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  • £90.00

    The Witch and the Saint (Concert Band - Score and Parts) - Reineke, Steven

    A programmatic ten-minute tone poem for symphonic band in one movement that is constructed in five distinct sections to tell the story of the lives of Helena and Sibylla, twin sisters born in Germany in 1588. Starting out with a Gregorian chant-type motif, Reineke uses all manner of musical sorcery to represent the turbulent lives of these vastly misunderstood women. A major work which is sure to become a favourite of audiences and performers alike! Very impressive!Duration: 10.30

    Estimated dispatch 7-14 working days

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  • £76.99

    CHRONICLES OF NARNIA: The Lion, The Witch & the Wardrobe (Young Band) - Gregson-Williams, Harry - Murtha, Paul

    This movie brings the classic tale by C.S. Lewis ot the big screen in spectacular fashion, and is destined to become the next great fantasy epic. The sweeping soundtrack by Harry Gregson-Williams is captured beautifully in this powerful medley for band by Paul Murtha.

    Estimated dispatch 7-14 working days
  • £49.50

    Witch's Dance - Barker

    A rare young band piece by master arranger/composer Warren Barker. "Witch's Danse" is a delightful descriptive piece which uses musical materials not usually found in compositions at this grade level. Challenging, yet quite accessible, your students will love the spooky sounds and unique percussion effects in this creative arrangement. A perfect choice for any developing band performance! VERY HIGHLY RECOMMENDED!

    Estimated dispatch 7-14 working days

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  • £68.99

    Fairy Tail Suite - Tsutomu Tajima

    This work was complete in January 2013 to commemoration the 50th anniversary of the Iwate Prefecture Band Association. Conditions at the request were as follows:1: Does not have to be particularly relating to Iwate. It should be something that would be widely familiar to the whole country. 2: Should suit the contest piece requirements. 3: Must be a song that can be used at a graduation ceremony for student procession and recessional.4: Must include vocal parts with a beautiful melody.5: Must be a march.6: Must be a song that would be loved by many.They are difficult requests. I hope to satisfy at least one of them.We selected Yanagida Kunio's book "Tono Monogatari" as the cornerstone of the work, chose four stories that fit the image, and stuck close to the source of the story. Then, "prelude music" was added, making it a suite consisting of five movements.I. "Prelude" What kind of story will it be? An exciting opening expresses such a feeling.II. "Zashikiwarashi" Spirit that brings good fortune and wealth. It appears at midnight and makes mischief, something silly, not serious. Zashikiwarashi moves quickly, dances, plays its games, hiding and reappearing often. These characteristics are considered cute and the music depicts such a mischievous Zashikiwasi.III. "Oshirasama" A girl and her horse love each other. Her father forbids this, and kills the horse. The beautiful daughter clings to the horse and cries. Eventually, the daughter and the horse rise to heaven, slowly and gradually, remembering former happy days. The music captures this ascension to heaven.IV. "Yamanba (Mountain witch)" Run away, run away, its chasing, still chasing. Run away, and still chasing. The girls hides. Yamanba searches. It keeps chasing, endlessly, following her everywhere. Chasing, chasing, and finally... Seriously and comically depicting the chase situation in fugue style.V. "Kappa" Staring into the distance. It looks gallant. What is it looking at? Staring beyond the mountain? Perhaps it is longing for hope and happiness. This is an homage, a march, and cheering song for Kappa who never gives up and embraces dreams and hope.It is my wish that many people become familiar with this song.(2013.3.31 Tsushima Tashima)

