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£144.20Isolation - Suite in 5 Movements - Øystein Sjøvaag Heimdal
This suite in 5 movements was written during the Corona pandemic and is inspired by experiences and feelings during this period. Feelings like insecurity, frustration, happiness, sorrow, hope, and optimism are the underlying themes, and this can be heard through the music. This is not, however, program music, so the audience may have their own perception of what the music is about.This piece provides the opportunity to focus on the different elements of music, such as dynamics, articulation, expression, tone control and timbre.The five movements can be performed separately.
Estimated dispatch 7-14 working days
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£202.99
The Wind Rises - Joe Hisaishi
This beautiful, lyrical melody is so colorful in the film, without having an imposing image. "The Wind Rises" (2013) does not dominate the visual, and perhaps is an ideal form of film music considering this is director Miyazaki's final production. Chamber ensembles with solos and strings are frequently used in the soundtrack, so the sound is mellow and soft. As you listen more and more, you still recognize the tradition of Ghibli music.When I arrange, I try not to visualize the image of a film. I may think of characters and story line but is it important to write music that alone is appealing and fascinating. Trying not to "overstate" the film is not needed here. If you can bring out the most appealing parts of the soundtrack, excess can be forgiven. Of course, I have not changed the musical elements of the original.I asked Mr. Tomoki Ubata (band director at Ina Gakuen Sr. High School) whom I have worked with numerous times to assist with layout. He came up with a heartwarming medley with two main parts; leading boy Jiro's gift for aeronautical design and his romance with the heroine, Natsuko.The following themes are contained in the arrangement:1. Nahoko (A Rainbow) Beginning2. Caproni (An Aeronautical Designer's Dream) C3. A Journey (An Encounter at Karuizawa) H4. The Falcon I5. Prototype 8 N6. A Journey (A Parting) & A Journey (A Dream of Flight) PIt is quite remarkable, looking back on 30 years of Studio Ghibli's achievements.(Kazuhiro Morita)
Estimated dispatch 7-14 working days
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£87.50In the Center Ring - Robert Sheldon
In The Center Ring was written in the autumn of 2003 for the Upper Antioch Grade School Band from Antioch, Illinois, Earl Bush, director. The piece is a musical snapshot of a circus performance, from the madcap antics of the jugglers and clowns to the elegance of the high-wire and trapeze performers. This wild musical romp is certainly a technical challenge, but is also great fun for the performer and listener alike. Above all, remember this is a theatrical piece - so emphasize the dynamics, bring out the inherent comedy and have FUN! (4:50) This title is available in SmartMusic.
Estimated dispatch 7-14 working days
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£206.99
Chorale and Variations - Philip Sparke
As the title suggests, this piece comprises a set of variations on an original chorale,which is presented in the opening bars.The chorale uses the dark middle and lower sections of the band and is extended with minor variations until a pause leads to the first real variation, marked Vivo. This is in the form of a moto perpetuo. The second variation is a beautiful Andante introduced by a solo clarinet. Following a full band climax the final variation opens with quiet, nervous energy until its main theme is introduced.The chorale makes a brief appearance until the main theme reappears. This leads to a triumphant final augmented statement of the chorale theme, decorated by theflorid clarinet theme in the upper woodwinds. A dazzling new concert work.
Estimated dispatch 7-14 working days
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£159.99Tirol Terra Fortis - Jan Van der Roost
The Stadtmusikkapelle Wilten-Innsbruck (Austria) invited Belgian composer Jan Van der Roost to write a work to mark the bicentenary of the Tyrolean fight for freedom, which was settled in 1809. Various musical elements reflect this historical event. First, a hymn-like section rings out, based on melodic fragments from the 'Tiroler Landeshymne' (by Leopold Knebelsberger), which intertwine in a counterpoint-like arrangement. The second passage is more bellicose in character, and mirrors the fight of the Tyroleans - under the inspiring leadership of freedom fighter Andreas Hofer (1767-1810) - against Bavarian, French and Italian troops. Next, a broad, chorale-style melodyappears again: here, the imposing beauty of nature in Tyrol, and the amiable, lively temperament of the people who live in this mountainous region, are glorified.This is neither a programmatic work around an historical reconstruction, nor a politically inspired work: it is a combination of factual and cultural components, with an artistic and sonorous character. The use of the flugelhorn in particular gives Tirol Terra Fortis its 'couleur locale': for this beautiful instrument can invariably be found in the Austrian wind band. The commissioning music society had therefore specifically asked the composer to incorporate the instrument in this work. It certainly enhances the already extensive colour palette of the modern concert band!
