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£67.50
Mechanical Mice - Graydon A. Toms
EEEEEEEK! It's a whimsical excursion into the realm of the mechanical mice! It's a rodent round-up! It's a veritable vortex of vagabond voles! Are we to be vexed by vociferous vermin? Let's find out while we have some fun!Your young band will love playing this one, as well as using their instruments in a creative but non-standard way. The effect of the little clicking critters can be quite amazing. Whoa! Here comes the CAT! Beware, though, because you know your band will want to play it again and again.Graydon Toms has composed some great music for young bands in the past, and this new one is sure to please the entire audience as well as the musicians. You've found a greatnew tune for your young band! CongRATulations!
Estimated dispatch 7-14 working days
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£59.95Storm Chaser - Kevin Mixon
Off in the distance we hear the storm begin, the thunder roar, and see the the lightning strike as we take off with this dramatic piece, depicting the sounds of a violent thunderstorm. Educator and composer Kevin Mixon gives us a bold new piece that includes the sound of finger snapping (to mimic rain and thunder) to add to the overall effectiveness of this dynamic piece. Students will love the angular, strong melody and will sound great in contest or festival.
Estimated dispatch 7-14 working days
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£274.99Symphony No. 2: States Of Mind, Opus 87 - Teo Aparicio-Barberán
I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each "musical argument" must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barbern is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos, the pathos and the ethos.Logos (words, reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public, by creating an emotional connection with the public so that they accept our message.The third element, ethos (credibility), refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from thesethree general concepts the music is only structured, as Claude Debussy would say, in a "formative way".The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by meansof conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in differentenvironments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composers personality. In thislast part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composers earlier work, the harmony in States of Mind is handled in a manner that is bothoriginal and efficient, as a result of which Aparicio-Barberns message is well understood by the listener.This second symphony by Teo Aparicio-Barbern is devoted to "my dear Henrie Adams, a guiding light in this eternally dark musical world. Thankyou for everything."
Estimated dispatch 7-14 working days
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£75.00Christmas Salsa (Concert Band - Score and Parts) - Newton, Bryce
Bryce Newton's newest holiday work is the perfect choice to add interest and variety to your holiday program. Combining themes from Here We Come a-Caroling and Angels We Have Heard on High, this piece is carefully crafted in a fun salsa style that your musicians will love to play. Very accessible in limited rehearsal time, Christmas Salsa will bring wonderful energy and excitement to your holiday concert or assembly. Duration: 2.15
Estimated dispatch 7-14 working days
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£64.50An Unending Legacy (Concert Band - Score and Parts) - Milner, Barry
The legacy we leave will be as a result of what we taught; what is our legacy to our children, country and/or world? This beautiful melody will evoke a remembrance of someone who has had or is having a profound impact on your life; remember to thank them for it.Duration: 4:30
Estimated dispatch 7-14 working days
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£53.99Kartoon Klassics
We all know and love the wonderful characters from the classic cartoon adventures of yesteryear. David Shaffer has crafted this clever reincarnation of music from those classics. Opening with Brahms' "Hungarian Dance #5" we can all imagine our favorite cartoon rabbit in his many adventures and mis-adventures. With Wagner's "Ride of the Valkyries" we hear his death defying escapes from his adversaries. Finally, Liszt's "Hungarian Rhapsody #2" gives us the musical tension that brought these cinematic classics to their comic conclusions. Multiple percussion effects and clever instrumental writing will make this a favorite for years to come. Very entertaining!
