Equestrian Symphonette - Franco Cesarini

Equestrian Symphonette was written for the Orchestre d'Harmonie de Laval, France. Laval is the capital town of the department of Mayenne, and the surrounding countryside is home to many thoroughbred race horse stables. The composition incorporates the principal gaits of the horse (walk, trot, canter and gallop) as the musical cornerstones of this work and incorporates into the composition colourful depictions of the natural environment and surroundings as well as the characteristics of each stride. Interesting rhythmical patterns, together with rich melodies, are interwoven throughout this original piece which makes it an excellent choice for a contest or as anenterprising part of your concert.

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Equilibrium - Michael Oare

Propelled throughout by a constant driving pulse, Michael Oare's exciting work pits opposing elements of harmony and rhythm against each other, portraying a sense of musical equilibrium. Creative interplay between winds andpercussion, along with shifting meters and changing textures, adds to the effectiveness of this unique piece commissioned by the U.S Navy Band for their performance at the 2014 Midwest Clinic in Chicago, Illinois. Dur: 4:00

Equinox - Michael Sweeney

Written in one tempo, this outstanding piece contrasts timbres and dynamics between the brass, woodwinds, and percussion. The themes are rhythmic and the percussion writing is creative and interesting. Another winner from Michael Sweeney.

Equinoxe

Equinoxe - Alain Crépin

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Equipe - Albert Kappert

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Equus - Eric Whitacre

A wild ride from the composer of October and Ghost Train! Equus is the Latin word for horse, and this moto perpetuo perfectly captures the fury and majesty of this magnificent animial. Commissioned by Gary Green and the University of Miami, Equus is not for the faint of heart! (Grade 5) Dur: 10:00. Optional choral parts also available.

Equus - Erik Morales

Equus, Latin for "horse," takes us on a thrilling ride on one of these magnificent animals. Wood blocks help create the sound of the horse as the ensemble comes along for the ride. A serene section at the same tempo almost seems to slow the ride down, so listeners can take the time to appreciate the scenery around them. The opening material then returns as the piece comes to a strong conclusion.

Eragon - Patrick Doyle

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Eraser - Alan Silvestri