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  • £32.95

    Euphonium Concerto (Concert Band - Score only) - Ellerby, Martin

    This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra

    Estimated dispatch 7-14 working days

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  • £189.99

    Godzilla Eats Las Vegas (Concert Band - Score and Parts) - Whitacre, Eric

    Note from Composer:It took me seven years to get my bachelor's degree from the University of Nevada, Las Vegas. By the time I graduated I was ready to eat Las Vegas.Tom Leslie asked me to write another piece for the group as I was leaving, and I thought it would be a blast to do something completely ridiculous. The players are called upon to scream in terror, dress like Elvises (Elvi), and play in about thirty different styles from mambo to cheesy lounge music. The audience follows a script that I wrote simulating a campy, over the top Godzilla movie (is there any other kind?).I wrote the bulk of the piece while in my first year at Juilliard, and no kidding, I used to act out the script every morning devouring animal crackers, wreaking havoc all over the breakfast table. The script was originally twice as long, and had an entire subplot devoted to a young scientist and his love interest. As I started to finish the piece, however, it didn't seem that funny and that story (along with an extended Elvis tribute) ended up on the cutting room floor.The idea that this piece is being played all over the world in such serious concert venues is the single funniest thing I have ever heard. It has been played on the steps of the Capitol by the United States Marine Band, by the Scottish National Wind Symphony (they play in kilts, so help me God), and I have a video of a Japanese audience visibly confused and shaken by the whole experience. Can you imagine? I'm laughing my head off even as I write this!Godzilla Eats Las Vegas! was commissioned by the University of Nevada Las Vegas, Thomas G. Leslie, conductor, and received its premiere November 28th, 1996.The performers are encouraged to go crazy: wear showgirl costumes, Elvis costumes, act out scenes on stage, use video and lighting - anything to get a laugh.

    Estimated dispatch 7-14 working days
  • £84.99

    Jubilee Fanfare (Concert Band - Score and Parts) - Cesarini, Franco

    Franco Cesarini composed this beautiful fanfare for the 150th anniversary of the Swiss Railroad. In this piece Franco Cesarini reveals the brilliance of the brass, the softness of the woodwind and the dexterity of the percussion section. The rich dynamics of this festive piece will brighten up any occasion.Duration: 3.45

    Estimated dispatch 7-14 working days

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  • £66.95

    Fantasia on an Irish Hymn (Concert Band - Score and Parts) - O'Reilly, John

    Based on the beautiful Irish hymn Be Thou My Vision, this brilliant fantasia presents a variety of musical styles that will challenge and stimulate the developing band. A broad, modal fanfare opens the work followed by a full ensemble statement of the hymn. A rapid 12/8 percussion ostinatato in the style of traditional Irish folk music sets up the second section and continues under the haunting Mixolydian melody. A drone-style accompaniment and interesting counter-melodies add to the excitement before the hymn returns in a glorious maestoso. This unique combination of musical elements makes for another thrilling and inspiring work from John O'Reilly! Duration: 4.00

    Estimated dispatch 7-14 working days

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  • £55.50

    (We're Gonna) Rock Around the Clock (Concert Band - Score and Parts) - DeKnight & Freedman - Sebesky, Gerald

    This classic anthem of rock 'n' roll was sent screaming up the charts not once but twice by Bill Haley and his back-up band The Comets. It was a time when all the boys and girls were devoted 24 hours a day to the celebration of every new rock tune and dance craze. Who would have thought that forty years later, kids (of all ages) still remember, whistle and hum this hip swingin' winner. Program this with your band and you'll be declared 'right on time'! Duration: 1.30

    Estimated dispatch 7-14 working days

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  • £264.99

    Poeme Montagnard (Concert Band - Score and Parts) - Van der Roost, Jan

    Jan Van der Roost received the commission for this work from the Orchestre d'Harmonie du Val d'Aoste and dedicated the composition to Lino Blanchod, the conductor of the orchestra. The first performance was on 26th January 1997 by the orchestra itself and under the direction of the composer. This extensive symphonic poem depicts the atmosphere and history of the autonomous French speaking region Val d'Aoste in northern Italy, and is meant as a musical homage to the historical figure Catherine de Challant. The opening of this piece describes the rugged nature of this region dominated by Mont Blanc, the roof of Europe. A brief, combative passage conjures up the numerous wars fought here through the ages, later expanding into a surprising 'Renaissance Dance' with an original and fitting recorder quartet. A broad, lyrical theme portrays the love that has always played an important role here. After recapturing several of the earlier themes, the piece closes with the renaissance dance, this time played by the brass. A spectacular finale brings this symphonic poem to a close.Duration: 18:30

    Estimated dispatch 7-14 working days

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  • £72.99

    March to the Scaffold (from Symphonie Fantastique) (Concert Band - Score and Parts) - Berlioz, Hector - Custer, Calvin

    From Berlioz's 'Symphonie Fantasique,' Calvin Custer has carefully captured the picturesque drama of the original orchestral work. Opening with a solemn procession that quickly transforms into a brilliant march, the piece continues to build in intensity up to the final closing chords. A dynamic transcription for intermediate bands.

    Estimated dispatch 7-14 working days
  • £38.50

    The Chicken Dance (Dance Little Bird) (Concert Band - Score and Parts) - Rendall & Thomas - Norred, Larry

    You'll recognise this novelty dance from sports games around the country...it's become a fan favourite. This very playable arrangement is just some good, clean fun that'll really liven up your concert.

    Estimated dispatch 7-14 working days
  • £38.50

    On Broadway (Concert Band - Score and Parts) - Lavender, Paul

    We all know that students love a good riff tune and George Benson's hit song easily fills that bill. You may catch them warming up on this one.

    Estimated dispatch 7-14 working days
  • £53.95

    Christmas in Mexico (Concert Band - Score and Parts) - Story, Michael

    Christmas time in Mexico begins on December 16th, when the nine-day 'posada' processions begin and the nativity scenes, pi?atas, poinsettias and colorful banners spring up everywhere. Traditional Mexican carols are introduced into this work of celebration to bring a marvelous multicultural direction to your holiday concert programming. Enchanting! Duration: 1.30

    Estimated dispatch 7-14 working days

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