Intermezzo - Pietro Mascagni

Intermezzo - Satoshi Yagisawa

Intermezzo is the second movement of Satoshi Yagisawa's Clarinet Concerto. The concerto was first performed by Higashi-Hiroshima Wind Ensemble in Hiroshima, Japan in 2010 with guest performer Shinsuke Hashimoto, clarinettist with the Hiroshima Symphony Orchestra and was conducted by Atsushi Kageyama. Inspiration for this work came from the fact that both Satoshi Yagisawa and Shinsuke Hashimoto graduated from Musashino Academia Musicae.Clarinet Concerto>/I> is the pinnacle of Satoshi Yagisawa's "Concerto Series" which also features his Suite Concertante for Piano and WindOrchestra, Trumpet Concerto, Trombone Concerto, Saxophone Concertino, andConcertino for Solo Percussion and Wind Orchestra.Yagisawa's characteristic heartfelt theme in the second movement is especially popular and consequently--entitled Intermezzo--it is often performed independently.Soloist: Grade 4

  View Music

Intermezzo 'Il Sogno' - Pietro Mascagni

  View Music

Intermezzo (from Vanessa) - Samuel Barber

Transcribed for Concert Band (Grades 4-5) by Walter Beeler.

Intermezzo for Band - Jan de Haan

This stately concert piece is a great choice for that change of pace for your next festival! A gentle, flowing alto saxophone solo opens the piece and is joined by rich textures in the clarinets and low brass. A great opportunity to showcase the expressiveness and sensitivity of your band! Very nice!

  View Music

Intermezzo From Cavalleria Rusticana - Pietro Mascagni

Intermezzo from Manon Lescaut - Giacomo Puccini

Intermezzo Sinfonico - Pietro Mascagni

  View Music

Intermezzo Sinfonico, From Cavalleria Rusticana - Pietro Mascagni

Intermissions - Daniele Carnevali

This piece was commissioned by the organising committee of the "La Prime Luz 1812" national band contest, held in Bertiolo (Udine), as the compulsory piece for category A. It consists of three movements and, rated as a first international category or national excellence grade piece, it requires the appropriate variety of timbres and instrumentalists with the necessary skills. The themes, enhanced by the use of unusual tones and compound beats, are often broken, interrupted: hence the title of the piece, intermissions, meaning interruptions. The unifying element is the musical language that, through the use of artificial modes and fourths, seeks to create a balance between tensions of differing intensity and nature.