a soft percussion accompaniment, followed by a build-up to a colourful tutti passage. After a gentle middle section, a grand tutti sound develops again, but the work finally ends in an almost intimate atmosphere.

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Forget You

Originally recorded by Cee Lo Green and made even more popular thanks to Gwyneth Paltrow and the cast of Glee, this is an entertaining and solid arrangement for very young players.

Forget You - Ari Levine

Michael Brown's arrangement of Forget You for Concert Band. Recorded by Cee Lo Green (and also sung by Gwyneth Paltrow on Glee), this infectious tune is written in a style reminiscent of '60s Motown. Smartly scored for the entire band, this one is easy to learn and fun to play.

Forging Destiny - Matthew R. Putnam

Composer Matthew R. Putnam has a way of making a melody stick with you long after the performance is done and the tunes within Forging Destiny are no different. Wonderful writing will have your band sounding its best in any setting.

Forgiveness - Joseph Curiale

Forgotten Dreams - Leroy Anderson

FORGOTTEN DREAMS was completed on May 28, 1954. The first performance was a few days later on June 2nd during a recording session for Delta Records in New York, at which time Leroy Anderson performed the piano solo himself. Although the main theme of FORGOTTEN DREAMS was intended to be played on the piano (and with simplicity), the composer_x001A_s band edition of the piece allowed for a solo flute to substitute (Play only in absence of Piano). It is also suggested the melody might be beautifully rendered on vibraphone due to the sustaining quality of that instrument. In any event, this charmingly romantic miniature will delight audiences whenever it is performed. This edition includes a full score.