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  • £104.00

    A Future Celebration (Concert Band - Score and Parts) - Houben, Kevin

    Future Celebration was composed on the occasion of the 125th anniversary of the Royal Socialist Wind Band 'De Toekomst' from Sint-Niklaas (Belgium). In this colourful compostion Kevin Houben succeeds in evoking the bustling textile and cigar industry of the nineteenth and twentieth century in this East Flemish city Sint-Niklaas. After all, these crafts were characteristic for the wealth they brought to the city. Still testimony of this are the 2 unique (niche)museums in Sint-Niklaas: the Knitwear museum and the Pipe and Tobacco museum. Even in times of great crises eg. during the Interbellum the city continued flourishing proving the unique collection of classified art deco houses, amongst others the former People's House, in which the Royal Socialist Wind Band still rehearse. This historic background of Sint-Niklaas and of the Wind Band in particular has been musically presented by Kevin Houben in Future Celebration. The brief, but energetic and powerful opening of the work by the brass instruments gives musical expression to Sint-Niklaas as a prosperous city. After the presentation of a majestic and lyrical theme by the woodwinds an allegro with a cheerful theme takes a look at the future, hopefully looking at the next milestones/ celebrations the city and its orchestra are still expecting in the future. Duration: 6.00

    Estimated dispatch 7-14 working days
  • £55.50

    Asteroids (Concert Band - Score and Parts) - Story, Michael

    There are almost one million asteroids in our solar system, with the main asteroid belt lying in orbit around the sun between Mars and Jupiter. Asteroids can range in size from less than 33 feet to around 580 miles in diameter. Based on notable asteroids and the mythological figures they were named for, Michael Story's Asteroids is a mini suite that contains three contrasting pieces: Pallas, Ceres, and Vesta. Duration: 3.30

    Estimated dispatch 7-14 working days
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  • £85.00

    Mozart's Sandbox (Concert Band - Score and Parts) - McKenzie, J. Scott

    What kind of music would Mozart write if he were alive today and had been exposed to jazz, rock 'n' roll, and polytonality? This piece supposes that he would start with what he knew and then figure it out on the fly! Mozart's Sandbox is a piece rich with depth and humour, but thoughtfully scored for young bands.

    Estimated dispatch 7-14 working days
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  • £242.50

    Labyrinth for Symphonic Band (Concert Band - Score and Parts) - Aagaard-Nilsen, Torstein

    I wrote Labyrinth to celebrate the 450th anniversary for the city of Fredrikstad. The Danish king Fredrik II agreed to establish a new town further down the river Glomma, to make it easier to defend from the Swedes. The piece is a network of quotations mixed with my own pitch material. My versions of the quoted melodies are not authentic, and sometimes hard to recognize. However, the different quotations give the music an aura of tonality. For example, a dance tune composed by the Flemish composer Mattheus Le Maistre (1505-1577). The melody also occurs in the first danish book of hymns written after the reformation. Since Norway for 400 years was a part of Denmark and everybody had to write and read Danish, they used much of the same music, too. I also use regular Danish hymn tunes and quote from a religious folk song from the area around Fredrikstad. The military signals I use are authentic (for example, The Old Danish March), and I am very sure they were used in the Old Town (the fortress) of Fredrikstad. The drums quote from The Downfall of Paris. This could have been heard played by professional soldiers hired by the Swedes from Scotland. This edition is a revised version made in 2020. - Torstein Aagaard-Nilsen. Duration: 23.00

    Estimated dispatch 7-14 working days
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  • £60.00

    Race Against Time (Flexible Ensemble - Score and Parts) - Romeyn, Rob

    Race Against Time from Rob Romeyn's popular "Atlantis: The Lost Continent" is an exciting addition for flexible instrumentation to any concert program. Beautiful melodies, stark musical contrasts and bold drama all describe this stunning programmatic piece depicting the island nation that existed over 11,000 years ago in the midst of the Atlantic Ocean. The music begins as the fateful day ensues, reaching a stunning climax as Atlantis, its people and its humanity were swallowed by the sea. Solid scoring and consistent tempos make this an excellent choice for distance learning. Exciting! Duration: 3.30

