Results
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£138.00San Pedro de Alcntara - Valdemar Gomes
The Spanish war galleon with 64 cannons, built in Cuba between 1770 and 1771 for an English shipowner in the service of the King of Spain left Peru for Cadiz in 1784 with a huge cargo of copper, gold, silver and other valuables on board. There were also more than 400 people on board, including passengers, crew and Inca prisoners after a revolt. The Atlantic crossing went smoothly, passing Portugal to take advantage of favourable winds. The shipwreck off Peniche was the result of human error, apparently due to French maps with dramatic errors in the position of the islands of Berlengas and neighbouring islets. On 2 February 1786, the sea was calm and the night clear, but they hit the rock formation Papoa and the hull immediately broke in two. The bottom sank quickly, while the deck remained afloat for some time. 128 people lost their lives, including many Indians who were trapped in the basement. This shipwreck is considered one of the most important in maritime history.What the composer wants to convey, and what can be felt as one listens, is first of all the sound of power, of hope, of the glory of conquest, of the splendour of wealth. This is followed by the perception of the maritime environment, the harmony with the softness of the ocean, the gliding of the hull in the foam of the sea on sunny, blue days. But along with this tranquillity, you soon hear a rhythmic chain that makes you feel a representation of the hustle and bustle, of the busy crew, of the hard work of a sailor, of the desperation of an exotic people imprisoned in a dark, damp cellar. A distinct rhythm that reminds us of the "salero" of Andalusia, with its Arab influences and its people, the soothing of the resignation of others who are forced to submit. Then we clearly hear a crescendo that makes us imagine the agony of the collision that precedes the shipwreck. The breaking of the hull, the water flooding everything, the despair, the clash of bodies on the rocks, the tragedy to come. Before the "grand finale", in which the return of musical softness reminds us that the story is over. The supremacy of nature over human greed. The waves, though gentle, sweep the wreckage, the lives and the treasures of the New World to the bottom of the sea.
Estimated dispatch 7-14 working days
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£76.99Lost Lake at Seymour Valley - Danny Choi
Based on the exhilarating bike ride on the Seymour Valley Demonstration Forest trail and a detour into the remote, beautiful Lost Lake, I associate this piece with some great memories. Glistening in a quiet peace, Lost Lake_x001A_also known as Rolf Lake_x001A_is calm and warm in the summer. Not many people know about it, so it is easy to find yourself alone, surrounded by beautiful nature, isolated from humanity. Back in high school, I would bike up to Lost Lake with one of my best friends Masanori Miyanabe, we'd have music playing off a bluetooth speaker as we biked against the cool air under the hot sun. Powering through uphill stretches with the reward of gliding downhill, when we would finally make it to the lake, we would put our bikes down by the bushes_x001A_no locks, no security_x001A_and we would make our way down the rough logs towards the tiny strip of land suitable for basking in the sun, snacking, and maybe even swimming. In order to beat the sunset, reluctantly, we would mount our bicycles once again and find our way back to the Seymour Valley trail, where we would enjoy the evening ride home. -D.I.D. Choi
Estimated dispatch 7-14 working days
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£159.99From Ashes to Glory - Otto M. Schwarz
Good times and bad times - we often picture them in shades of either somber black and white or vibrant color. Beautiful landscapes, tranquil villages, places brimming with peace and harmony - yet, in an instant, they can fall prey to the flames. Joy sinks into sorrow, but with every end comes a new beginning. From the ashes, something new arises, like a phoenix reborn. This has always been the way, the eternal circle of life that envelops our world.Imagine a serene landscape nestled in the mountains. Cows graze peacefully on alpine pastures, the sky stretches endlessly in a deep blue, and the warm spring sun casts its golden glow over the earth. From a hillside, we gaze down upon the village below, where quiet and peace reign. It is a place that carries the breath of time within its essence.But then, as if in a dream, the colors fade. Black and white take the stage, and we find ourselves transported 80 years into the past: it is April 20, 1943. The shadows of World War II have reached even St. Jakob am Arlberg. The swastika flag hangs heavily over the village square, while many of the village's men are away, serving on the front lines.On this day, Adolf Hitler's birthday, tragedy unfolds. A fire ignites - small at first, but fed by wind and timber, it grows into an unstoppable inferno. The flames hungrily consume house after house, and finally, they reach the village's beating heart: the church. Alarms echo through the streets, panic spreads like the fire itself, and the villagers fight desperately against the searing heat. Yet, despite their efforts, the steeple, which once rang out time for the village, collapses, and the church burns to its very foundations.The village is wounded, its people left amidst the ruins of their lives. But amid the ashes and despair, the true strength of the community emerges. Shoulder to shoulder, hand in hand, they come together to rebuild what seemed irretrievably lost.Gradually, color returns to the images. The wounds begin to heal, tears dry, and life blooms anew. The village rises again, radiant with hope and the resilience born from its darkest hours.For this is the cycle of life: from pain grows strength, and from the ashes of the past, the future is born - again and again.
