Results
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£75.00Winter Wakeneth All My Care (from When Icicles Hang) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
John Rutter received an early commission for a piece of music that was seasonal for winter, though not necessarily linked to the Christian traditions of Christmas, in the early '70s. The request came from his friend Russell Burgess, a well-known conductor in the English musical scene and head of the Wandsworth School Boys' Choir through the '60s and '70s. Rutter responded with a six-movement work for orchestra, boys' choir, and mixed chorus, called When Icicles Hang. He chose his texts, characteristically, from Elizabethan and other early English poetry, each text dealing with images from the wintery season, be they the cold, ice-bound landscape and its winds; an older man's weariness in the face of the season; or the contrapuntal pleasures of ale and honey love for those safely inside on winter nights. The movements are: I. Icicles; II. Winter Nights; III Good Ale; IV Blow, blow, thou winter winds; V. Winter wakeneth all my care; VI . Hay, ay. With sparkling orchestration which has been faithfully set for Concert/Wind Band, the work may be performed with chorus as originally written, or may be performed effectively by band alone. The work is available as a complete set of six movements, or each movement may be purchased and performed individually.
Estimated dispatch 7-14 working days
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£110.00I Was Glad When They Said Unto Me (Choir with Concert Band - Score and Parts) - Parry, Hubert C. - Noble, Paul
I Was Glad is an introit commonly used in the Anglican Church, and also used as an anthem traditionally sung at the coronation of the British monarch. Its most famous setting was written in 1902 by Sir Hubert Parry. Parry's version was composed for the coronation of King Edward VII in 1902, and revised in 1911 for that of King George V, when the familiar introduction was added. This setting employs antiphonal choir effects and brass fanfares. Apart from the imperial splendour of the music, the chief innovation is the incorporation in the central section of the acclamations Vivat Rex... or Vivat Regina... (Long live King/Queen...) with which the King's or Queen's Scholars of Westminster School have traditionally greeted the entrance of the monarch since the coronation of King James II in 1685. This section is generally omitted when the anthem is performed on other occasions. At the last coronation, that of Elizabeth II in 1953, the acclamation took the form of Vivat Regina Elizabetha. Parry's setting of I Was Glad was performed on 29 April 2011 at the Westminster Abbey wedding of Prince William, Duke of Cambridge and Catherine, Duchess of Cambridge (formerly Kate Middleton) as the processional music for the bride and her father and the bridal attendants. It had previously been performed at the wedding of the Duke's parents, Charles, Prince of Wales and Diana, Princess of Wales in 1981.
Estimated dispatch 7-14 working days
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£104.95The Spirit Of Pageantry (Grand March) (Concert Band - Score and Parts) - Fletcher, Percy
Percy Eastman Fletcher (1879-1932) was born in Derby, England. He made his living as a Musical Director in the London theatre world, directing and orchestrating the long-running musical Chu Chin Chow. Fletcher was a prolific composer and wrote a large number of suites for light orchestra as well as military band marches The Crown of Chivalry, Spirit of Pageantry, V.C. March, and a Sultan's March, extracted from his musical 'Cairo In 1909 the Worshipful Company of Musicians in London, England offered 5 prizes for original military band compositions. This competition attracted the attention of some fine British composers. Holst's 'Suite in Eb' was placed 3rd and this Grand March, ' The Spirit of Pageantry' was awarded 2nd prize. The winning composer was B,Walton O'Donnell, who later became an outstanding Musical Director of the BBC Wireless Military Band. The Spirit of Pageantry is a wonderful evocation of Edwardian England and deserves to be reinstated into the Concert Band repertory
Estimated dispatch 7-14 working days
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£20.95
The Spirit Of Pageantry (Grand March) (Concert Band - Score Only) - Fletcher, Percy
Percy Eastman Fletcher (1879-1932) was born in Derby, England. He made his living as a Musical Director in the London theatre world, directing and orchestrating the long-running musical Chu Chin Chow. Fletcher was a prolific composer and wrote a large number of suites for light orchestra as well as military band marches The Crown of Chivalry, Spirit of Pageantry, V.C. March, and a Sultan's March, extracted from his musical 'Cairo In 1909 the Worshipful Company of Musicians in London, England offered 5 prizes for original military band compositions. This competition attracted the attention of some fine British composers. Holst's 'Suite in Eb' was placed 3rd and this Grand March, ' The Spirit of Pageantry' was awarded 2nd prize. The winning composer was B,Walton O'Donnell, who later became an outstanding Musical Director of the BBC Wireless Military Band. The Spirit of Pageantry is a wonderful evocation of Edwardian England and deserves to be reinstated into the Concert Band repertory
Estimated dispatch 7-14 working days
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£48.95Doctor Rock (Concert Band - Score and Parts) - Frank, Steven V.