    Estimated dispatch 7-14 working days

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  • £134.99

    The Legend of Ratu Kidul - Filip Ceunen

    The Legend of Ratu Kidul carries us into the world of Indonesian mythology, on the island of Java:Once upon a time, the Queen of the Southern Seas was a kind and beautiful princess. She was the daughter of Prabu Munding Wangi, the favourite ofthe entire court and the local people. Her royal father doted on his daughter. Her name was Dewi Kadita, but many called her Dewi Srengenge or the Angry Princess.Prabu Munding Wangi longed for an heir, but Dewi Kadita's mother couldn't fulfil thiswish. So he took a second wife, called Poetri Moentiara, who was very jealous of the lovely princess and her mother. She begged the king to banish both her rivals from court. However Prabu Munding Wangi didn't do as she asked. He loved his first wifeand her daughter. The second wife bore him a healthy heir, but the monarch remained firm. So Poetri Moentiara called upon the renowned witch, Djahil. She promised her a princely reward, if Dewi Kandita and her mother were banished. Djahil thought fora moment and incanted this rapal (spell): "May leprosy befall you both". Soon both mother and daughter began to suffer this dreadful disease. According to the law of the land, they were to be banished to the wild forest high on the mountain. With aheavy heart, King Munding Wangi saw the law carried out. So the two set off on their way to the forest, covered in terrible sores. A great sadness fell across the land, except for Poetri Moentiara, the second wife of the king, who had achieved heraim. The princess fell on hard times. In the forest lived a hermit, who took pity on the mother and daughter. The queen couldn't bear the shame and within a few days had died. Now Dewi Kandita was all alone in the world. There was still the hermit,however, who fortunately provided food and shelter in a cave temple. He bound her weeping sores but couldn't relieve her emotional pain. Dewi Kandita became increasingly bitter and eventually left the hermit. She travelled southward from village tovillage, further and further, until eventually she reached the shores of the Southern Sea. She climbed upon a high cliff and gazed out onto the sea that spread before her. She was tempted to dive into the deep green and blue. In the cool waters shewould be able to forget all her pain and suffering. Suddenly awaking from these thoughts, she jumped into the deep. The gods, who had looked on Dewi Kandita throughout her hardships, were filled with deep compassion. So they transformed her into apowerful spirit of the netherworld, Ratu Kidul, and to this day she resides in her grand palace under the sea.

    Estimated dispatch 7-14 working days

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  • £64.99

    Music From Wicked - Stephen Schwartz

    Here is a very playable yet effectively powerful setting of highlights from the hit Broadway musical about the Wicked Witch of the West. Includes: No One Mourns the Wicked, Dancing Through Life, Defying Gravity and For Good.Suitable for grades 3 to 4 standard (ABRSM).

    Estimated dispatch 7-14 working days
  • £332.99

    Tales & Legends - Etienne Crausaz

    This three-movement work by the Swiss composer Etienne Crausaz reflects three true stories and fascinating legends from the Middle Ages. The first movement tells the dramatic story of the 'witch' Catherine 'Catillon' Repond (1662-1731). She was the last woman ever to be executed for sorcery. In the second movement, the famous court jester Girard Chalamala occupies centre stage. This jester, the last one at the castle of Count Greyerz, could make everyone laugh. The third movement tells the story of Count Michael. He went down in history as a spendthrift bon-vivant. His burden of debt became so high that he did a moonlight flit and never came back!

    Estimated dispatch 7-14 working days
  • £84.99

    Selections From Wicked - Stephen Schwartz

    Rarely has a musical in modern times taken Broadway by storm the way this huge hit from Stephen Schwartz has done. The story line of the Wicked Witch Of The West is intriguing and the music is filled with depth and beauty. This powerful medley includes No One Mourns The Wicked, The Wizard And I, Dancing Through Life, Defying Gravity, and For Good.Suitable for grades 5 to 6 standard (ABRSM grading).

    Estimated dispatch 7-14 working days
  • £159.99

    In Nomine (Concert Band - Score and Parts) - Schwarz, Otto M.