    Estimated dispatch 7-14 working days
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  • £89.99

    A Touch of Klez! (Flute or Alto Saxophone Solo with Concert Band - Score and Parts) - De Haan, Jan

    A Touch of Klez! was written for flute or alto saxophone solo and concert band. The work is based on three klezmer melodies: Ani Purim, Shlof Mayn Kind and Freilachs Fun L.A.. Klezmer is a form of traditional Yiddish music that originated in Eastern Europe during the Late Middle Ages and was originally intended as music for weddings. In the 20th century, klezmer melodies in Europe were influenced by other music styles; in America, jazz had a notable influence on this compelling music. Duration: 5.00

    Estimated dispatch 7-14 working days

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  • £75.00

    The Wand of Youth, Suite No.2, March (Concert Band - Score and Parts) - Elgar, Edward - Noble, Paul

    The Wand of Youth suites were written in 1869 when Elgar was only twelve years old, music written for a play and acted by the Elgar children for a private family theatrical production. He noted the tunes down in a sketchbook and in 1907, forty years later, he rearranged with only minor changes and orchestrated them as the two suites titled The Wand of Youth, Suite Nos. 1 and 2. Although the Wand of Youth Suites date from Elgar's mature years, he insisted on calling it Opus 1, because he wrote these pieces originally for piano many years earlier. The March is the first movement of The Wand of Youth, Suite No. 2. The arranger has presented this movement as an example of an excellent concert opener or warm-up march for a festival or contest performance because of its delicacy, yet determination.

    Estimated dispatch 7-14 working days
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  • £50.00

    The Wand of Youth, Suite No.1 - VII. Fairies and Giants (Concert Band - Score and Parts) - Elgar, Edward - Noble, Paul

    The Wand of Youth suites, subtitled Music to a Child's Play, were written in 1869 when Elgar was only twelve years old, music written for a play and acted by the Elgar children for a private family theatrical production. He noted the tunes down in a sketchbook and in 1907, forty years later, he rearranged with only minor changes and orchestrated them as the two suites titled The Wand of Youth, Suite Nos. 1 and 2. Although The Wand of Youth suites date from Elgar's mature years, he insisted on calling it Opus 1, because he wrote these pieces originally for piano many years earlier.

    Estimated dispatch 7-14 working days
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  • £40.00

    The Wand of Youth, Suite No.1 - VI. Slumber Scene (Concert Band - Score and Parts) - Elgar, Edward - Noble, Paul

    The Wand of Youth suites, subtitled Music to a Child's Play, were written in 1869 when Elgar was only twelve years old, music written for a play and acted by the Elgar children for a private family theatrical production. He noted the tunes down in a sketchbook and in 1907, forty years later, he rearranged with only minor changes and orchestrated them as the two suites titled The Wand of Youth, Suite Nos. 1 and 2. Although The Wand of Youth suites date from Elgar's mature years, he insisted on calling it Opus 1, because he wrote these pieces originally for piano many years earlier.

    Estimated dispatch 7-14 working days
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  • £40.00

    The Wand of Youth, Suite No.1 - V. Fairy Pipers (Concert Band - Score and Parts) - Elgar, Edward - Noble, Paul

    The Wand of Youth suites, subtitled Music to a Child's Play, were written in 1869 when Elgar was only twelve years old, music written for a play and acted by the Elgar children for a private family theatrical production. He noted the tunes down in a sketchbook and in 1907, forty years later, he rearranged with only minor changes and orchestrated them as the two suites titled The Wand of Youth, Suite Nos. 1 and 2. Although The Wand of Youth suites date from Elgar's mature years, he insisted on calling it Opus 1, because he wrote these pieces originally for piano many years earlier.

    Estimated dispatch 7-14 working days
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