Double Concerto - Antonio Vivaldi

This famous Allegro movement from a Vivaldi concerto for two trumpets is presented here in an arrangement loaded with flexibility as to choice of soloists and even the accompanying ensemble. May be performed as a solo or as a duet, and it includes solo/duet parts for Bb instruments: Trumpets or Clarinets; C Instruments: Flutes, Oboes, or Violins; Eb Instruments: Alto Saxophones; F Instruments: Horns; and Bass Clef instruments: Bassoons or Trombones. The accompaniment is cleverly scored so that it is playable by a full, traditional concert band; or by a "chamber wind ensemble" of woodwinds, horns, and timpani (ideal for accompanying upper woodwind soloists.) A great way to feature outstanding soloists from your band!

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Double Concerto - Carter Pann

In a musical style strongly influenced by (and occasionally parodying) American popular music, the subtitle "Baroque" may seem a puzzle at first. It is also the key to Pann's approach in composing for multiple wind soloists and ensemble. With Bach's Brandenburgs in the rear-view mirror, Pann has created a glorious hybrid of inspirations with intricate counterpoint, cadenzas, beautiful slow textures, and wild rides, creating a 16-minute, fast-slow-fast concerto grosso. The published piano reduction is fully practical for live performance. Also available for clarinet and saxophone with piano (114-41972).

Double Concerto - Derek Bourgeois

Double Concerto - Frigyes Hidas

Double Dutch - Dizzy Stratford

Nice melodic phrases and lots of rhythm by the famous Dutch composer Jacob de Haan.

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Double Eagle on Parade - Pi Scheffer

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Double Happiness - Joseph Curiale

This enjoyable and refreshing work by Joseph Curiale relates to the experience of the great Chinese immigration to our American West during the Gold Rush.

Double Jeu (Tenor & Bass Trombone Solo) - Jérôme Naulais

Double Trouble - Andrew Balent

Designed to help beginners improve their ability to play eighth-note rhythms, this concert or contest composition uses limited ranges so that the players can concentrate on the rhythms. Percussion parts help to keep the pulse going while the melody is passed between sections. Use this to develop those essential counting skills.

Doublebass Recitative - Ludwig van Beethoven