    How often has something been justified by, declared to be, or blessed as 'in the name of' some cause or other? How can it be that opposing armies and the use of weapons are ever 'in the name of...'? This is a common thread in the history of different faiths. Good was created but evil was committed and all 'in the name of...' This thread is also found in the history of the Premonstratensian Abbey at Wadgassen. The abbey was built in the 12th century on unfertile, desolate moorland, which later evolved into the most powerful religious community in the Saarland. The history of the abbey records quite astounding achievements under the motto desertum florebit quasi lilium ('the desert will bloom like a lily'); but also the harsh treatment of delinquents. The order had its own school, in which children were taught the seven liberal arts (which included music as well as geography and astronomy), but the poor were left to starve outside the abbey walls and were only allowed to eat from the members' leftovers on feast days. The medieval witch trials demanded their pound of flesh, and one group that fell victim were ecstatic dancers who moved wildly to music, which was interpreted as the devil's work. The result: a show trial that sentenced the dancers to death by fire. All in the name of... The year is 1789: Abbot Bordier is in the tenth year of his command. He does not yet know that he is to be the last abbot of an almost 700-year tradition. Not far from the abbey is the French border, which has long been making itself felt with the sound of gunfire, and the brothers continue to keep a nervous eye on it. The first portents of the French Revolution loom, but no one wants to believe it, that is, until the French pound the door down, storm the abbey and come right into the brothers' chambers. In a blind fury, all the pipes of the abbey organ are torn out, icons beheaded with swords and brothers beaten death while numerous buildings are set on fire. The abbey church is in flames. A frantic and desperate escape begins. Abbot Bordier and a handful of brothers make their getaway via the River Saar, adjacent to the abbey, to the neighbouring village of Bous. They survive, but their life, the Premonstratensian abbey, is destroyed. While they flee towards Prague and the sanctuary of the Strahov Monastery, the abbey at Wadgassen is razed to the ground and becomes a stone quarry. The desert blooms once more, however. A few short decades later, a glasswork arises from the foundations of the abbey. As peace returns to the region, it brings jobs and a new vision for its people.Duration: 11.15

    Estimated dispatch 7-14 working days

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  • £163.99

    The Pied Piper of Hamelin (Concert Band - Score and Parts) - Schwarz, Otto M.

    Stories, sagas and legends--who among us don't know them? Always delivered with a tinge of brutality, these cautionary tales are a legacy of moral education from times past: inquisitive children alone in the forest are generally eaten by a witch; the 'Soup-Kasper' of Hoffmann's Struwwelpeter dies from starvation rather than eating his soup; anyone letting in strangers usually gets devoured; anyone who plays with matches gets burned; and thumb-suckers get their thumbs cut off. The list of unfortunate demises is almost endless.In the tale of The Pied Piper of Hamelin, parents lose their children through greed, ridicule, scorn and a failure to appreciate art. There is still a street in the town of Hamelin in which neither drumming nor playing has not been allowed since 130 children disappeared into a mountain, never to be seen again. This composition by Otto M. Schwarz opens with exactly this scene, taking us back to the year 1284. As in many towns at the time, Hamelin in Germany suffered with hygiene problems--rats and mice began to multiply rapidly, and the town was overrun with the plague. There appeared a man dressed in colourful clothes who promised the locals to free them from this burden. They agreed and settled on a fee. Then the man pulled out a pipe and began to play. When the rats and mice heard this, they followed him. He led the animals into the Weser River, where they all drowned. Back in town, the people refused to pay him. They didn't recognise this man's skills and knowledge and were only prepared to pay for simple labour. A pact with the devil was made, which led to the Pied Piper leaving the town in a furious rage. One Sunday, when many people were at church, he returned, took out his flute and began to play. The town's children were so enchanted by his playing that they followed him. He led them out of the town and disappeared with them forever into a mountain forever. Of all the children, only two survived--however one was mute, and one was blind. In the street from which the children left Hamelin, music may no longer be played in memory of this event. The work may be performed in two different versions: 1. Purely instrumental (without narrator)--the GPs (pauses) must be kept short 2. With narrator--he speaks in the GPs but not during the music.Duration: 14.15

    Estimated dispatch 7-14 working days

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