Results
-
£159.99
Fantasia Per La Vita E La Morte - Bert Appermont
The mystique surrounding life and death formed the starting point of this composition. I wanted to write a work without a story, mixed up in a kind of musical quest for a new world of sound, original rhythm sequences, melodies filled with suspenseand distinct orchestral tones.The indirect cause was the birth of my first child which took place during this time, followed by the death of a close family member. At such a moment you experience just how close life and death are to each other, anddespite one being the antithesis of the other, they are incredibly similar. Both radical events are passages into new worlds and have great emotional impact. Moreover, the work was commissioned by "New Life", an orchestra that lost one of itsmusician in a plane crash, which also led me to believe that this approach would be appropriate.I would prefer not to comment on which passages in the composition concern life (birth) and which refer to death. It seems to me that it is moreinteresting to question traditional conceptions and leave it open for the listener. If you think that a passage is about birth, and this idea then shifts, it is this that raises fascinating questions, on both a musical and metaphysical level.Music isin an indirect but incredibly persuasive way in which to express the endless striving and seeking of mankind. Music can even touch eternity, as it were, and give us the feeling that we can transcend death. This endless search (and also longing) canbe heard throughout the work; as much in the sound fields and accent shifts in the first part as in the enormous tension curves and compelling themes of the second part. The semi-tone functions in this way as a guide or something to hold on to,running through the whole work and upon which much of the musical material is based. Traces of profound love resound with quiet simplicity in the slow section's melodious solos, after which the work contemplates life and death one last time, musesupon joy and sadness, on the possibilities and limitations of people and on the why of all things.I would like to dedicate this work to my dearest daughter Paulientje, to Meterke and to Johan de Jong of the "New Life" orchestra. May it fare themwell, here or in another dimension...
Estimated dispatch 7-14 working days
-
£154.99The Power of the Megatsunami - Carl Wittrock
The word 'tsunami' is of Japanese origin. When you look it up in a dictionary, you will find that it means 'a great sea wave produced by submarine earth movement or volcanic eruption'. A megatsunami is the superlative of this awesome expression of power that nature can create, and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred, but since then we have become all too familiar with the disastrous consequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions ofmany countries for miles around. The tsunami took the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami, such as the island of La Palma, one of the Canary Islands. This island is based on oceanic crust at a fracture zone and as such is one of nature's time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma, the tidal wave will move in the direction of South America, where it may reach 50 km inland, destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air, the music creating an oppressive atmosphere of impending disaster. Themes are interrupted, broken off suddenly, followed by silence, suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake, and the megatsunami is a fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature's force has spent itself, resignation sets in and the composition ends with a majestic ode to nature.
Estimated dispatch 7-14 working days
-
£72.99Harlem Suburb Shuffle (Flexible Ensemble - Score and Parts) - Schaars, Peter Kleine
From the beginning of the Middle Ages, we have known performance practices in which the duration of the notes can differ from the actual notation. In some cases, binary written melodies were performed in a ternary way. This is also the case in the present-day shuffle: the written quavers are performed in a long-short system in which the ratio is 2:1. In other words, the performance practice is based on a triplet feel. In this composition, all ingredients of the shuffle are featured: a vigorous swing rhythm, a walking bass, the successions of thirds in the accompaniment and the frequent use of triplets. To make sure that the binary written rhythms in the accompaniments are performed in the correct ternary manner, Peter Kleine Schaars has notated the melody themes in triplets as much as possible. Thus, this composition is a very useful exercise for the swing development of your ensemble. Additionally, the work is a treat to listen to, so your audience will really appreciate this up-tempo big band like composition. All ternary rhythmic cells 17 till 24 pass in revue, further more much attention had been paid to a correct performance of cell 4 in swing feel.Duration: 3.00