Estimated dispatch 7-14 working days
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£115.60Romjulsdrm - Thoralf Borg
The poem Romjulsdrm ("Christmas Dream") was first published in Arbeiderbladet on January 3rd 1959, and became known when Thoralf Borg set a melody to it in 1968. Up until this, Alf Prysen had used a melody quite similar to the song Lijan uti dalen, when he sang the song in the TV program Ei vise vil jeg synge in 1964. At the same time that Borg's melody was written, the last four lines of text were also added to the poem, and the song took on the form we know today.The form and structure of this arrangement originates from a version for big band and vocals commissioned by stre Toten Storband, written in 2018 for one of their traditional midnight concerts on the day before Christmas. In an attempt to give the arrangement a nice calm and the text a lot of room, as is often the case in songs like this, it ended up in a relatively narrative style where the variation in tempo and the shifts between swing and straight eighth notes are particularly central.The song is about family, friendship and the quiet days of the Christmas holidays, which hopefully is something most people can recognise. The arrangement for the aforementioned midnight concert was ordered because my sister was to be the soloist for the concert, and since my father also played lead trombone - as he has done in this big band for as long as I can remember - it was natural to add a small trombone solo as well. It's always special to write and arrange music for people I know and appreciate, but it's extra special when it's also for two of my great role models.- David Stre Hveem -
Estimated dispatch 7-14 working days
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£84.99
Creamy and Crispy - Marc Cunningham
This composition of Marc Cunningham has four parts, and takes place on a sunny day in a picturesque town. 1. Promenade Many people walk through the city. The band passes through the streets. People are strolling along the avenues and amorous couples are sitting on a park bench. 2. Lovey Dovey One of these couples is knee-deep in love. 3. Crispy and Creamy Here the contrasts between a crisp staccato section in two-four time signature and a smooth legato section in three-four time signature are depicted. Is Crispy the boy and Creamy the girl? 4. Farewell In the last particle the couple says goodbye. We still think back tothe walk through the city. It sounds a little less happy now. Not everyone is good at saying goodbye, sometimes a tear flows.
Estimated dispatch 7-14 working days
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£104.99Best of Mika (Concert Band - Score and Parts) - Tinner, Gilbert
British-Lebanese singer and songwriter Mika took the pop-scene by surprise in 2006 with not only one, but two successful albums in consecutive years, proving beyond doubt that he is more than just another one hit wonder. His intoxicating, sometimes even crazy, songs contain melodies and rhythms that have not only brought fl ocks of people to the dance floor, but have also entertained people of all generations. Gilbert Tinner's medley brings together three of Mika's hits: Lollipop, We Are Golden and Grace Kelly.Duration: 5:30
Estimated dispatch 7-14 working days
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£84.99Creamy and Crispy Wind Band Set (Score & Parts)
This composition of Marc Cunningham has four parts, and takes place on a sunny day in a picturesque town. 1. Promenade Many people walk through the city. The band passes through the streets. People are strolling along the avenues and amorous couples are sitting on a park bench. 2. Lovey Dovey One of these couples is knee-deep in love. 3. Crispy and Creamy Here the contrasts between a crisp staccato section in two-four time signature and a smooth legato section in three-four time signature are depicted. Is Crispy the boy and Creamy the girl? 4. Farewell In the last particle the couple says goodbye. We still think back to the walk through the city. It sounds a little less happy now. Not everyone is good at saying goodbye, sometimes a tear flows. 07:45
Estimated dispatch 7-14 working days
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£139.99Country Scenes - Hans Aerts
Country Scenes takes us back to the early English settlements on the American east coast. The opening section, Daybreak, depicts daybreak in a small village where people go about their daily business. In the second movement, Procession, we hear a stately and elaborate funeral march that symbolises the intertwining of religion with everyday life. The closing section, Village Dance, which is written in rondo form, brings the lively atmosphere of a village festival to life.
Estimated dispatch 7-14 working days
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£204.99
Credentium - Jan van der Roost
A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times, symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town, and people should know about it.There followsa rhythmic, turbulent passage: in the course of history, Peer has not been spared the ravages of war, arson, occupation, epidemic and other evils. In contrast, a slow, pastoral, lyrical part expresses the periods of peace and prosperity the town has known, as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast, painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when, via a surprising, almost chaotic transitional passage, we are in effect transported back to our own time. A hopeful, festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen, the 95 members of the concert band have experienced an extended period of good fortune, and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations.
Estimated dispatch 7-14 working days
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£59.95Blue Jeans (Trombone Solo with Concert Band - Score and Parts) - Wiffin, Rob
In 2008 the trombonist, Chris Jeans, was invited to be a featured soloist at a British Trombone Society event. He contacted Stan Kitchen at Studio Music Company to see if he had any new material for trombone. Stan then got in touch with me, as I had already written a piece for another trombone player, Brett Baker. This piece, 'Shout' was programmed for the same event so we needed to find something new for Chris.The title 'Blue Jeans' came to my mind, thus linking a blues-style piece with the obvious reference to Chris's surname. I spoke to Chris and he liked the sound of it so then I had to go away and write a solo to match the title!I managed to get a version with piano accompaniment done in time for Chris to perform at the trombone event and have now had a chance to complete the band version. Chris is a great chap, a good friend and a wonderful trombone player so I hope people enjoy listening to this solo that bears his name.- Rob WiffinDuration: 3.30
Estimated dispatch 7-14 working days
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