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£56.00Journey of the Magi - Traditional
Journey of the Magi is a fantastical piece based on the well-known Christmas carol We Three Kings of Orient Are. After an introduction reflecting the nobility and Eastern origins of the travelers, there are three contrasting settings of the carol's verse and two of the chorus. The royal caravan then fades in to the distance as the three Kings continue their journey and search.
Estimated dispatch 12-14 working days
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£64.95December Joy - Douglas E. Wagner
Arranged by Douglas E. Wagner, three well-known secular carol tunes are showcased in this big and brassy, bright and flashy seasonal extravaganza, especially suited as a concert opener. Beginning with a cascade of chimes, soaring woodwind runs, and bold brass lines, "Deck the Hall" and "Here We Come A-Caroling" are presented with dynamic flair, interspersed with brief fanfare-like episodes. The mood transitions to a jaunting sleigh ride across the winter landscape, partnering the second time through with "Jingle Bells," as the spirited celebration closes with a short coda, drawn from musical materials heard in the opening measures of the work. (2:55) This title is available in SmartMusic.
Estimated dispatch 7-14 working days
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£127.30Piratene Kommer! - Roar Minde Fagerli
The Pirates are comming! is a four movement suite of music originally composed for a summer course arranged by The Norwegian Band Federation. The four movments describes the pirates tale. In the first movement they set the sails for new adventures. In the second movememt we meet the pirates early one morning when the sun rises. I the third movememt the pirates are looking for a treasure map at the Isle of the Dead. In the fourth and last movememt, they hunt the teasure! The Composer has been inspired by TV-series and films with pirate themes. The Music is written especially for beginners.
Estimated dispatch 7-14 working days
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£51.50Christmas Cheer
This medley of two famous Christmas songs, "Up on the Housetop" and "We Wish You a Merry Christmas" will add sparkle to any holiday concert. The songs are easy to prepare and perform with young players, include recognizable melodies, and are a great musical expression of joy and happiness to performers and listeners alike. Happy holidays! (1:30)
Estimated dispatch 7-14 working days
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£68.99
Fairy Tail Suite - Tsutomu Tajima
This work was complete in January 2013 to commemoration the 50th anniversary of the Iwate Prefecture Band Association. Conditions at the request were as follows:1: Does not have to be particularly relating to Iwate. It should be something that would be widely familiar to the whole country. 2: Should suit the contest piece requirements. 3: Must be a song that can be used at a graduation ceremony for student procession and recessional.4: Must include vocal parts with a beautiful melody.5: Must be a march.6: Must be a song that would be loved by many.They are difficult requests. I hope to satisfy at least one of them.We selected Yanagida Kunio's book "Tono Monogatari" as the cornerstone of the work, chose four stories that fit the image, and stuck close to the source of the story. Then, "prelude music" was added, making it a suite consisting of five movements.I. "Prelude" What kind of story will it be? An exciting opening expresses such a feeling.II. "Zashikiwarashi" Spirit that brings good fortune and wealth. It appears at midnight and makes mischief, something silly, not serious. Zashikiwarashi moves quickly, dances, plays its games, hiding and reappearing often. These characteristics are considered cute and the music depicts such a mischievous Zashikiwasi.III. "Oshirasama" A girl and her horse love each other. Her father forbids this, and kills the horse. The beautiful daughter clings to the horse and cries. Eventually, the daughter and the horse rise to heaven, slowly and gradually, remembering former happy days. The music captures this ascension to heaven.IV. "Yamanba (Mountain witch)" Run away, run away, its chasing, still chasing. Run away, and still chasing. The girls hides. Yamanba searches. It keeps chasing, endlessly, following her everywhere. Chasing, chasing, and finally... Seriously and comically depicting the chase situation in fugue style.V. "Kappa" Staring into the distance. It looks gallant. What is it looking at? Staring beyond the mountain? Perhaps it is longing for hope and happiness. This is an homage, a march, and cheering song for Kappa who never gives up and embraces dreams and hope.It is my wish that many people become familiar with this song.(2013.3.31 Tsushima Tashima)
Estimated dispatch 7-14 working days
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£137.99
Three Onegin Dances - Pyotr Ilyich Tchaikovsky
Tchaikovsky is best known for his purely instrumental compositions. However, we must not underestimate him as a composer of operas. Many of his operas such as Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin), composed in 1877-1878, was not called an opera by Tchaikovsky himself, but "lyric scenes". The work is entirely dominated by lyricism. However, there are two moments that contrast sharply with this lyricism: two ball scenes, for which Tchaikovsky wrote a waltz and a polonaise.After opening with a less well-known allegro dansant, this arrangement features the aforementioned waltz, which can beconsidered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera, this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg.
Estimated dispatch 7-14 working days
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£82.50Christmas in the Valley of the Kings - Gary P. Gilroy
A spirited holiday opener or closer where the composer's love for percussion is proudly evident. Three traditional Christmas tunes are featured, including I Saw Three Ships; Bring a Torch, Jeannette, Isabella and We Three Kings of Orient Are. Each carol is introduced and then combined and overlapped for a rousing effect complete with a crisp percussion transition. An unexpected and lively 7/8 ending brings the work to a thrilling finish that is energetic and intense.
Estimated dispatch 7-14 working days
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£248.99Three Movements - AndrĂ© Waignein
These three movements for piano and band depict three stages of a musical journey. We set off on a long journey through the world of musical virtuosity in the style of Liszt : grand, lustrous and lyrical. The second stage is a peaceful stroll, the start of a dream. The colours are like a tender caress and the piano sketches transparent arabesques. This splendid impressionistic journey ends in two bright pink drops which evapore just in time before the third and last movement explodes.The last movement is driven forward by a raging rhythm, as relentless as a war-dance. In a confrontation between the soloist and the orchestra all the inner strength of the composer comes to thesurface so that the musicians in the end are breathless... but all the same, no less satisfied.
Estimated dispatch 7-14 working days
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£139.99Traffic - Thomas Doss
This piece describes the daily madness of traffic in a city full of cars, noise and exhaust fumes. Even in the countryside the 'monster on four wheels' has already arrived and is destroying idyllic villages. In the middle of the composition, we experience a traffic jam, where some drivers tend to behave in a very primitive way! This work is dedicated to all those who are affected by or are suffering from the overpowering proliferation of traffic. This work will 'drive' your audiences crazy with excitement !!
Estimated dispatch 7-14 working days
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£184.99
Rubicon - Bert Appermont
The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.
Estimated dispatch 7-14 working days
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