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  • £242.50

    Orpheus in Town, Dance Suite from (Concert Band - Score and Parts) - Rosenberg, Hilding - Johansson, Jerker

    Dance Suite in Seven Movements. Op.75. Orpheus In Town. In 1936 the Stockholm Concert Hall was given its most distinguished artistic adornment, Carl Milles' Orpheus fountain. A Greek god lets his voice and the sounds of his lyre float over the rush and bustle of the big city far up in Ultima Thule. Two choreographers at the Stockholm Opera, Julian Algo and Vera Sager, had a brainwave. Why should Orpheus merely be a statue, a symbol of the beauty and inspiring power of music, why not give the myth about him its special Stockholm chapter as well? This is what happened: On the stage we see the columned facade of the Concert Hall and in front of it the statue group with Orpheus and the eight enraptured listeners. Suddenly the figures come to life, jump down from their pedestal and dance into the crowd at the marketplace. Orpheus, who is consumed by longing for Eurydice, begins looking for his beloved, first among other well-known sculptures in town, then in restaurants and nightclubs. At last he thinks he recognises her in a fashionable society woman and brings her to the Concert Hall. However, faced with the threat of having to spend her life in bronze at Orpheus' side, she runs away. She wasn't Eurydice after all. Or was she? For this ballet, which had its first performance at the Stockholm Opera in 1938, Hilding Rosenberg wrote vital and entertaining music in a style which is unusually to the point, and with a bright and strong orchestration. The music in the Dance Suite from Orpheus in Town is taken from the dance scenes at the nightclub: guests and a bartender perform, finally also Orpheus and his entourage. The suite consists of: 1. Rhythm of the Times (2.00); 2. Bartender's Dance (1.30); 3. Girl's Dance (1.00); 4. Dance of the Negress (2.30); 5. Trio Dance (1.30); 6. Tango (2.00); 7. Finale (1.30). Total duration: 14.00.

    Estimated dispatch 7-14 working days

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  • £137.99

    From the Highlands (Concert Band - Score and Parts) - Putz, Marco

    Enjoying his travels in Scotland, Marco Putz decided to compose a piece for wind band, based on Scottish folk songs. While in the airport at Glasgow, shortly before boarding his plane, Putz bought a collection of folk melodies from all over Scotland that had been arranged for flute. At first he harmonised several melodies in his own style, then he began to alter the resulting pieces (especially rhythmically). Eventually Putz added passages here and there and orchestrated the piece for wind band. Putz's resulting composition is an educational work that is both enjoyable and appealing to players of all ages, although it was written with young bands in mind. From the Highlands is part of a project to increase the repertoire available to youth and school bands, both in quantity and quality; an important personal and musical goal for the composer. This is Putz's third contribution of this sort to be added to the De Haske catalogue, following his successful Arrows of Lightning and Four Sketches for Band.Duration: 7:45

    Estimated dispatch 7-14 working days

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  • £49.50

    Conquest (Concert Band - Score and Parts)

    A true "contest" style piece for the beginning band that uses limited note and rhythm resources, but is very creatively written. Your youngest students will feel like they are playing serious music, as the piece is bold, aggressive and sounds more difficult than it plays. This is the type of exceptional music you have come to expect from two of the most popular composers of beginning band music. This piece is correlated to The Yamaha Advantage band method book 1, but can be used with any band program of study.

    Estimated dispatch 7-14 working days

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  • £72.99

    Flying Colors - Robert Buckley

    Imagine a band far off in the distance marching toward you - soft at first, the music becomes louder and louder: the red capes of the band sway in the wind, getting closer and closer. It was this image that inspired Flying Colors.Famed bandmaster Arthur Delamont always programmed a march in his concerts, and the hallmark of his band was their red capes. The work begins very softly with a distant snare drum beat. The trumpets enter quietly with the melody,and with each new melodic entry the music grows and intensifies to a roaring finish. This is a fresh new take on a march, and is sure to please players and audiences alike! Flying Colors is the third movement of A Tribute toArthur Delamont and was commissioned by the West Vancouver Youth Band. Dur: 3:10

    Estimated dispatch 7-14 working days
  • £65.99

    Come, Sweet Death - Johann Sebastian Bach

    This is certainly one of the most beloved and widely sung of all the many great chorales. Richness of texture, singing lines, and deep feeling make the present instrumental setting an unforgettable experience for both performers and audiences. Alfred Reed's transcription of this true Bach favorite is a perfect selection for concert use. Will stir your audience each time it is performed.

    Estimated dispatch 7-14 working days

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  • £65.99

    Salute to the Colors - Anthony-King

    This long-lost march is one of Karl King's most tuneful and toe-tapping works. With melodic and interesting parts for all sections, it's a perfect march for mid-level bands. The trio is pure Karl King, wonderfully lyrical and complete with a nice euphonium part. Sounds like a million bucks! This is a terrific march for concert, festival, or contest use. Audiences will love it!

    Estimated dispatch 7-14 working days

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  • £109.99

    Simi Jadech - Willy Fransen

    Simi Jadech is Hebrew for "give me your hand". This work was commissioned by the royal wind band "De Heidegalm Heusden- Berkenbos", Belgium. The composer based his composition on a Jewish folk song of the same name which is characterised by the typical Klezmer style. This is an excellent work, suitable for competitions or concerts. It has sufficient instrumentation throughout and can therefore be performed by most orchestras.

    Estimated dispatch 7-14 working days

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  • £106.95

    Mr. Bartow - Larry Clark

    This is a rip roaring march right from the start. Composer Larry Clark marks the tempo Fast and fun. This original march was written to honor an exemplary band director with over 62 years teaching. It is a work that emulates the great marches of Henry Fillmore. This will be a fun and solid march for festival performances.

    Estimated dispatch 7-14 working days
  • £106.95

    Be Thou My Vision - Larry Clark

    The popular Irish Hymn tune, Slane (best known by the familiar first line of its standard text, Be Thou My Vision) is a great favorite of composer Larry Clark's. It is the basis for this grand set of variations. From the bardic fanfare of the opening, through a piccolo solo that suggests Gaelic piping and several variations on the lovely tune, this is a beautifully scored piece, rich in the flavor of the Emerald Isle.

    Estimated dispatch 7-14 working days
  • £69.99

    Kennesaw Mountain Blues - Stephen Bulla

    Blues to the MAX! With lots of drive and down home blues harmonies, KENNESAW MOUNTAIN BLUES will latch on to your audience for keeps.Very accessible to Grade 2 1/2 bands, this is one of the most enjoyable pieces you'll find for any level of ability. If you have a kickin' drumset player, so much the better. Every section has gratifying parts to play, and the easy mixed-meter section sounds so natural but will keep 'em all thinking.The concert band doesn't often get the chance to play in styles like this, which is a shame, because it's so much fun. How about letting your band try a style that's about as far from John Phillip Sousa as you can get! Get down with some Blues! KENNESAW MOUNTAIN BLUES is a winner!

    Estimated dispatch 7-14 working days

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