Dialogue - Rob Goorhuis

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Dialogue for two Trumpets and Band - Jan van der Waart

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Dialogues - Douglas E. Wagner

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Dialogues - James Curnow

Expect the unexpected in this major new work for Saxophone quartet and band by James Curnow. Built on a grand thematic plane, this tour de force employs the full range of expression. Gleaming modernity; dark modality; rhythms ranging from tentative to deliberate; and throughout, a sense of mysterious expectation for what is next to come. Expectations are fulfilled with the Presto finale.Not every band is capable of playing at this level, but if yours is, consider breaking new ground with DIALOGUES.

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Diamond Concerto - Philip Sparke

Diamond Concerto was commissioned by Musikverein Mrschied from Germany - Dr. Eric Grandjean, conductor - for a special concert featuring Steven Mead as guest soloist. Together they gave the world premiere on 28th April 2012 in the town theatre of Idar-Oberstein.The commission is a highlight in the 30-year friendship between composer and soloist, which has included many mutual CD projects and concerts and, now, a concerto. Sparke had Steven Mead's special euphonium sound in his head throughout the composition process and made free use of the variety of styles which the world-renowned virtuoso has made his own during his highly successful solo career.The village ofMrschied lies to the west of Frankfurt am Main in the area known as the German Road of Precious Stones, which is famous for its thriving gem industry. Because of this it was decided to give the commission a local connection by choosing the title, Diamond Concerto. Each of the three movements is named after a famous diamond:1 EARTH STARis rather stern in mood, opening with a free fantasy for the soloist over a static chord from the band. This leads to an Allegro Moderato in minor mode where small motives are gradually repeated and developed by both band and soloist.2 OCEAN DREAMuses a varied quote from the composer's Music for Battle Creek, including a melting slow melody that was originally written with Steven Mead in mind.3 BLUE HEARTwas written, at Steven Mead's suggestion, in bebop style and takes the form of a jazz waltz. The quasi-improvisatory central section features a call-and-response passage for the soloist and upper woodwinds.Soloist: Difficulty 6Diamond Concerto is available for euphonium and piano (AMP 374-401) as well as for euphonium and brass band (AMP 354-030).

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Diamond Fanfare - Samuel R. Hazo

Written with a dramatic blend of thundering percussion, intense brass proclamations, and woodwind flourishes, Samuel Hazo expands the fanfare format into a truly powerful setting for wind band. Equally effective for contest use or any festive occasion. Dur: 4:30 (Includes full performance CD)

Diamond Jubilee - Karl L. King

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Diamond Jubilee - Nancy H. Seward

Written to commemorate the 75th anniversary of the Richmond, Missouri High School Band, this will be a welcome work by those teachers who have come to enjoy the musical and educational value of Sewards compositions for school bands.

Diamond Prelude - James L. Hosay

Diamond Prelude was written to commemorate the 75th Anniversary of the United States Army Band (Pershing's Own), andwas premiered at their 75th Anniversary Concert at the D.A.R. Constitution Hall in Washington, D.C. For 75 years the U.S.Army Band has proudly served the American people through their many performances throughout the world, as well asthousands of ceremonies and concerts in the national Capitol area. Now your band and audiences can enjoy James L.Hosay's exciting Diamond Prelude, written for one of the finest bands in the world.

Diamond Reflections - Jeremy Martin