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  • £66.95

    Mash-Up Vol.2 (Concert Band - Score and Parts) - Roszell, Patrick

    The Broadway classic "I've Gotta Be Me" and Barbra Streisand's iconic "Don't Rain on My Parade" meet head-on in this exciting "Mash-Up" drawn from tunes performed on the popular television show Glee. This arrangement is presented in a high-energy style that allows for teaching of swing techniques.Duration: 2:15

    Estimated dispatch 7-14 working days
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  • £225.00

    Amsterdam Suite (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul

    The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.

    Estimated dispatch 7-14 working days
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  • £85.00

    Amsterdam Suite, 1st Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul

    The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.

    Estimated dispatch 7-14 working days
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  • £85.00

    Amsterdam Suite, 2nd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul

    The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.

    Estimated dispatch 7-14 working days
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  • £85.00

    Amsterdam Suite, 3rd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul

    The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.

    Estimated dispatch 7-14 working days
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  • £39.95

    Rags To Riches (Concert Band - Score and Parts) - Phillips, Richard

    Written to celebrate the opening of the 100th Salvation Army Trading Company charity shop in the UK, this march-style selection features tunes such as 'Second Hand Rose', 'My Old Man's a Dustman' and the theme from the television series 'Steptoe and Son'.

    Estimated dispatch 7-14 working days
  • £79.95

    The Kingdom Triumphant (Concert Band - Score and Parts) - Ball, Eric - Bowen, Brian

    This iconic 'tone poem' in three movements, but played continuously, uses the tunes 'The blast of the trumpet', 'O come, o come, Emmanuel' and a triumphant treatment of the stirring tune 'Helmsley'.

    Estimated dispatch 7-14 working days
  • £61.00

    Short Cuts for Beginning Band No.1 (Concert Band - Score and Parts) - Story, Michael

    Here are four highly recognizable pop tunes, carefully scored for your beginners but with identifiable teaching concepts at the forefront. Use these wonderful melodies to reinforce articulations, form, chromatics, legato and staccato style, dynamics, and balance. Titles included in this first instalment are "The Magnificent Seven," "Wipe Out," "Over the Rainbow," and "Scooby Doo, Where Are You?" Brilliant!Duration: 5.45

    Estimated dispatch 7-14 working days
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  • £64.50

    Hedgehog, Monkey and Waffles! (Concert Band - Score and Parts) - Gripp, Parry - Story, Michael

    This three-piece suite is based on the widely popular music of talented songwriter Parry Gripp. Parry's music has gone viral on YouTube, where his songs accompany many internet videos, as well as his own music videos. The three catchy songs included are "Boogie Boogie Hedgehog," "Baby Monkey (Riding Backwards on a Pig)," and "Do You Like Waffles?" If you aren't familiar with these viral tunes, just ask your students!Duration: 2.45

    Estimated dispatch 7-14 working days
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  • £76.99

    Weibermarsch (March of the Women from The Merry Widow) (Concert Band - Score and Parts) - Lehar, Franz - Van der Beek, Wil

    This lively, attractive march originates from one of the best-known operettas by Franz Lehar, Die lustige Witwe (The Merry Widow), a work that brought the composer enormous success. The operetta features many lovely arias, and catchy dances, but also subtle passages and wonderful singable tunes. One of those is Ja, das Studium der Weiber ist schwer (The study of women is difficult), a tune incorporated in the trio of this march. Lehar obviously had high expectations for it, giving it a prominent place within the operetta. He also used it as an effective finale piece.Duration: 3:15

    Estimated dispatch 7-14 working days
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