Temblor

Of Spanish origin, the word "temblor" means tremor or earthquake. This composition for the developing concert band is as unstoppable as the natural disaster it embodies. Aggressive in nature, but with some well placed repose and a stunning maestoso climax, Temblor is bound to excite students and audiences alike.

The ABA March - Edwin Franko Goldman

The Advocate

The Advocateis a spirited march that provides melodic opportunities and interesting parts for all sections of the band. Written in standard American march form and style, this original tune is reminiscent of the great marches of Fillmore or King and is perfect for any festival performance.

The Air and Light of Aether

The Airships

The Alchemist's Touch

Drummer's Delight is a grade one piece featuring the percussion that will be fun for your students and will enhance early rhythm instruction. Short enough to give students a feeling of accomplishment but not long enough to exhaust them, this feature will give your winds a little break while also giving your percussionists a moment to shine.

The Anguish of Nosferatu

Very programmatic and haunting, this composition should prove a good change of pace for your next festival or concert. Although this piece may seem a little rhythmically complex, it has a natural flow. The harmonies often move in tri-tones which lends a bit of a horror feel to the piece. Challenging, dark, and intense, your students and audiences will find themselves transformed by the Anguish of the Nosferatu.

The Ankh of Eternity

Depicting an epic journey through ancient lands to find the mythical Ankh of Eternity amulet, this programmatic composition will challenge and entertain your performers. Using traditional harmonic and rhythmic components while also using contemporary techniques, aleatoric percussion, and improvised solos to tell the story, this composition offers cultural and historical inclusion opportunities while also entertaining your audiences.

The Awakening

The Awakening begins with a gentle clarinet theme, gradually growing in intensity to represent the gradual transition from night to day. The early sections of the piece evoke a quiet morning, with the ensemble coming to life as the music shifts to a more playful and energetic 6/8 section. Attention to dynamics and articulation brings the awakening process to life, creating a vivid musical picture of a new day.

The Band At The Opera

The Band at the Opera is a medley of four of the most popularly known opera excerpts: The Toreador Song from Bizet's Carmen, the conclusion of Vesti la giubba from Leoncavallo's Pagliacci, The Anvil Chorus from Verdi's Il Trovatore, and the finale of the Overture to Rossini's William Tell.