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  • £89.99

    Spirals of Light - Naoya Wada

    This refreshing, lively composition by the Japanese composer Naoya Wada is an ideal opening work, but it can equally provide a boost of energy later in your concert programme. Brilliant themes supported by virtuoso runs and energetic counter melodies ensure that each section, including percussion, is given a chance to shine.

    Estimated dispatch 7-14 working days

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  • £84.99

    Song for Sakiko - Bert Appermont

    Bert Appermont composed Song for Sakiko during a stay in the cosmopolitan metropolis of Tokyo. "Sakiko" roughly translated means "flower child" and is associated with a dreamy, poetic atmosphere. Appermont used theseassociations as a starting point while composing. Song for Sakiko starts with a very lyrical theme based on a minor third that forms the basis for the entire work. A second theme builds up to the grand finale, which repeats the theme, but in amajor key and the music slowly fades away, like ripples on a pond, as both themes can be heard dissipating into nothingness.

    Estimated dispatch 7-14 working days

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  • £109.99

    Rejoice! - Naoya Wada

    Rejoice! was commissioned by the Kitakyushu City Foundation for Promoting Arts and Culture (KICPAC) on the occasion of the 50th anniversary of the founding of the city on Feburary 10, 1063. The composer grew up in this city and feels at home there. Kitakyushu was born from the merger of five municipalities of Moji, Kokura, Tobata, Yahata and Wakamatsu centred on the ancient city of Kokura. These five former cities are represented in five themes in distinct keys at the beginning of the piece: G major, e major, g major again, Bb major and F major. Rejoice! is dedicated to the city of Kitakyushu and Mr. Kenji Kitahashi, mayor of the city. The premire was held on March3, 2013 at the Kitakyushu Soleil Hall, performed by the Comfort Wind Ensemble, conducted by Mr. Satoru Yoshihara.

    Estimated dispatch 7-14 working days

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  • £76.99

    Elegia - Wouter Lenaerts

    This calm chorale provides an atmospheric introduction for your concert or can be used to warm up for a competition. The two themes, which are related to each other, gradually move from one group of instruments to the next, ultimately leading to a majestic finale before falling away slowly to end in an introvert conclusion.

    Estimated dispatch 7-14 working days

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  • £102.99

    Fanfare For A Friend - Bert Appermont

    'Fanfare for a Friend' was originally composed as an introductory piece for the brass ensemble Musica Mosana and their conductor Mark Prils. The work begins with a brilliant brass fanfare that presents the main theme for the first time. This stately theme can be heard in counterpoints throughout the first 28 bars. This is followed by a contrasting and rapid part whereby a melodic theme can be heard against a more rhythmic accompaniment. A virtuoso and sweeping passage then leads to the grandioso in which both themes are played simultaneously in a grand finale.

    Estimated dispatch 7-14 working days

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  • £159.99

    Ouverture To The Three Angels - Jelle Tasseyns

    This overture was written in 2000 and pays homage to the composer Paul Hindemith. The composition is based on "Es sungen drei Engel. The song dates back to the 12th century and was originally a Christmas carol. Mahler used this melody in his 'Des Knaben Wunderhorn' and in the finale of his third symphony. Paul Hindemith also uses this melody as a chorale in the 'Engelkonzert' of his 'Mathis der Maler' symphony. This melody is not only used extensively in the 'Overture to The Three Angels', it also forms the main theme of the entire central piece. In this central piece, the melody can first be heard as a fugue by the woodwind instruments and then by the brass instruments andultimately ends in a grand tutti which features all the themes of the entire work. The first and the last part of the composition are not based directly on the chorale melody but constitute a contemporary commentary of the central part. These are not literal references but rather the sounds of the heralds.

    Estimated dispatch 7-14 working days

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  • £134.99

    The Untouchables - Ennio Morricone

    This film dating back to 1987 by star director Brian De Palma is equally famous as the cast that plays in it. Sean Connery, Kevin Costner and Robert De Niro are just a few of the names that gave this film its cult status. Ennio Morricone, an icon of the movieindustry, wrote the music and Willy Fransen has now made a spectacular and original arrangement which remains true to theoriginal. He selected the strongest themes and chose a colourful but compact instrumentation. Get ready for the movie experience!

    Estimated dispatch 7-14 working days

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  • £109.99

    Fables & Fantasies - Willy Fransen

    It is no secret that most children are mad about stories and fairytales and that these are actually essential for their development.Willy Fransen has based his latest work, which he has dedicated to his first grand-child Simon, on this idea. The composition consists of themes that will intrigue children in a similar manner and they depict the twinkling eyes of children while fairytales are read to them.

    Estimated dispatch 7-14 working days

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  • £159.99

    Fantasia Per La Vita E La Morte - Bert Appermont

    The mystique surrounding life and death formed the starting point of this composition. I wanted to write a work without a story, mixed up in a kind of musical quest for a new world of sound, original rhythm sequences, melodies filled with suspenseand distinct orchestral tones.The indirect cause was the birth of my first child which took place during this time, followed by the death of a close family member. At such a moment you experience just how close life and death are to each other, anddespite one being the antithesis of the other, they are incredibly similar. Both radical events are passages into new worlds and have great emotional impact. Moreover, the work was commissioned by "New Life", an orchestra that lost one of itsmusician in a plane crash, which also led me to believe that this approach would be appropriate.I would prefer not to comment on which passages in the composition concern life (birth) and which refer to death. It seems to me that it is moreinteresting to question traditional conceptions and leave it open for the listener. If you think that a passage is about birth, and this idea then shifts, it is this that raises fascinating questions, on both a musical and metaphysical level.Music isin an indirect but incredibly persuasive way in which to express the endless striving and seeking of mankind. Music can even touch eternity, as it were, and give us the feeling that we can transcend death. This endless search (and also longing) canbe heard throughout the work; as much in the sound fields and accent shifts in the first part as in the enormous tension curves and compelling themes of the second part. The semi-tone functions in this way as a guide or something to hold on to,running through the whole work and upon which much of the musical material is based. Traces of profound love resound with quiet simplicity in the slow section's melodious solos, after which the work contemplates life and death one last time, musesupon joy and sadness, on the possibilities and limitations of people and on the why of all things.I would like to dedicate this work to my dearest daughter Paulientje, to Meterke and to Johan de Jong of the "New Life" orchestra. May it fare themwell, here or in another dimension...

    Estimated dispatch 7-14 working days
  • £102.99

    Valse Sacre - Frédéric Devreese

    For Frdric Devreese, a dance, and especially the waltz, is increasingly linked to the person as a dancer, so that a dance becomes an experience, an adventure; and as a result, they in fact waltz to human emotions. Those who follow Devreese's music a little know that, for him, the different facets are not separate from each other. The film scores and the concert pieces strengthen and influence one another. His most famous film score themes, such as the Valse Sacre", belong to the collective memory of Flemish music. This waltz was composed for the Hugo Claus film "The Sacrament". The assignment was to compose a whirling waltz for a dance scene set during an emotional familycelebration."

    Estimated dispatch 7-14 working days

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