The Parting Glass - Michal Worek

The Parting Glass - Robert Sheldon

This heartfelt rendition of the beautiful Irish folk song The Parting Glass, arranged by Robert Sheldon, is as playable as it is expressive. The various instrumental colors and unexpected harmonies provide moments of warmth, reverie, sentimentality, angst, and resolve that appeal to audiences and ensembles with moderate to advanced abilities. (3:40)

The Partridge and the Pear - John Moss

Utilizing the familiar melody of The Twelve Days of Christmas, but in an elegant waltz setting, here is a wonderful and fresh-sounding holiday treat. Skillfully orchestrated to include every section of the band, this is a gem foryoung players that you'll enjoy playing year after year.

The Party From The Film 'Dracula' - Wojciech Kilar

The Passing Hours - D. Wright

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The Passion Of The Christ - John Debney

The Past is Always Present - Sean O'Laughlin

The Past is Always Present begins with a reverent melody for solo flute that invokes voices from the past. This theme becomes the cornerstone of the entire work leading the listener on a journey that is at times reflective and at others bold and broad. Perfect for contest and festival performance, this piece contains all of the signature styling that has made Sean O'Loughlin's works some of the most popular for bands today.

The Pastime Band March - J. de Winter

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The Path Ascending - Rob Smith

Weaving together currents of inspiration and darkness, this work dramatically portrays a woman whose life was cut short by cancer. A chorale-like theme anchors the music in strength and faith, while a tune inspired by mariachi bands recalls her youth in a Texas border town.

The Path Between the Mountains - Jay Kennedy

Here is a must do piece for cutting edge wind groups. Kennedy's one movement work is contemporary band writing at its very best - originally commissioned by the University of Massachusetts Wind Ensemble.