Light Music - Rob Wiffin

Light Of My Life

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Light of the Sword - Itaru Sakai

This work takes both its name and inspiration from a lighthouse "Sword Cape" that keeps watch near Japan's naval base. The piece describes how, come rain or shine, the lighthouse bids a safe journey to departing ships, guides them during their travels and eventually welcomes them home again. The music evokes many musical images - grand ships sailing by, white-capped waves, the deep blue of the ocean and the light of 'sword cape" as it silently guides ships over the mysterious waters.

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Light the Fire Within

Light Up The Sky - Scott Watson

Light-walk - Barrie Gott

Change your band into a Big Band with the swinging sounds of this composition. It is a transcription by top arranger Klaas van der Woude of original light music by Barrie Gott. Various instruments can play the solo in this versatile piece, and there is even an invitation to improvise! . The audience will find it impossible to keep still as your band plays the rhythmic Light-walk. However, that's no problem: dancing is allowed!

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Lighting Field - John Mackey

Lightning Fingers - Henry Fillmore

Lightning Fingers showcases the musical and technical virtuosity of the solo clarinetist in this original work by legendary bandmaster and composer Henry Fillmore. It is a happy, showy display piece which has been enjoyed by generations of performers and audiences alike. The solo was written for Louise Reztke, who Fillmore referred to as the Phantom Clarinetist. Reztke was the soloist for Fillmore's own band and was featured many times on their radio broadcasts. Robert Foster's new edition cleans up some inconsistencies present in older editions and makes it accessible to a new generation of band musicians.

Lightning Fire - Marcel Saurer

Lightning! - Todd Stalter

Lightning! was inspired by the awesome display of beauty and raw energy from a powerful spring thunderstorm that the composer observed in the night sky. Although the storm was almost 100 miles away, the sight of the accompanying electrical show was both an exhilarating and humbling experience. The aggressive parts of this composition attempt to portray the level of energy present in the storm, while the slow interior section provides an opportunity for listeners and performers alike to reflect on its visual beauty. (2:45)

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