Estimated dispatch 7-14 working days
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£137.99Odyssee - Jan Bosveld
The Odyssee tells the story of Odysseus, the undaunted hero. In times long ago the blind poet Homer wrote this famous epic. The "Odyssey" follows the "Iliad", the story of the bloody war between the Greek and the Trojans. This battle endsafter ten years thanks to the Odysseys famous trick. the Trojan Horse. The Odyssey is not a war epic, but a story about perseverance, loyalty, adventure, and the survival instinct of its ingenious hero. In The Odyssey, Homer describes howOdysseus, the king of Ithaca, had to endure another ten years of affliction after the ten years of war in Troy before he could finally return to his home land. During those years, his wife, Penelope, had to try and keep her many admirers away.These men not only wanted het hand but also the kingship. To prove her husbands worth, she played a trick: "As soon as I have finished weaving this shroud for my father-in-law, Laertes, I will choose one of you to become my husband", she promisedthem. But during the night, she secretly loosened what she had woven during the day, prolonging the time until Odysseus would finally return. After twenty long years, when he finally stood at the door, she wondered: Is this really my husband? Ishe an imposter? Cunningly, she asked him to move the bed, because only she and her husband know that the bed was immovable and was build around an old three trunk! Odysseus was deeply moved: this really was his wife, his Penelope! Nearly threethousands years later, the loyalty and strength of this character, and all the dangerous adventures that Odysseus survived thanks to courage and intelligence, still moves us today. Odyssee by Jan Bosveld is not just an adventure story, butrather a characteristic piece in which memories of Homers story can be heard. The composition opens with a firm, stirring theme describing our hero, Odysseus, in detail: This man is not to be taken lightly. The further development of thisshort introduction completes this character sketch: trustworthy, perseverant, and a genius. After that we can picture Odysseus on the lonely beach of Ogygia. Do the trumpets depict his memories of the war of Troy? Does he think of his wife, as werecognise the weaving loom of Penelope in the murmuring eighth? In the solemn, plaintive part that follows, we can imagine Penelope feeling lonely, sitting in the womens room with her servants.One of the girls plays the harp, but that does notclear the sombre atmosphere. Then we can imagine seeing the sorceress Circe, who changed Odysseus men into swine. After she gives a simple magic sign something follows that reminds us of the sound of pigs grunting. Then the Odysseus theme resounds:the hero comes to savi his comrades. Assisted by Hermes, he forces Circe to lift the spell. The piece ends the same way as it began, with an animated theme: Odysseus is still the same, undefeated and not to be taken lighty!
Estimated dispatch 7-14 working days
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£49.00Kartoon Klassics (Concert Band - Score and Parts) - Shaffer, David
We all know and love the wonderful characters from the classic cartoon adventures of yesteryear. David Shaffer has crafted this clever reincarnation of music from those classics. Opening with Brahms' "Hungarian Dance #5" we can all imagine our favorite cartoon rabbit in his many adventures and mis-adventures. With Wagner's "Ride of the Valkyries" we hear his death defying escapes from his adversaries. Finally, Liszt's "Hungarian Rhapsody #2" gives us the musical tension that brought these cinematic classics to their comic conclusions. Multiple percussion effects and clever instrumental writing will make this a favorite for years to come. Very entertaining! Duration: 2.00
Estimated dispatch 7-14 working days
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£54.99Christmas Gloria - Robert E. Foster Jr.
A Christmas selection young bands will sound great playing! This setting is based on the well-known carol, Angels We Have Heard on High. The limited ranges (5-6 notes) with simple rhythms and exciting percussion parts will provide your young musicians with a chance to be successful with a familiar holiday classic. This arrangement will certainly be recognizable by your students and audience, and will be a band favorite as well as a crowd pleaser!
Estimated dispatch 7-14 working days
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£69.95
Keep Me Praising - Score and Parts - Andrew Mackereth
Program NotesBased on the song melodies "Give Me Joy in My Heart, Keep Me Praising" and "Praise, My Soul the King of Heaven," the music is largely light-hearted in nature with some florid semi-quaver work overlaying the melodic lines and some interesting interplay between the two selected tunes. We believe that it will have wide appeal both to players and listeners.Andrew Mackareth originally wrote this piece for The Salvation Army's Symphonic Wind Ensemble, but it was first published in a rescored version for brass band. We are please to be able to release it in its original form in this collection of wind band music.
Estimated dispatch 7-14 working days
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