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  • £72.99

    Suite of Old American Dances (Concert Band - Score and Parts) - Bennett, Robert Russell - Curnow, James

    First published in 1950, Robert Russell Bennett's Suite of Old American Dances has established itself as a classic in the repertoire for wind bands. This edition is designed for young players and features three of the original five movements: Western One-Step, Wallflower Ragn and Cake Walk. Carefully adapted by James Curnow, these settings offer an important historical perspective for students, as well as enjoyable music.Duration: 6:30

    Estimated dispatch 7-14 working days
  • £53.95

    Slovenian Folk Songs (Concert Band - Score and Parts) - Ford, Ralph

    With reminiscent old world folk tunes, this is a work you'll think you've heard before. Traditionally scored to ensure a great sound, the folk songs included are: "Moje Dekle," "The Angelus," and "Slovenski Smo Fantje." Have your listeners dancing in the aisles when you program Slovenian Folk Dances, old world charm with a dynamic conclusion. Duration: 3.45

    Estimated dispatch 7-14 working days
  • £48.95

    Christmas on the Farm (Concert Band - Score and Parts) - Williams, Mark

    This clever, yet easy arrangement interweaves the familiar strains of "Old MacDonald" with favourite carols of the Christamas season. "Jingle Bells", "Good King Wenceslas" and "Deck the Halls" appear simultaneously with "Old Mac" for a thoroughly entertaining bit of holiday fun.Duration: 2.00

    Estimated dispatch 7-14 working days

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  • £36.95

    An Old MacDonald Suite (Concert Band - Score and Parts) - Kinyon, John

    This clever arrangement of the ever-popular folk song is written in three sections. The bright, up-tempo beginning leads to a contrasting middle section that is slightly slower and in the minor mode. The third section recaps the first version for an exciting finish. An Old MacDonald Suite is a fun way to introduce the minor mode to your students! Duration: 2.30

    Estimated dispatch 7-14 working days
  • £159.99

    Music for a Solemnity (Concert Band - Score and Parts) - De Haan, Jan

    Jan de Haan took as a starting point for Music for a Solemnity an old custom from the Dutch town of Hoogeveen, by which the faithful are called to church with drums. It was also inspired by the music of John Williams. This unusual combination has resulted in a solemn work in which old traditional methods are united with modern rhythms and melodic lines.Duration: 9:45

    Estimated dispatch 7-14 working days

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  • £64.99

    The Wild Old West (Concert Band - Score and Parts) - Curnow, Paul

    This exciting work reflects the panoramic beauty of the mountains, deserts, lakes, streams and open range of the Wild Old West. It presents the rhythmic heartbeat of the early settlers and the energy they needed to survive and prosper.Duration: 2.00

    Estimated dispatch 7-14 working days

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  • £64.99

    Jolly Old Sleigh Ride (Concert Band - Score and Parts) - Curnow, James

    Jolly, indeed! This delightful arrangement full of sleigh bells captures the spirit of Jolly Old Saint Nicholas as he makes his deliveries on Christmas Eve. A charming addition to your Christmas concert!Duration 2:00

    Estimated dispatch 7-14 working days

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  • £76.99

    Night Disco (Concert Band - Score and Parts)

    What could be better than a night out on the town? Luc Gistel obviously thought nothing! This entertaining composition has plenty of sounds that will remind young and old of many a night spent in the disco. After a tune that even John Travolta himself would have danced to, the mood quiets down for the obligatory slow song, during which new couples and old lovers can dance a little closer. Then things heat up again until the wee hours of the morning... 05:25

    Estimated dispatch 7-14 working days

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  • £375.00

    Facade - An Entertainment, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul

    This Suite from Facade - An Entertainment, composed by William Walton, with poems by Dame Edith Sitwell, presents for the first time a grouping of movements selected and arranged by Paul Noble for Concert Band and optional Reciter. The original composition was written between 1921 and 1928, containing forty-three numbers. They had their origin in a new style of poetry that Edith Sitwell evolved in the early 1920s, poems that her brother Osbert later described as 'experiments in obtaining through the medium of words the rhythm and dance measures such as waltzes, polkas, foxtrots... Some of the resulting poems were sad and serious... Others were mocking and gay... All possessed a quite extraordinary and haunting fascination.' Possibly influenced by the dance references in some of the numbers, Osbert declared that the poems might be further enhanced if spoken to a musical accompaniment. The obvious choice of composer was the young man who lived and worked in an attic room of the Sitwell brothers' house in Carlyle Square W[illiam] T[urner] Walton, as he then styled himself. The now historic first performance of the Facade Entertainment took place in an L-shaped first-floor drawing-room on January 24, 1922. Accompaniments to sixteen poems and two short musical numbers were performed by an ensemble of five players. The performers were obscured from the audience by a decorated front curtain, through which a megaphone protruded for Edith to declaim her poems. This was, as she put it, 'to deprive the work of any personal quality'. The first public performance of Facade was given at the Aeolian Hall on June 12, 1923. By now, fourteen poems had been set, others revised or rejected, and an alto saxophone added to the ensemble. The occasion gave rise to widespread publicity, both pro and contra, and the name of the twenty-one year old W. T. Walton was truly launched. In the ensuing years the Facade has gone through revisions and additions, with full orchestral arrangements of selected movements being made without the Reciter. Former Band Director Robert O'Brien arranged some movements for band, again without Reciter, which are now out of print. So this 'history making' addition is the first opportunity for Concert Bands to present some movements of Facade with poems as originally intended. The luxury of electronic amplification allows the full ensemble to perform without necessarily overshadowing the Reciter. And the arrangements are written with considerable doubling so that the ensemble may play in full, or reduced in size as may be desired for proper balance. And, though not encouraged, the arrangements are written so that the band can perform the music without the Reciter. Program notes are adapted in part from those written by David Lloyd-Jones and published by Oxford University Press in the Study Score of William Walton's Facade Entertainments.

    Estimated dispatch 7-14 working days

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  • £159.99

    1834 (Machera Impressions) (Concert Band - Score and Parts) - Van der Roost, Jan

    The twofold title of this concert work is directly connected with the band who commissioned it. The 'Harmonie Municipale Grevenmacher' - from the town of the same name, by the river Moselle in the Grand Duchy of Luxembourg - was founded in the year 1834. The name Machera is derived from the word machara, which in turn originated from maceries (old wall). Later, Machera evolved into Machern, Grafenmachern, and finally Grevenmacher. In 2009, this music society - the third oldest still in existence in the country - celebrated its 175th anniversary. And after all these years the society still flourishes! The dynamic committee, led by Georges May, fully supports and inspires the musical leader of the band, Claude Weiland, as well as his 60-strong ensemble. This well-functioning team took the initiative to ask Jan Van der Roost to write an anniversary composition, inspired, on the one hand, by the rural character of Grevenmacher and its surroundings (where the famous Moselle wine growing dominates the countryside), and on the other hand, by the dynamics, creativity and joie de vivre the band exudes. All of this resulted in a twofold work with alternating peace and excitement, virtuous and melodic features, orchestral splendour and soberly orchestrated passages. The premire, on 10 January 2010, was conducted by the composer himself at a successful gala concert which brought a fine year full of musical festivities to a close. The 'Harmonie Municipale Grevenmacher' faces the future with confidence, and will now prepare for its next milestone: the 200th anniversary!Duration: 11:00

    Estimated dispatch 7-14 working days

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