Your band is going to love "getting down" with this powerful, blues-drenched rock chart. From the driving beat of the opening bass line through the contrasting call and response (featuring your low brass and woodwinds), Doctor Rock will grab hold of your audience and never let go. Destined to become your band's favourite and most-requested number!Duration: 2.45
Estimated dispatch 7-14 working days
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£80.95The Star Wars Epic - Part II, Suite from (Concert Band - Score and Parts) - Williams, John - Smith, Robert W.
Playable alone or with Part 1, the "Suite from Star Wars Epic - Part II" completes the journey. John Williams' stellar film scores have received global acclaim for decades. Robert W. Smith has selected four cherished themes in three movements. Included are "Princess Leia's Theme" (from Episode IV: A New Hope), "Imperial March/The Forest Battle" (from Episode V: The Empire Strikes Back) and (Episode VI: Return of the Jedi) and Star Wars Main Title from all six episodes. May the force be with you performing this classic collection.Duration: 5.45
Estimated dispatch 7-14 working days
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£79.50Moravian Folk Rhapsody (Concert Band - Score and Parts) - Sheldon, Robert
This work for band is a setting of several delightful Moravian folk dances. "Stoji hruska v oudoli" is a fast-paced two-step dance. "Rozluc se Ancicko" features a clarinet solo in a mournful, yet lilting, slow 6/8 melody. "Preskoda nastokrat" is a highly rhythmic piece in a moderate tempo that features a brief double reed/piccolo section. "Ma zlata maticka" begins with an unaccompanied alto saxophone solo, then includes a folk dance that begins slowly and increases in tempo. "Vojaci jedou" is a proud and uplifting march in 3/4 time. "U Kltera pole" ends the rhapsody with a lively 2/4 dance that builds to a rousing conclusion. Performers and audiences alike will enjoy the wonderful colors and tonality of this charming music from the Czech Republic.Duration: 9.20
Estimated dispatch 7-14 working days
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£113.00Twelfth Night (Concert Band - Score and Parts) - Reed, Alfred
A Musical Masque after Shakespeare. Shakespeare's verse in this famous comedy, "If music be the food of love, play on..." sets the tone for this major work by master composer Alfred Reed. Approached as a masque (a form of play-with-music commonly used in Shakespeare's time), this suite for wind orchestra takes the form of five separate movements, each related to a place or persons from the story. I. Prelude: Illyria II. Viola and Orsino III. The Merry Conspirators IV. Malvolio's Lament in "Prison" V. A Double Wedding, and All's Well! Duration: 15:00
Estimated dispatch 7-14 working days
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£44.95The Kings Go Forth (Concert Band - Score only) - Gregson, Edward
This work was commissioned jointly by the Royal Air Force Music Service and an American Universities Consortium and received its world premiere during the 1996 RAF British Tour. It is scored for large symphonic wind band, with the addition of voices.The work is a sequel to the highly successful The Sword and the Crown which was premiered in 1991 by the mass bands of the RAF (and also was an RAF commission). That work was based on music written for the Royal Shakespeare Company productions of The Plantagenets and Henry IV, parts 1 and 2 (for productions between 1988 and 1991).The Kings go Forth is similarly based on musical material for those productions. It uses different thematic elements and incorporates them into a three-movement suite entitled: The Church; The People; The State.This reflects the fact that in Henry IV Parts 1 and 2, Shakespeare introduces The People as an important element in the dramatic structure. The Church and The State are, of course, both leitmotivs throughout the entire plays. An Agnus Dei is heard at the outset from a solo voice. The ensuing Dies Irae is a fast and, at times, quite violent dance. The two sections which form the basis of the second movement, The People, concentrate on popular elements and reflect to some extent the tavern scenes in the plays. The two ideas presented are a harvest hymn reflecting the country scenes set in Gloucestershire, and a jazzy, 'up-tempo' dance based on the medieval song, Sumer is icumen in. The third movement, The State, deals with the Kings theme in the title of the piece. The juxtaposition of battle music with funeral music for Henry IV and Henry VI leads to a reworking of the leitmotif from the beginning of the work. The final section is Coronation music for Henry V, eventually leading to a triumphant climax. - Edward GregsonDuration: 17.15Recorded on QPRM 125D Festival of Music 1996, Massed Bands of the Royal Air ForceRecorded on QPRM 134D The Kings Go Forth, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£309.99In the Spring (At the Time When Kings Go Off to War) (Concert Band - Score and Parts) - Holsinger, David R.
Winner of the 1986 American Bandmasters Association Ostwald Award, the composition is based on I Chronicles 20, v. 1-3 detailing King David's armies laying siege to the land of Amonites. Using a variety of musical idioms from diatonic to "sound mass", aleatoric to metric, vocal to synthetic, the composer hs woven a tonal picture of the pathos, triumph and tragedy of this Old Testament episode. Duration: 12.00
Estimated dispatch 7-14 working days
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