Estimated dispatch 7-14 working days
-
£168.50The Four Noble Truths (Concert Band - Score and Parts) - Sparke, Philip
The Four Noble Truths are the most basic expression of the teaching of Buddha and therefore still form the guidelines for Buddhists to this day. The four truths are Dukkha, which describes times of major stress in our lives - birth, ageing, desire and death; Samudaya which describes those parts of our life that induce stress, feeling, craving, desire; Nirodha which tells us how to eliminate those aspects of our lives which induce stress and Magga which describes the eight disciplines which can help us eliminate the origins of stress from our lives. It can be seen from these over-simplified definitions, that the Four Noble Truths fall into two pairs, the first two describing the origins of stress and the second two describing how we can reduce stress. To reflect this, the four movements of this work are also combined into two pairs - two quick movements and two slow movements. A fascinating work from this great English composer.Duration: 14:00
Estimated dispatch 7-14 working days
-
£53.95The Legacy of Christmas (Concert Band - Score and Parts) - Bullock, Jack
Although written as supplemental material to the Belwin 21st Century Band Method (for use after lesson 8 of Level One), this piece for the holidays can be utilised with any beginning method. The grade level is 1/2-1, the pitch ranges are within an octave from concert low B-flat to A-flat, and the rhythm patterns are limited to whole, dotted half, half, and quarter notes and rests. Three well-known Christmas songs are included in this mini-medley: Adeste Fidelis, Good King Wenceslas, and We Wish You A Merry Christmas. There is an optional ending after the first two selections, and all three pieces can be played independently as short individual pieces if the director desires. Duration: 2.00
Estimated dispatch 7-14 working days
-
£79.99A Festive Overture (Concert Band - Score and Parts) - Reed, Alfred
A Festive Overture was commissioned by the Tri-State Festival, held annually under the auspices of the Music Division of Dickinson State College in Dickinson, North Dakota, for performance at the 1963 Festival. The first performance took place on November 2nd, 1963, at the concluding grand concert of the festival, with the Dickinson State College Symphonic Band under the composer's direction. The score is in traditional overture form, a brilliant opening allegro followed by a reflective, lyrical interlude, and concluding with a return to the first themes and mood. The entire work is built on three motifs, which are heard in the first section, with the middle section developed from one of these, which first appears as the bass line to the main theme. In the course of the work, the full resources of the modern, integrated concert band are called upon, to present these motifs in constantly varied forms and combinations, and in scintillating tone colors. The wording of the commission presented a basic challenge: that of writing a major work on the highest musical level and yet capable of performance by a good high school band. We believe that this challenge has been met, and are proud to offer this work as a contribution to the modern school and concert band repertoire.
Estimated dispatch 7-14 working days
-
£84.99Creamy and Crispy Wind Band Set (Score & Parts)
This composition of Marc Cunningham has four parts, and takes place on a sunny day in a picturesque town. 1. Promenade Many people walk through the city. The band passes through the streets. People are strolling along the avenues and amorous couples are sitting on a park bench. 2. Lovey Dovey One of these couples is knee-deep in love. 3. Crispy and Creamy Here the contrasts between a crisp staccato section in two-four time signature and a smooth legato section in three-four time signature are depicted. Is Crispy the boy and Creamy the girl? 4. Farewell In the last particle the couple says goodbye. We still think back to the walk through the city. It sounds a little less happy now. Not everyone is good at saying goodbye, sometimes a tear flows. 07:45
Estimated dispatch 7-14 working days
-
£154.99
The Power of the Megatsunami Wind Band Set (Score & Parts)
