The Sky's The Limit! - Philip A. Parker

The Skyborn Metropolis - Ayatey Shabazz

Take an exciting trip to a futuristic city in the clouds! Liftoff with a bold introduction full of open harmonies and fanfare brass before experiencing the bustling metropolis with long melodic lines over driving rhythms and tension filled suspensions. Well scored triplets and simple 16th note figures are effective yet highly accessible to young players. All sections enjoy fun and engaging parts. A great cinematic sound!

The Sleeping Place of the Stars - Ralph Ford

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The Sly Students - Furfangos Diakok - Bd Set

The Snow Angel - René Willener

The Snowman

The Soaring Falcon - John Prescott

The thrill and excitement of flight is vividly portrayed in this heralding work that uses all the colors and textures that concert band instrumentation offers. Large ensemble textures give way to dance-like figures in 7/8 time for a remarkable culmination of energy and explosiveness. The combination of rhythms, dynamics and sonority contribute to a powerful intensity that creates a stunning and triumphant work.

The Soaring Hawk - Timothy Mahr

The skill and craftsmanship of Timothy Mahr are evident in this one movement work that's filled with musical imagery, color, and innovative compositional style. An extraordinary piece for mature wind bands, The Soaring Hawk is the 1991 winner of the prestigious Ostwald Award.

The Soldier & The Princess - Bert Appermont

This work is based on the story of the soldier and the princess from the film Cinema Paradiso. The story is about a poor soldier who fell in love with a beautiful princess. He had nothing to offer her, but he managed to meet her and declared his love for her. Do you want to know what happens next...?

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The Soldier's Wife - Jan Van der Roost

The Soldier's Wife is a short and simple piece commissioned by the Singapore Ministry of Education. It was originally intended as a compulsory piece for the 2012 Singapore Youth Festival. Because many school bands in Singapore areincomplete, the composer was specifically asked to create a work that could equally be played by a limited ensemble - which explains various doubled and optional parts.

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