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£84.95Fire in the Blood (Concert Band - Score and Parts) - Lovatt-Cooper, Paul
Fire in the Blood was commissioned by Dr Stephen Cobb for the 120th anniversary of the International Staff Band of the Salvation Army. The piece was composed for the celebration concert where the ISB were joined by several other staff bands from around the world to perform independently to a sell-out capacity crowd at Britain's most famous concert hall The Royal Albert Hall. Fire in the Blood received its world premier at the 'ISB 120' concert at the Royal Albert Hall on June 4th 2011.With this piece I wanted to acknowledge music that had an impact on me through my Salvation Army upbringing. When thinking of a title for this piece I had no hesitation than to reflect and re-word the Salvation Army's motto under their famous crest 'Blood and Fire'.When composing Fire in the Blood I wanted to use three songs of worship that have been prevalent in the Salvation Army's services over a number of years. Opening with Richard Phillips' setting of Psalm 95, 'Sing for Joy', the music is vibrant and full of energy, I wanted to capture the spirit of the well known words of Scripture. The music then moves into a more reflective section that includes Howard Davies' emotive song melody 'Lord, you know that we love you' and Laurie Klein's worship song 'I love you Lord'.A re-statement of the opening Psalm setting follows and this, in turn, leads into a dramatic and powerful finale that combines two pivotal statements drawn from the slower, reflective section: I love you lord, and I lift my voice to worship you, O my soul rejoice and Lord, you know that we love you with a final flourish from Psalm 95: Come let us sing joy to the Lord!- Paul Lovatt-CooperDuration: 10:00
Estimated dispatch 7-14 working days
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£149.99
Heaven and Earth Wind Band Set (Score & Parts)
An Astrological Composition. Astrology is based on the principle that each sort of time has its own quality. In order to determine the quality of a particular moment, an astrologer looks at the position of the planets in the solar sustem at that moment. Each planet has specific types of energies and its location provides unique information for a certain moment on Earth. Thus: its position in the sky tells something about what happens on Earth. In this composition the types of energies of four planets are musically translated. The four planet were not randomly chosen. There are two pairs, whose influence and energy are opposite. Venus and Mars. Venus represents the feminine principle: harmony, beauty, art, and the ability to make relationships and to keep the peace. Venus connects, and communicates in order to maintain the balance. Mars represent the masculine principle: winning, impulsiveness, enthusiasm, and sexual energy for procreation. He creates war enabling the strongest to triumph. Mars is musically depicted in a stirring march in which enthusiasm characterises the masculine character. Saturn and Jupiter. Saturn represents concentration and withdrawal: the strong notion of responsibility, seriousness, self-discipline and melancholy. Saturn is the hermit who will conquer his fears and worries in minimal conditions and by self-chastisement. This contemplative character is depicted in the music as if it is almost standing still, which also reflects the given character of this planet. Jupiter represents growth and expansion: the positive, self-confidence, the good Samaritan, the healer. Jupiter is the philosopher who will make the world a better place, sees future possibilities, and searches for eternal values. He is the prophet who sometimes rants and raves his doctrine and proclamations, resulting musically in a whirling and upbeat finale. not looking back at what has been but searching for new challenges. "Heaven and Earth" was commisioned by the Music Lending and Information Centre (MUI), a department of the library for the province of Gelderland in Arnhem, The Netherlands.Een astrologische compositie. Astrologie is gebaseerd op het principe dat elke tijd zijn eigen kwaliteit heeft. ""Tijd voor koffie"" of ""het was je tijd nog niet"" als bijvoorbeeld een baan aan je neus voorbij is gegaan. Om de kwaliteit van een moment te lezen kijkt de astroloog naar de stand van de planeten in ons zonnestelsel op dat tijdstip. Elke planeet heeft specifieke energie?n en de plaats aan de hemel geeft unieke informatie over een bepaald moment op aarde. Oftewel: de stand aan de hemel (Ouranos) vertelt iets over wat er op aarde (Gaia) gebeurt. In deze compositie worden de energie?n van vier planeten muzikaal vertaald. De vier planeten zijn niet lukraak gekozen. Het zijn twee paren, die qua invloed en energie tegenovergesteld zijn. Venus en Mars. Venus vertegenwoordigt het vrouwelijke principe: harmonieus, schoonheid, de kunst, het vermogen om verbindingen aan te gaan en de vrede te bewaren. Venus geeft door en verbindt om de balans te bewaren. Mars vertegenwoordigt het mannelijke principe: winnen, anderen aftroeven, impulsief en enthousiast, seksuele energie voor de voortplanting. Mars cre?ert oorlog om de sterkste te laten zegevieren. Venus staat tot Mars als vrede staat tot oorlog, als verbinden staat tot verbreken, als harmonie staat tot competitie. Jupiter en Saturnus. Jupiter vertegenwoordigt groei en expansie: het positieve zelfvertrouwen, de weldoener, de genezer. Jupiter is de filosoof die de wereld wil verbeteren, vooruitkijkend en zoekend naar eeuwige waarden, de profeet die soms al te bombastisch zijn leer verkondigt. Saturnus vertegenwoordigt concentratie en inkrimping: het sterke verantwoordelijkheidsbesef, soberheid, zelfdiscipline en melancholie. Saturnus is de kluizenaar die onder minimale voorwaarden en zelfkastijding zijn angsten wil overwinnen. De harde, serieuze werker die volgens vaste regels stug doorgaat om aan zijn hoge eisen te voldoen. Jupiter staat tot Saturnus als uitbreiding staat tot inkrimping, als zelfvertrouwen staat tot faalangst, als vrijheid staat tot structuur. 11:00
Estimated dispatch 7-14 working days
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£84.99
Let's Celebrate Wind Band Set (Score & Parts)
