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  • £72.99

    LLORANDO SE FUE (Recommended!)(Easy Concert Band) - Dawson, Jay

    Watch your students light up when they recognize this melody, originally a Bolivian folk song, now used as the favourite 2nd tune of many current dance hits. If you can play a B-flat scale, you can play this!

    Estimated dispatch 7-14 working days
  • £7.00

    TUNES FROM THE TRENCHES (SSA vocal score) - Lawson, Peter

    For SSA choir and orchestra or concert band, or choir and piano.A non-stop medley of tunes from World War One from recruiting through to the Last Post. This arrangement can be performed by a choir with either an orchestra, band or piano accompaniment. There are different choral versions available for Mixed Voice Choir - both SATB (GM131) and, for those with a shortage of male voices, SA+Men (GM134) - for Upper Voice Choir (SSA - GM132) and for Male Voice Choir (TTBB - GM133). The orchestra score and parts (GMCP020) can be used either on its own or to accompany a choir.The recruiting song "Your King and Country Want You" starts us off followed by "Goodbye, Dolly Gray" as the soldiers leave for war. "Belgium put the Kibosh on the Kaiser" is followed by some proper trench songs - various lyrics were improvised by the soldiers!! - "Three German Officers crossed the Rhine" and "They were only playing Leap-Frog". "The Bells of Hell go Ting-a-ling-a-ling" leads to strains of "Stille Nacht" recalling the Christmas truce. "When this Lousy War is Over" and "There's no place like Home" are balanced by "Land of Hope and Glory" before the Americans arrive with "The Caissons go Rolling Along" and "Over There". "It's a Long Way to Tipperary" brings us towards a rousing finish save for an optional "Last Post-lude" to end reflectively.

    Estimated dispatch 7-14 working days
  • £118.99

    Princess Mononoke, Medley - Joe Hisaishi

    Series: New Sounds in Brass (NSB); Duration: approx.8'50"; Composed by Joe Hisaishi; Arranged by Takashi Hoshide. Arranger Takashi Hoshide says, "I have selected beautiful melodies from the soundtrack of 'Princess Mononoke' (1997, directed by Hayao Miyazaki) and arranged them into a medley. What can be said about these songs as a whole is that they combine a grand continental scale with the delicacy that reflects Japanese emotions. Since there are no upbeat songs in this selection, I had to work hard on the arrangement, but this allowed for creating contrasts and transitions between each scene in the performance. 'Ashitaka Sekki (English title: The Legend of Ashitaka)' - 'Sekki' means a story that is not recorded but passed down orally. In this anime, this can be considered a sub-main theme. The song starts with a feeling that the story is about to begin and, once the theme kicks in, aim for a grand performance to convey its scale. 'Encounter' - This is the music that plays during the scene where the protagonist Ashitaka meets San. Interestingly, the motif of the main theme 'Princess Mononoke' is used in this melody. Here, let's pursue the shifts in the timbre of individual phrases, creating a beautiful and aesthetic soundscape. 'Princess Mononoke' - This is the main title of the anime. The melody line is carried by horns and trumpets."

    Estimated dispatch 7-14 working days
  • £53.95

    At Max Power! - Amy Webb

    It's time to show the world that your band has what it takes to be the best. Can they push to the front, give it all they've got, and sprint to the finish line? Your students have put in hard work, time, and effort to make their concert the best it can be. What better way to end your program than with this exciting piece by Amy Webb that lets them sprint to the finish line!

    Estimated dispatch 7-14 working days
  • £39.95

    Music for Junior Wind Band - Vol. 6 - Adrian Taylor

    The arrangements and compositions in these books were written by Adrian Taylor for various beginner or school bands that he has conducted over the years. Children joined these bands on the 2nd parts, usually having only been playing for a year and they then progressed to the 1st parts the following year.This volume of music was orchestrated a little differently to the other volumes but the easiest parts for each instrument continue to be written without key signatures in treble clef, in B flat major for bass clef trombone and euphonium and in E flat major for bass clef tuba. More advanced parts are written with the appropriate key signatures for each piece, reflecting the greater understanding and skills of the players on these parts. Most of the pieces can be played with only a few parts being covered, the addition of the other parts usually enhancing the arrangement rather than simply doubling existing musical lines. The essential parts are the Trumpet (and Clarinet or Cornet) parts, the two Trombone/Euphonium parts and in No. 4, the 1st Horn part. A piano part helps to fill out the harmonies where other parts are missing. The brass parts in the wind band versions are identical to those in the brass versions. This volume was created so that beginner players can play Calypso and When The Saints, which feature in Just Play... Book 1, accompanied by their school band.