The word 'tsunami' is of Japanese origin. When you look it up in a dictionary, you will find that it means 'a great sea wave produced by submarine earth movement or volcanic eruption'. A megatsunami is the superlative of this awesome expression of power that nature can create, and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred, but since then we have become all too familiar with the disastrous consequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunami took the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami, such as the island of La Palma, one of the Canary Islands. This island is based on oceanic crust at a fracture zone and as such is one of nature's time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma, the tidal wave will move in the direction of South America, where it may reach 50 km inland, destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air, the music creating an oppressive atmosphere of impending disaster. Themes are interrupted, broken off suddenly, followed by silence, suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake, and the megatsunami is a fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature's force has spent itself, resignation sets in and the composition ends with a majestic ode to nature. 10:30
Estimated dispatch 7-14 working days
-
£199.95Tunes and Toasts for all Times (Wind Band Value Set) - Barsotti, Roger
Wind Band set includes:Concert Flute & Piccolo x2Eb Clarinet x1Oboe x11st Bb Clarinet x22nd Bb Clarinet x13rd Bb Clarinet x1Bassoon x11st Eb Alto Saxophone x12nd Eb Alto Saxophone x1Bb Tenor Saxophone x1Eb Baritone Saxophone x11st Bb Cornet/Trumpet x22nd Bb Cornet/Trumpet x13rd Bb Cornet/Trumpet x11st & 2nd Horns in F x13rd & 4th Horns in F x11st Trombone x12nd Trombone x1Bass Trombone x1Euphonium (BC) x1Bass x2The Piano Conductor Score and Drums are available separately.Titles:ENGLISH AIRSA fine old English GentlemanA-hunting we will goBritish GrenadiersCherry ripeClementineCome, lassies and ladsDrink to me onlyDulce DomumDrunken sailor (The)For he's a jolly good fellowFarmer's boy (The)Floral DanceFrothblowers' AnthemGirl I left behind me (The)Here's a health to all good ladiesHere's a health unto her MajestyHere's to the maidenJohn PeelKeel row (The)Love's old sweet songMarch of the Fire BrigadesMistletoe bough (The)On Ilkla MoorPrincess Royal's Red Cross marchRoast beef of old EnglandSir Roger de CoverleySee the conquering hero comesSoldiers of the QueenThere is a tavern in the townNAUTICALHeart of oakHornpipeLife on the ocean waveShenandoahRed, white and blue (The)Rule, BritanniaSCOTTISH AIRSAnnie LaurieAuld lang syneBonnie banks of LochBonnie DundeeBlue-bells of ScotlandCampbells are coming (The)Charlie is my darlingFlowers of the forestHundred pipers (The)Highland LaddieRobin AdairScotch ReelScots wha haeWill ye no come back againYe banks and braesIRISH AIRSCome back to ErinDanny boy (Londonderry air)Harp that once through Tara's hallIrish Washerwoman (The)KillarneyMinstrel boy (The)Oft in the stilly nightOff to PhiladelphiaSt. Patrick's DayWELSH AIRSAll through the nightAsh grove (The)Bells of AberdoveyDavid of the white rockLand of my fathersMen of HarlechAMERICAN AIRSCarry me back to old VirginnyDixieGood-night (shine, shine, moon)John Brown's bodyMarching thro' GeorgiaOld folks at home (The)Star Spangled BannerTramp, tramp, tramp, the boys are marchingWhen Johnny comes marching homeYankee doodleCANADA AlouetteMaple leaf (The)O CanadaAUSTRALIAWaltzing MatildaSACRED AIRS & CAROLS Abide with meEternal Father strong to saveO God our help in ages pastFirst Nowell (The)Good King WenceslasO come all ya faithfulWhile shepherds watchedJerusalemSupreme sacrifice (The)Dead march in SaulPARADES (All organisations)General saluteSlow march or troop "Scipio"Troop "May-blossom"FANFARES, etcDeclamatory No. 1Occasoinal Fanfare No. 2"Reveille""Retrear""Last Post"Galop from "Orpheus in the Underworld"God save the Queen (in B flat)God save the Queen (in F)
Estimated dispatch 7-14 working days
-
£34.95
Dreaming of Dreams - Thomas Kelly
Dreaming of Dreams is a slow-paced and 'feel-good' piece, written for grade 2 Wind Band. After a short reflective introduction, the light and delicate main melody is introduced by the first clarinets followed by a broad and nostalgic counter melody at letter B played by the tenor saxophone, bassoon, first trombone and euphonium. At section D the main melody returns in the first clarinets, this time augmented by the first trumpets and at E we hear the main melody and counter melody together. After a repeat of the opening material, a new melody is featured at letter G played by the first flutes in a new key. The main melody and counter melody are then heard for one final, triumphant time, back in the home key. Fragments of the main melody are then heard throughout different sections of the band as the piece fades away to the final chord.
Estimated dispatch 7-14 working days
View Music