Angel we Have Heard on High

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Angela's Song - Ed Huckeby

Huckeby's bright and cheery piece for trumpet solo and band provides the perfect medium for showcasing that promising young trumpet player. The medium easy solo part and the easy band parts combine to make this a memorable concert feature.

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Angelic Festival

Richard Saucedo has emerged as one of the best writers of contemporary band works. His newest piece is geared for festival or contest use - a playable, exciting overture with distinctive motifs and a harmonic vocabulary that has great appeal with today's younger players.

Angelic Hosts Proclaim! - Jonathan McBride

Opening with a striking, triumphant fanfare, "Angelic Hosts Proclaim" is a fresh setting of "Hark the Herald Angels Sing." Modest rhythms and ranges allow the ensemble to focus on musicality and expression. As a powerful opener or dramatic closer, "Angelic Hosts Proclaim" will surely be a highlight of your holiday concert.

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Angelique - Schaeffer

A simply fun-filled Caribbean calypso for young band. You won't believe how great your band sounds when they get into the groove on this Don Schaeffer young band classic. FUN FOR ALL!

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Anglique Marquise Des Anges - Michel Magne

Angelita - Luis Serrano Alarcón

Angelo del Cielo - Giacomo Puccini

The one-act opera Suor Angelica is set in the cloisters of an Italian convent at the end of the seventeenth century. Of noble birth, Angelica has been a nun for seven years, forced there by her family as punishment for an unknown sin. When her aunt visits her, she tells Angelica that her child had died. This terrible news becomes the reason for her only aria, Senza Mamma, a heart-wrenching song of restraint and dignity to her little 'angel in heaven' (Angelo del Cielo). The set contains solo parts, for soprano voice, cello and a duet for soprano and cello. There is also an optional solo part for trombone or euphonium.

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Angels and Demons - Hans Zimmer

Angels and Demons - Marc Cunningham

Angels and demons are just two of the mythical creatures that appear in Marc Cunningham's imaginative three-part composition for concert band. The 'good' are always shown in opposition to the 'evil' in this work. Musically, this con_x005F_x001D_flict is expressed as diatonic versus chromatic, consonance versus dissonance, and darker sounds opposed to lighter-sounding sections. Which is victorious at the end of the piece? You might be in for a surprise...

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