Is there something to be celebrated? Then let's play 'Let's Celebrate'! This four-part suite has been based on two birthday songs: the world-famous 'Happy Birthday to you' (which is also sung in many other languages), and the Dutch song 'Lang zal hij/zij leven'. The Fanfare opens in grand style with the motif of 'Lang zal hij leven' and is followed by a cheerful March in which the motifs of both songs can be heard. The third part, Song, forms a moment of contemplation, and the birthday presents are unwrapped by the percussion section in the fourth part, Surprise Party. The yell may be adapted to the occasion. (the sleigh bells caused the composer to note down this somewhat peculiar yell). Of course everybody is expected to join in. 07:00
Estimated dispatch 7-14 working days
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£115.00NAME PERPETUAL, A (Concert Band) - Pierce, Eseld
Under the leadership of Michael An Gof and Thomas Flamanck, a Cornish host, sometimes estimated to number as many as 15,000, marched to London in protest against excessive taxation. Arriving at Blackheath, they were attacked by the King's army and defeated, and the two rebel leaders were hung, drawn and quartered. On his way to his death, An Gof stated that he would have "a name perpetual and a fame permanent and immortal". A Name Perpetual tells the story of the Rebellion in four connected scenes. The music includes strong elements of the Celtic music tradition, being structured around an old Cornish folk tune. The first scene introduces fragments of the folk theme and reflects the anguish of the Cornish people. The second scene opens with the folk theme on solo piccolo and, as different instruments enter one by one, the march is depicted with its accumulation of forces en route. The march halts suddenly as the Cornishmen discover the unexpected arrival of the English army and the subsequent music portrays the Blackheath Skirmish. In this scene the orchestra is divided into four parts, each working independently to create a sense of chaos, with the stronger elements of the brass and bass instruments representing the English, while the woodwind and saxophones represent the Cornish, struggling to sustain the folk tune throughout the battle. Eventually all the parts come together and the final section is a lament for the lost Cornishmen, fading away to leave only a haunting off-stage trumpet solo.
Estimated dispatch 7-14 working days
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£144.99
Scottish Dances Wind Band Set (Score & Parts)
Scottish Dances is based on three Scottish traditionals: Cock of the North, The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous, it seems, delicious liqueur, and rallies to snowboard competitions. Furthermore is "Cock O' the North " a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune, regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary, had a canary, Up the leg of her trousers While she was sleeping I was peeping Up the leg of her trousers. II. " The Bonnie Bank's O'Loch Lomond " is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed, while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion, who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding, after the official ceremonies, there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as "Marie's Wedding '. Mid dance we go back to the church, where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely, on we go, heel for heel and toe for toe Arm and arm and on we go, all for Marie's wedding 07:00
Estimated dispatch 7-14 working days
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£89.10The Engulfed Cathedral (Concert Band - Score and Parts)
Two principal folk-like melodies have been woven together in this little suite. After a brief brass opening a rich chorale is played by woodwinds followed by the development section using sharp accented rhythms. The themes and their variations are added individually as they build for an exciting full band climax.
Estimated dispatch 7-14 working days
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£59.40
The Pyramids
Highly descriptive contest music in two movements. "Entrance of the Gods'' is a study in contrasts with bold, powerful tutti phrases followed by soft, lyrical woodwinds and low brass passages. "Tribal Dance'' features many rhythmic woodwind lines accented by sharp brass accents and a variety of percussion sounds.
Estimated dispatch 7-14 working days
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£28.99WIND WORKS (Ralph Vaughan Williams) - Mitchell, Jon Ceander
This exciting new work by one of today's most highly regarding music scholars, brings new light to the more than two dozen works by Ralph Vaughan Williams for military band, brass band and wind ensemble. Vaughan Williams' unique relationship with fellow composer Gustav Holst is examined as well as his relationships with personnel at the Royal Military School of Music, the BBC and the Salvation Army. There's much more to this hard-to-put-down volume for conductors, performers, students and aficionados! Soft cover. 176 pages.
Estimated dispatch 7-14 working days
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£89.95Purcell Variants - Peter Meechan
Purcell Variants is based on Purcell's Queen Mary's Funeral Music, which consists of four canzonas (for brass), two elegies and an anthem. The first movement begins by sounding some of Purcell's original music in the trombones and horns, underpinned by...
Estimated dispatch 5-7 days
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£40.00The Warrior's Path
Playable by as few as 5 winds and 4 percussion, this beginning band piece depicts a lone warrior beginning a journey across an ancient land. This solitary warrior is joined by others on the way, and together they defend those who cannot defend themselves. Less than two minutes long and using only the first 6 notes of the Bb concert scale, this is a great choice for a second semester concert and for bands with limited instrumentation. Use this piece to develop articulation technique and listening skills between the ensemble's sections. A great choice for concert and contest.
Estimated dispatch 12-14 working days
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