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£63.95A Vaughan Williams Christmas (Concert Band - Score and Parts) - Vaughan Williams, Ralph - Wagner, Douglas E.
A giant among composers, Ralph Vaughan Williams has contributed to the literature for concert band music that is standard repertoire throughout the world. Here are works from other genres that were collected, arranged, adapted, and/or harmonized by Vaughan Williams: "Forest Green (O Little Town of Bethlehem)" (from the first edition of the English Hymnal, 1906), "Wassail Song" (the fifth of Five English Folk Songs, 1913), and "Sussex Carol" (the second of Eight English Carols, 1919). These are the works of a master in a stunning setting by Douglas Wagner.Duration: 4:30
Estimated dispatch 7-14 working days
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£66.95Christmas Winds (Overture) (Concert Band - Score and Parts) - Wagner, Douglas E.
When the joy of the Christmas holidays begins to sprinkle down on all of us, we know that the annual concert is near. Douglas Wagner samples some of the great traditional carols including Hark! The Herald Angels Sing; While by My Sheet (The Echo Carol); God Rest Ye Merry, Gentlemen; Patapan; Still, Sill, Still and Angels We Have Heard on High to focus this superior Christmas offering. Give your audience the melodies they want to hear in this very special, sparkling setting.Duration: 4:15
Estimated dispatch 7-14 working days
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£72.00Pilgrim's Chorus (Concert Band - Score and Parts) - Wagner, Richard - Reed, Alfred
This is the first time the Pilgrim's Chorus has been set apart from its use in the overture and is skilfully arranged by Alfred Reed. It's Wagner at his best and of course, Alfred Reed too. Outstanding Arrangement!
Estimated dispatch 7-14 working days
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£66.95Confidence - Douglas E. Wagner
Confidence, by Douglas E. Wagner, is a bold, uplifting work that opens with a dramatic fanfare before transitioning into animated rhythms and contemporary harmonies that inspire confidence to face the future. The music instills courage and determination to accomplish dreams, rising each day with hope and positivity. (2:15)
Estimated dispatch 7-14 working days
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£50.50Entrance of the Shogun - Douglas E. Wagner
Entrance of the Shogun, by veteran composer Douglas E. Wagner, is a stunning work that uses only the first few notes of the B-flat concert scale. With easy rhythms and a dramatic sound, your students will love this piece while exploring the history of the Shoguns.
Estimated dispatch 7-14 working days
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£104.99Friedensmarsch - Richard Wagner
Rienzi remains one of the most popular works from the ?master of romantic opera?, Richard Wagner. The Friedensmarsch from the fourth act (scene 2) of Rienzi is subdued and solemn in character: in the sounds of this march, Rienzi strides to a stately church service. This is sure to be a very popular addition to any performance and is one not to be missed.
Estimated dispatch 7-14 working days
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£121.00Prelude to Parsifal - Richard Wagner
Parsifal, written in 1882, was the final opera by composer Richard Wagner (1813-1883). The prelude is a miniature masterpiece consisting of only 116 measures. The form of the prelude is similar to that of the classical three-movement overture and consists of four musical motives: the mystical realm of the Holy Grail; the Grail itself in the Dresden Amen; Faith, represented by the brass chorale; and the Agony of Amfortas. This transcription by John R. Bourgeois faithfully adheres to Wagners intent both in key relationships and orchestration.
Estimated dispatch 7-14 working days
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£72.00
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£60.00Magic Wagner - Jérôme Naulais
Estimated dispatch 7-14 working days
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£123.203 Letzte Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 14.00
Estimated dispatch 7-14 working days
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