Introduction & Punk - Torstein Aagaard-Nilsen

Torstein Aagaard-Nilsen's (1964) way of composing can be described as: uncompromising, wilful and contemporary. It is not surprising, therefore, that this occasionally causes a stir. In the middle of the Seventies a trend arose in youth culture, which was characterized by provocation, distrust of the great ideologies, and the autonomy of the individual. Punk is playful, aggressive, often humorous, and anti-everything, which inevitably leads to self-irony. The first part of Aagaard-Nielsen's composition (Introduction) is a texture based mainly on one short theme. This pompous theme breathes a spirit of cold empty plains, where icy winds sigh around yourhead. In the vehement Punk (Presto barbaro!) there is no longer any question of a theme. The basis for this part is formed by a repetitive motif (a descending minor third). This motif is alternated with very powerful percussion beats and later on shrill harmonies.

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Introduction & Rondo

Introduction & Scherzo

Introduction and Allegro - Barbara Kolb

Introduction and Caccia - Claude T. Smith

A dramatic introduction opens this work which is based on two contrasting movements. After a lush melodic section, a vigorous and playful chase (caccia) follows, painting a colorful picture in sound, leading to an exciting conclusion. Your performers and audience will be delighted with the playfulness portrayed.

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Introduction and Capriccio - John Barnes Chance

Introduction and Caprice - Carter

Contrasting sections offer a showcase for rich brass writing and light, airy woodwinds. A study in moods, this piece includes broad lyric material, resonant tonal sonorities, and delicate dance-like rhythms. Excellent for contest or concert!

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Introduction and Caprice - Eric Swiggers

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Introduction and Dance - Guy Duyk

Introduction And Dance - Jay Chattaway

Brilliantly written to present your band at its best, this dramatic and exuberant composition is a perfect choice for concert and contest programming.

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