    Estimated dispatch 7-14 working days
  • £39.95

    Blues for Big Ears - Mark Nightingale

    Blues for Big Ears is one of Mark Nightingales' Easy Jazzy Tudes, one of Warwick Music's bestselling publications. The band arrangement came about as a result of a stroke of inspiration. After teaching the piece to pupils the idea to arrange it for band was formed. The solo in the middle can be read, or if you have a budding player who likes to improvise feature them. The quavers throughout should not be swung! The Tubas and instruments playing the bass part, should aim for a light sound, and try to imitate the sound of a double bass playing pizziccato. As there are easy parts attached, band directors can include their youngest players, so they don't feel left out. If you have a good drummer, get him to improvise during the fills, rather than read the notated part.

    Estimated dispatch 7-14 working days
  • £109.99

    From Russia with Love

    A characteristic of many Russian folksongs is the emotion that they contain - sometimes exceptionally fierce, sometimes, in contrast, resigned and melancholic. This makes the music captivating and gives it its special, distinctive atmosphere. The same can also be said for From Russia with Love, in which Roland Kernen has made use of three beautiful Russian love songs. In the cheerful and stirring Kalinka, the singer tells of a girl whom he fell head over heals in love with, so much so that she is always on his mind. Lutshje Bulo is the story of a man who wants to break up with his girlfriend and in Otschi Tschornije attention is focused on a dangerous woman who can seduce many menwith her piercing black eyes.

    Estimated dispatch 7-14 working days

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  • £154.60

    Den store dagen - Benny Borg

    This beautiful song contains a huge contrast between the hopeful and the disappointing. A mother has her birthday and is waiting her children to celebrate it. Each verse starts optimistically, but the short chorus is characterized by the disappointment, that everyone calls, and cannot come. This has been tried recreated musically, mostly in the last two choruses, as it dawns on her that she will not receive a visit. It's a beautiful tune, but with a serious message that it's easy to take someone for granted.One of the elements the musicians came up with after rehearsal, was that they really liked the change between the ballad parts with even eights and the swing parts. This also gives the piece a sense of "parlando" character, which tells a story, and is therefore important to focus. It is not quite simple, as the melody also in those parts with even eights has some triplet rhythms. Therefore, this is a topic you can work on.Regarding instrumentation, Flugelhorn, Alto Saxophone and Euphonium have important roles, in addition to the rest of the first parts in the Band. The arrangement is written so you are not depending on "special" instruments. Important details are also often duplicated so you can use the arrangement for a smaller Wind Band.It is also possible to use a vocal soloist, but then you must soften the instruments that holds the melody.

    Estimated dispatch 7-14 working days

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  • £99.99

    Magga - Philip Sparke

    The Four Noble Truths are the most basic expression of the teaching of Buddha and therefore still form the guidelines for Buddhists to this day. They concern themselves with Dukkha, which has no exact translation but can mean suffering, stress or sadness etc. Magga is The Noble Truth of the Path Leading to the Cessation of Dukkha - the Fourth Noble Truth - which gives us a description of eight disciplines which can help us eliminate the origins of stress from our lives.

    Estimated dispatch 7-14 working days

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  • £159.99

    Fantasia Per La Vita E La Morte - Bert Appermont

    The mystique surrounding life and death formed the starting point of this composition. I wanted to write a work without a story, mixed up in a kind of musical quest for a new world of sound, original rhythm sequences, melodies filled with suspenseand distinct orchestral tones.The indirect cause was the birth of my first child which took place during this time, followed by the death of a close family member. At such a moment you experience just how close life and death are to each other, anddespite one being the antithesis of the other, they are incredibly similar. Both radical events are passages into new worlds and have great emotional impact. Moreover, the work was commissioned by "New Life", an orchestra that lost one of itsmusician in a plane crash, which also led me to believe that this approach would be appropriate.I would prefer not to comment on which passages in the composition concern life (birth) and which refer to death. It seems to me that it is moreinteresting to question traditional conceptions and leave it open for the listener. If you think that a passage is about birth, and this idea then shifts, it is this that raises fascinating questions, on both a musical and metaphysical level.Music isin an indirect but incredibly persuasive way in which to express the endless striving and seeking of mankind. Music can even touch eternity, as it were, and give us the feeling that we can transcend death. This endless search (and also longing) canbe heard throughout the work; as much in the sound fields and accent shifts in the first part as in the enormous tension curves and compelling themes of the second part. The semi-tone functions in this way as a guide or something to hold on to,running through the whole work and upon which much of the musical material is based. Traces of profound love resound with quiet simplicity in the slow section's melodious solos, after which the work contemplates life and death one last time, musesupon joy and sadness, on the possibilities and limitations of people and on the why of all things.I would like to dedicate this work to my dearest daughter Paulientje, to Meterke and to Johan de Jong of the "New Life" orchestra. May it fare themwell, here or in another dimension...

    Estimated dispatch 7-14 working days