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  • £154.99

    The Monk and the Mills - Thomas Doss

    Evil people know no songs! Inspiration for this work was taken from the legend of the "Valley of the Mills", in which a traveller taught songs to the people of a village who had been put under a spell by a monk for their violation of moral standards. He brought song and prosperity back to the valley. It is this enchanting story, which shows the positive power of music, that Thomas Doss used as the basis for this splendid concert work which will be loved by all who perform it and listen to it.

    Estimated dispatch 7-14 working days

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  • £179.99

    The Colors of Tali - Thomas Doss

    Tali is a thirteen-year-old Israeli girl who has grown up amidst the religious conflicts between Palestinians, Christians, and Jews. Thomas Doss was so touched by a poem she wrote, he decided to set it to music. The poem and the music describe the world from a child's perspective, a child that has grown up with war and tries to express things she cannot yet fully understand.

    Estimated dispatch 7-14 working days

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  • £264.99

    Panoptikum - Thomas Doss

    Armin Schaer commissioned this work in his search for a new piece for the tuba. More specifically, he wanted a work that showed off the versatility of this splendid instrument, written in a musical style that is both fresh and modern, while not banishing the orchestra to a simple supporting role. Taking all these specifications into account, Thomas Doss created a work that allows stylistic leaps and is fun, exciting, romantic, and virtuosic, but does not lose sight of the thread that connects the opening measures to the very last.Armin Schaer describes his Panoptikum as follows:Panoptikum is a show of appreciation for my beautiful home and community at LakeConstance, an eventful life, the people that have enriched this life, and a fascinating instrument: the tuba. This work musically embodies the many different moods found around theBodensee - cheerfulness and melancholy, departures and longing, calm and agitation. The roles of the soloist and the orchestra were consciously crafted in a way that does not follow the usual conventions of the genre. The work should spark emotions, address broad segments of listeners, and persuade them of the tuba's ability to be a solo instrument as well as the richness symphonic wind ensembles have to offer. I hope this work enriches the lives of all the soloists and orchestras that cross its path, as well as everyone in the audience who gets to partake!

    Estimated dispatch 7-14 working days

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  • £139.99

    Firework - Thomas Doss

    Firework is a composition commissioned by Musikkapellen Energie-AG and Magistratskapelle Stadt Linz.This sparkling work shows that from time to time Thomas Doss is happy to produce music of sheer entertainment.Fireworks are always joyful and festive. Whether big or small, we all love watching fireworks. In this piece of music, the audience experiences not so much a visual feast as a spectacle in sound--a star-burst of colourful melody and rhythm that guarantees high spirits and a good mood.

    Estimated dispatch 7-14 working days

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  • £102.99

    Minimundus - Thomas Doss

    Thomas Doss composed this suite against the backdrop of his experience with young conductors and youth orchestras. Each of the four parts contains a different "soundscape", in which each of us is free to let our imaginations run wild.An Overture, heralding a celebration, a magnificent Pastorale at dusk, the Lament that seems descended from heaven, and finally a colourful, fiery Danza - ideal for young orchestras and conductors with plenty ofimagination.

    Estimated dispatch 7-14 working days

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  • £233.99

    Luceafarul - Thomas Doss

    Luceafarul (The Evening Star) is based on an old Romanian legend about a princess who falls in love with the evening star. Eventually the star returns her love, and one night he climbs down in human form to her. However, their love failsbecause of his realisation that such a connection between heaven and earth is impossible. Thomas Doss has translated this romantic, touching love drama into an equally dramatic and emotional musical work. Deeply moving!

    Estimated dispatch 7-14 working days

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  • £141.99

    Witch Dance (Hexentanz) (Concert Band - Score and Parts) - Doss, Thomas

    Witch Dance is a work commissioned by the Stadtkapelle Rottenburg on the occasion of its 150th anniversary. Thomas Doss based the musical material on melodies from the Rottenburger Narrenmarsch and incorporated the text of the Witch Kitchen scene from Goethe's Faust. The composition, which initially describes an idyllic townscape a few days before the annual carnival, culminates in a terrifying haunting. Reality, customs and fantasy combine to form a dangerous mixture.Duration: 9.45

    Estimated dispatch 7-14 working days

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  • £64.99

    Christus Factus Est (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas

    Thomas Doss orchestrated this inspiring and very playable transcription of Christus factus est (WAB 11), the motet written by Bruckner in 1884, for wind orchestra. After Messe fr den Grundonnerstag from 1844 and a motet for eight-voice mixed choir, three trombones and string instruments ad libitum from 1873, this was Bruckner's third setting of the Latin gradual (Gregorian chant) of the same name. Wagner's influence can be clearly heard.Duration: 5.15

    Estimated dispatch 7-14 working days

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  • £119.20

    Sinfonisches Praludium (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas

    The Symphonic Prelude in C minor is an orchestral composition from the circle of the Austrian composer Anton Bruckner. The unearthing of this work, discovered shortly after World War II, has created confusion, leading to a second, reduced version being attributed to Gustav Mahler, a theory which still holds sway in musical circles today, although there is a high probability that the original composition is indeed by Bruckner himself. Rudolf Krzyzanowski (1895-1911), a pupil of Bruckner, transcribed the score in 1876. The 43-page manuscript bears the inscription Rudolf Krzyzanowski cop. 1876 on the first page; while on the last page is written in blue pencil: By Anton Bruckner. Thomas Doss used a facsimile of this autograph copy as the basic of his instrumentation of the prelude for symphonic wind orchestra.Duration: 6.15

    Estimated dispatch 7-14 working days

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  • £123.20

    3 Letzte Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas

    Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 14.00

    Estimated dispatch 7-14 working days

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