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  • £80.99

    Bayside Reflections - Galvin

    Inspired by the scenery and colorful lakes of northern Michigan, "Bayside Reflections" is a perfect addition to your developing band's library. The simple yet strong beginning gives way to a beckoning, nautical slow section introduced by a solo trumpet, followed by a recapitulation to the opening themes. Whether it be a concert or contest selection, your students are sure to enjoy preparing this pleasing work that will showcase their emerging musical maturity.

    Estimated dispatch 7-14 working days
  • £87.99

    Jubilesta - Claude T. Smith

    This overture lends itself to the accomplished high school band and offers solo opportunities to the flute, trumpet, tuba, oboe, and bassoon. Using contrasting tempo and meter changes, this work will be an ensemble favorite and audience pleaser.

    Estimated dispatch 7-14 working days

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  • £73.50

    Stone Gardens - David Shaffer

    "Stone Gardens" is inspired by the beautiful and peaceful gardens of heroes lost and fallen. Beginning with a solo trumpet that conjures memories of conflicts present and past, the piece continues with a beautiful hymn statement paying homage to those that have made the ultimate sacrifice. A bold and aggressive statement follows with musical inspiration drawn from campaigns and continents around the globe. Suitable for festival performance, "Stone Gardens" also includes an optional narrator for use at memorial and ceremonial concert events. A wonderful new addition to the repertoire for bands of all levels.

    Estimated dispatch 7-14 working days

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  • £49.50

    Cantica - J. Taylor

    Here's a bold Spanish-flavored composition which features your trumpet soloist. Both an easy and more difficult version of the solo part are included. Powerfully scored for maximum sound, it's perfect for developing bands!

    Estimated dispatch 7-14 working days

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  • £84.50

    Suite From Carmen - Georges Bizet

    Music from Bizet's immortal opera gets the Balent treatment in this sparkling arrangement of three excerpts from the Carmen Suite No. 1. Leading off with the bustling "Les Toreadors" from the "Overture," Mr. Balent has also included the seductive "Habanera" (featuring Clarinets on the tune) and the swaggering "Toreador Song" with a solo Trumpet on the famous melody. This is music everyone knows and loves in a first-rate arrangement for medium level band. Duration: 4' 20"

    Estimated dispatch 7-14 working days
  • £84.99

    Elegy - Melvin L. Shelton

    A touching and intense memoriam piece, the mechanics are on the easy side of Grade 4, but the demand for tone quality and control in tenuto passages and long slurred phrases calls for the best of musicianship from any group. The "Adagio e Rubato" tempo indication invites the kind of wonderfully expressive ensemble playing that should probably make up a larger part of band literature than it does today. Over a quiet unifying heartbeat from the timpani, the band explores the emotions felt after a tragic personal loss. A soaring F Horn solo (cued in Trumpet. and Alto Saxophone) leads poignantly toward a gentle Orchestra Bells and Wind Chime ending.

    Estimated dispatch 7-14 working days
  • £84.99

    A Copland Portrait - David Conte

    Originally commissioned by maestro Neal Gittleman, A Copland Portrait was premiered by the Dayton Philharmonic Orchestra in January 2000. In March of 2015, First Lieutenant Ryan Nowlin's transcription of this work for band was premiered by "The President's Own" United States Marine Band under the direction of Lieutenant Colonel Jason Fettig. ECS Publishing is proud to offer both the band and the orchestra version. Conte on the creation of this overture: "I set out quite consciously to evoke various aspects of Copland's work by combining and recombining them within the terms of my own musical personality. For example, the first theme of A Copland Portrait combines the character of a theme from The Red Pony with the rhythmic texture of the scherzo of the Third Symphony. While composing the piece I was conscious of drawing inspiration from many of Copland's works; a melodic shape here, a harmonic gesture there, until I arrived at something that felt fresh and new to me. A Copland Portrait is cast in a traditional Sonata-Allegro form. After a vigorous, syncopated orchestral tutti, the first theme is announced in the solo oboe, accompanied by a steady eighth-note ostinato. Playful interjections are stated in the flute and bassoon. The syncopated tutti returns; the first theme is stated again, this time in the low winds. This theme builds to a colorful climax, leading into a more dissonant transition section, which gradually slows and gives way to a lilting, more lyrical second theme in the clarinet. After some modest development of the second theme, a more plaintive theme stated in the muted trumpet brings the exposition to a close. A scherzando development section follows; the first four notes of the first theme are inverted and subjected to various contrapuntal treatments. This development section ends with a return of the opening syncopated motive, leading into a recapitulation of the first theme, this time in canon, and the second theme and closing theme, broadly sung. A brilliant toccata-style coda brings A Copland Portrait to a brisk conclusion."

    Estimated dispatch 7-14 working days

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  • £152.99

    The White Rose - Philip Sparke

    The White Rose was commissioned by the White Rose Concert Band from Harrogate, England. The band takes its name from the county symbol of Yorkshire, the white rose. This partly rhythmic, party lyrical piece opens with a flourish from the trumpets. Following a rhythmic melody in the clarinets there are solo passages for flute and trumpet leading to the finale which brings together elements of the whole piece.

    Estimated dispatch 7-14 working days

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  • £164.99

    Wilten Festival Overture - Philip Sparke

    To celebrate the 350th anniversary of the Stadtmusikkapelle Wilten in Innsbruck Philip Sparke composed Wilten Festival Overture. A bold fanfare, led by the horns, forms the opening of the work from which an expressive theme unfolds until the full band reaches a climax. Short solo statements from saxophone, horn and trumpet lead to a recapitulation of this theme which melts into a rhythmic Vivo. A robust melody is is then played by the clarinets and taken up by the whole band before a legato figure leads to a cantabile theme, again presented by the clarinets. The original Vivo melody reappears before the opening fanfare is briefly heard and the work comes to an end with ashort Coda. A great experience for the whole band!

    Estimated dispatch 7-14 working days

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  • £99.99

    Veni Immanuel

    The Advent hymn we all know today as O Come, O Come, Immanuel was arranged in its modern form by Thomas Helmore and published in Hymnal Noted in 1856. Both the words and melody, however, predate this version by centuries.The tune, Veni Immanuel, is taken from a 15th century processional of French Franciscan nuns, part of the setting for the funeral hymn Libera Me. This arrangement aims to expand on the power and mystery of the original tune and will be most effective if the solo trumpet at the start and end of the piece can be placed away from the band, maybe at the back of the auditorium.

    Estimated dispatch 7-14 working days

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