Estimated dispatch 7-14 working days
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£53.50Like a Mighty Stream - Johnnie Vinson
Composed in remembrance of Dr. Martin Luther King, Jr., the title of this dramatic setting is taken from a biblical passage and quoted by Dr. King in his celebrated I Have a Dream speech in 1963. After a fanfare-like introduction, the piece is comprised of three sections. The Dream relects on Dr. King's famous speech. This is followed by Strife, which recalls the violence of the civil rights movement, and finally Hope, which looks to a brighter future and is a setting of the hymn We Shall Overcome. Performed with or without the narration, this is a stirring work for young bands. Dur: 5:20
Estimated dispatch 7-14 working days
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£134.99Cleopatra - Thierry Deleruyelle
Queen Cleopatra ruled Egypt for over 20 years. She is one of antiquity's best-known women, in particular because of her relationships with Julius Caesar and, above all, Mark-Anthony, but also because the cause of her death remains a mystery. The work is split into three parts and performed without breaks. The first section begins with a bright introduction representing Mark-Anthony. Dynamic in nature and reminiscent of military music, this characterises the Roman general. But soon after, another theme emerges, softer and more melodic, symbolising Cleopatra's femininity. The two characters then combine on a faster tempo. The middle section of the work depicts the love that Mark-Anthony and Cleopatra feel for each other. This passionate relationship lasted ten years and produced three children. This is expressed by a warm and intense theme, just like the beauty of the Egyptian queen. The third and last section opens in a determined and military mood. Mark-Anthony and Cleopatra were often apart, the Roman general was often away on a campaign. They met up in Alexandria to celebrate their triumph. But, as the targets of the jealousy and ambition of Octavius, Julius Caesar's son, the lovers are trapped and await the inevitable conquest of Egypt by the Romans. When Mark-Anthony heard the false news that Cleopatra had committed suicide, he ended his own life. The Queen of Egypt, for her part, was imprisoned shortly afterwards. The two lovers remain one of History's most famous couples. This piece was commissioned by the Wind Orchestra of the town of Antony, near Paris, directed by Philippe Rossignol, to mark its 90th anniversary.
Estimated dispatch 7-14 working days
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£407.00Symphony Nr. 3 Urban Landscapes Op. 55 - Franco Cesarini
Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 "Urban Landscapes" Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 "Urban Landscapes" Op. 55: a sumptuous musical portrait of the "Windy City".
Estimated dispatch 7-14 working days
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£127.30Knask for aspiranter - Suite in Three Movements - Idar Torskangerpoll
Candy for Beginners is a suite of three songs used by the composer with the youngest beginners throughout several years. The method is to sing the melodies before learning it on the instruments. Lyrics about candy has proven to be very popular among the youngsters.... In English it can goes like this: "Candy floss, candy floss, candy floss, candy floss, oh yeah". And: "Soda for me, give me soda for free". And: "Lefse, it is good, lefse, now you should, Lefse, give me one, lefse, sure is fun." The composer urges the band to find their own lyrics to the melodies, making it their own with a local twist. This is a good rhythmic exercise for the young players.
Estimated dispatch 7-14 working days
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£149.40Bekken (Fra Lyriske stykker opus 62) - Edvard Grieg
Brooklet is one of the movements from Grieg's Lyric Pieces for Solo Piano opus 62. Information for the conductor: Brooklet is an technically advanced work for solo piano. In this arrangement, technical passages are simplified by overlapping and doubling some of the parts. To master the technical challenges and make it sound effortless, it is important to pay close attention to balance and precision. Some of the parts also have alternative parts added which can lower the technical challenges a bit. The normal instrumentation are Clarinet 1-2-3, but there is also an "optional" part for Solo Clarinet. This is included on the same sheet as Clarinet 1. Both parts can stand alone or be played together. (i.e. The Solo Clarinet part can be played in addition to Clarinet 1, in whole or in part if desired, or it can replace Clarinet 1 entirely, using only Solo Clarinet and Clarinet 2 and 3.). From bar 5 to bar 13, there is a suggested solo for Solo Clarinet. If played by Solo Clarinet, please omit Clarinet 1, 2 & 3 for these bars.
Estimated dispatch 7-14 working days
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