Results
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£109.99
Dublimania - Menno Bosgra
This new work is based on Irish folk music.In the first part, the main theme is presented as a ballad, starting with the piccolo (as replacement for the flute which is widely used in Ireland), moving on the wood section to end with the entire orchestra.It then changes to a kind of rock style theme: powerful, rhythmic accompaniment with effects in dampers, a pedal point and the use of the spoons which is typical of Irish music (Irish pub), high-range bongo drum (replacement for the Bodhran), etc.In this second part I introduced a second theme as a counterbalance, played by several groups, which has clearly a more legato character and therefore sounds more melodious.The climaxof the work starts in the low-range brass section with its marcato theme that is developed with a great deal of rhythmicity in the accompaniment, clusters, etc. into a percussion solo interspersed by the orchestra in five-eight time with frequent parallel movement in chords (folk music style).Towards the end, theme 2 recurs twice: first as heard earlier with an extra counter melody and accompaniment pattern, then in a canonical form, in which the theme is played by three groups. The conclusion is a repeat of the middle section in five-eight time.I have tried to use many of the colours of a wind orchestra by having the wood sections and brass section play alone and making extensive use of dampers. Percussion also has a prominent role throughout the work.
Estimated dispatch 7-14 working days
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£54.99
Cyberspace Blues - James L. Hosay
This one ROCKS! An infectious funky blues-rock tune, CYBERSPACE BLUES is a chart your band will want to play again and again. James L. Hosay's outstanding percussion writing and jazzy harmonies put this one in the groove. Built in are enough phrasing and articulation considerations, dynamics and ensemble style playing to make it a wonderfully educational experience as well as lots of fun. And you KNOW the audience will love it! Hit 'em where they live! Put CYBERSPACE BLUES on your next concert.
Estimated dispatch 7-14 working days
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£76.99Selections from Chicago
Music from this academy award-winning movie is rapidly gaining popularity as it harkens back to the early jazz age and raucous life style of gangster-era Chicago. This well-scored arrangement opens with a bluesy trumpet solo and includes feature spots for all sections of the band as it winds through the hits And All That Jazz, Cell Block Tango, Roxie and They Both Reached for the Gun.
Estimated dispatch 7-14 working days
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£57.50Charm - Kevin Puts
Composed by 2012 Pulitzer Prize-winner Kevin Puts, Charm is a short, joyful piece written in the meter 7/8. Of the title, Puts writes, I decided to call it Charm because, for me, the music conjures up magic, good-luck charms and such, and I was also thinking of the other meaning of the word, that intangible quality possessed by certain people and places that truly can cast a spell. Free interdisciplinary curriculum for the piece is available for download at www.BandQuest.org. Learn more on YouTube! BandQuest, an exciting series of new music and accompanying curricula for band, is a program published by the American Composers Forum. The series was started as a response to feedback from music educators that there is a pressing need for new, fresh band music. The heart of this program is new works written by a diverse group of leading American composers who have created challenging pieces that are a true departure from standard middle school repertoire. Every BandQuest project includes a residency component in which the composer works collaboratively with a middle school as they create their new piece.Many BandQuest pieces are accompanied by an interdisciplinary curriculum designed to assist students as they learn the music and to integrate each piece with non-music studies. Visit www.bandquest.org to learn more about this innovative series, and email [email protected] to request a free downloadable audio catalog.
Estimated dispatch 7-14 working days
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£78.20Caribbean Summer - Luigi di Ghisallo
Most people who live in the Caribbean are of an outspokenly straightforward nature, and always in good mood. "Caribbean Summer", a three-movement piece, captures this very mood: Very early in the morning, a summer day begins with "Guadeloupe", a Caribbean waltz. In this the change from a triple meter to a duple meter counter rhythm is of prime importance. From it, the music draws a particular lilt.At noon there is a happy and lively hustle and bustle on the beach. Vendors ("The Coconut Vendor") sing and offer their sugar-peanuts ("Chou-Cou"). A guest spontaneously begins to drum his fingers on a table, a second one reaches for a calabash or a cowbell - a cha-cha-cha is born. Finally, in "Caribbean Nights" a joyful parade of happy people march down the streets. Based on this very feeling, a special dance developed chiefly in the Dominican Republic: a simple basic two-step pattern in even rhythm becomes a "Merengue" together with the right, so to speak contra rotating motion of the hips! This cheerful dance then marks the close of day in a happy way - and in the morning everything will begin over again...
Estimated dispatch 7-14 working days
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£56.50
Stronghold - Sean O'Loughlin
It is hard to believe that this impressive piece contains only the first 6 notes of the Bb scale and no rhythms more difficult than quarter notes in the winds. Year after year, composer Sean O'Loughlin works his magic to provide young band students with meaningful musical experiences, even after only studying the instrument for 10 weeks or less. Your very young students will sound like pros with this bold new piece and your audience will not be able to believe it.
