Bagatelle - J.J. Richards

Note: This is a reprint from a vintage publication of 1932.No conductor score is published for this work. The 1st Cornet part serves as a conductor guide.Parts for Eb Horns are included; no F Horn parts are published for this work.

Bagatelle (Young Band)

Bagatelles

Bagatelles for Band - Vincent Persichetti

Since its premiere on May 21, 1961 by the Dartmouth College Band (composer conducting), Bagetelles for Band has become a fixture on state contest and festival repertoire lists. We are pleased to produce a new printing, now including the condensed score as well as a standard 9" x 12" full score. Additionally, a large (11" x 14") conductor score is now available.

Bagdad - Victor Herbert

Bahama Blues - Lex Abel

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Bahia - Marc Reift

Bahia Blues - Jérôme Naulais

Bahn frei - Eduard Strauss

Eduard Strauss, the third son of Johann Strauss the Elder, was born on March 15, 1835, in Vienna. Originally, Eduard looked for employment in the diplomatic service, but he also studied music theory. He became a harpist in the Strauss orchestra in 1855. In 1862, he joined his two famous brothers Johann Jr. and Josef as a conductor of the family orchestra. Like that of his two brothers, his musical output was prolific: he wrote over 320 separate dances and marches. Apart from the exuberant Bahn Frei (Track Clear), which he wrote in 1869, and a handful of other fast polkas (he excelled in this particular dance form), his music is not as well known as that of his brothers.

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Bahumba - Peter Sciaino

"Bahumba" is a nonsense word but a no-nonsense selection for concert band. The word stems from a sound composer Peter Sciaino heard coming from an idling car. The engine, clearly having issues, had an "uneven" gate or pulse. He mindlessly heard the word "Bahumba" within the sounds emerging from the struggling motor. Just like an engine, an ensemble can attain a smooth groove even if "uneven" in terms of pulse. While the percussionists are often asked to provide this groove under the melodic lines, they ultimately break out with a feature that essentially places a percussion ensemble within the context of a concert band piece. (2:43).