Estimated dispatch 7-14 working days
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£109.60Ancient Tales - Kevin Houben
Ancient Tales Commissioned by Fanfare Ellona Ell (NL) in honor of their centennial anniversary 2023 Ancient Tales was written by composer Kevin Houben in honour of the 100th anniversary of Fanfare Ellona, an authentic village association from Ell that values fun and fellowship. The piece is a musical representation of some of the legends and sagas that took place in and around the rural village of Ell, which probably owes its name to the many alder trees that defined the landscape around the 15th century. The somewhat mysterious opening of this work refers to the story of the sunken church in the Weerbroekskuil, where, according to the legend, bells are heard ringing on Christmas night and spirits in the form of lights are seen flying above the swamp. Presented here is the chorale that Houben composed for this work, which is woven like a thread throughout the composition in the form of melodic cells and motivic developments. Subsequently, the work continues with cheerful, energetic passages that are alternated with lyrical and more quiet sections. With some surprising melodic twists and metrical variations, Houben gives a nod to the turbulent history the citizens of Ell knew at the time of the 80-year war when the peasant country was plagued by marauding soldiers and gangs of thugs. By building the Ellerschans the people of Ell showed their resilience, to which the composer refers by constantly returning to cheerful and danceable themes which, thanks to the refreshing choice of metre, give the whole a cheerful character. Ancient Tales is a charming and energetic composition that triggers the enjoyment of playing of many orchestra members and will appeal to a wide audience. Moreover, the work offers every group of instruments sufficient challenge, making it suitable as a competition piece. Hence, Ancient Times was selected by Vlamo as compulsory test piece for the VLOF 2024.
Estimated dispatch 7-14 working days
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£236.00Pome symphonique en forme d'ouverture - Paul Gilson
In September 1925, on the occasion of the sixty-fifth birthday of their 'master', seven students of Paul Gilson gathered to form the first composers' collective in Belgian national music history. The members of Les Synthtistes (the Synthetists) are Ren Bernier, Francis de Bourguignon, Gaston Brenta, Tho Dejoncker, Marcel Poot, Maurice Schoemaker and Jules Strens. Their intent is twofold and both theoretical and practical. Les Synthtistes want to distinguish themselves as the 'Brussels seven' by breaking away from the prevailing late-romantic music of their time. Their theoretical aim is to synthesize the modern tendencies in music from 1925 onwards, to connect with the 'acquisitions of contemporary music' and to apply them within balanced and well-defined forms. Their practical goal is to make it easier to find a stage to perform their new symphonic music by uniting. In a period when there is no professional symphonic orchestra in Belgium, apart from the opera orchestra, they compose and transcribe their original symphonic works for wind band. They work together with Arthur Prevost and the Royal Band of the Belgian Guides which grew into a model instrumentation of 85 musicians during the interwar period. Thanks to Prevost and the Guides a unique collection of original, modern music for wind band by Les Synthtistes can be heard on the Brussels concert stages during the interwar period. Because only a few works of this unique, forgotten collection of 75 works were published, this unique canon remained largely unknown. Thanks to a historical study of sources by Luc Vertommen, these works for wind band are now, a century after their creation, made accessible and recorded for the first time.
Estimated dispatch 7-14 working days
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£236.00Gil blas - Jules Strens
In September 1925, on the occasion of the sixty-fifth birthday of their 'master', seven students of Paul Gilson gathered to form the first composers' collective in Belgian national music history. The members of Les Synthtistes (the Synthetists) are Ren Bernier, Francis de Bourguignon, Gaston Brenta, Tho Dejoncker, Marcel Poot, Maurice Schoemaker and Jules Strens. Their intent is twofold and both theoretical and practical. Les Synthtistes want to distinguish themselves as the 'Brussels seven' by breaking away from the prevailing late-romantic music of their time. Their theoretical aim is to synthesize the modern tendencies in music from 1925 onwards, to connect with the 'acquisitions of contemporary music' and to apply them within balanced and well-defined forms. Their practical goal is to make it easier to find a stage to perform their new symphonic music by uniting. In a period when there is no professional symphonic orchestra in Belgium, apart from the opera orchestra, they compose and transcribe their original symphonic works for wind band. They work together with Arthur Prevost and the Royal Band of the Belgian Guides which grew into a model instrumentation of 85 musicians during the interwar period. Thanks to Prevost and the Guides a unique collection of original, modern music for wind band by Les Synthtistes can be heard on the Brussels concert stages during the interwar period. Because only a few works of this unique, forgotten collection of 75 works were published, this unique canon remained largely unknown. Thanks to a historical study of sources by Luc Vertommen, these works for wind band are now, a century after their creation, made accessible and recorded for the first time.
Estimated dispatch 7-14 working days
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£236.00Tartarin de Tarascon - Marcel Poot
In September 1925, on the occasion of the sixty-fifth birthday of their 'master', seven students of Paul Gilson gathered to form the first composers' collective in Belgian national music history. The members of Les Synthtistes (the Synthetists) are Ren Bernier, Francis de Bourguignon, Gaston Brenta, Tho Dejoncker, Marcel Poot, Maurice Schoemaker and Jules Strens. Their intent is twofold and both theoretical and practical. Les Synthtistes want to distinguish themselves as the 'Brussels seven' by breaking away from the prevailing late-romantic music of their time. Their theoretical aim is to synthesize the modern tendencies in music from 1925 onwards, to connect with the 'acquisitions of contemporary music' and to apply them within balanced and well-defined forms. Their practical goal is to make it easier to find a stage to perform their new symphonic music by uniting. In a period when there is no professional symphonic orchestra in Belgium, apart from the opera orchestra, they compose and transcribe their original symphonic works for wind band. They work together with Arthur Prevost and the Royal Band of the Belgian Guides which grew into a model instrumentation of 85 musicians during the interwar period. Thanks to Prevost and the Guides a unique collection of original, modern music for wind band by Les Synthtistes can be heard on the Brussels concert stages during the interwar period. Because only a few works of this unique, forgotten collection of 75 works were published, this unique canon remained largely unknown. Thanks to a historical study of sources by Luc Vertommen, these works for wind band are now, a century after their creation, made accessible and recorded for the first time.
Estimated dispatch 7-14 working days
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