Results
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£64.00Visigoths
This tone poem, suggested by the 4th Century struggle of the Visigoths within the Roman Empire, contrasts the slow opening four-note motive in the low brass, with quicker more rhythmic material depicting the battles of the tribe with the Roman legions. From these elements, Sean O'Loughlin has crafted an exciting and sonorous piece that will show off the capabilities of a developing young band to great effect. A large percussion section is used with great skill to energize this serious concert work.
Estimated dispatch 12-14 working days
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£60.00Precision - Harold Bennett
Larry Clark has been breathing new life into Harold Bennett's delightful marches for younger groups over the past decade, and your group will absolutely love Precision. A wonderful tool for teaching younger students the March style, this work also introduces them to the "break strain." A great way to show your band the genius of Bennett marches at the earliest point possible!
Estimated dispatch 12-14 working days
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£53.00Promised Land
Promised Land is a serious-sounding, new piece for the developing band that sounds much more difficult than it plays, allowing your students to show off while remaining at their ability level. The title has its roots in the ideals of John Humphrey Noyes, who founded the Oneida community in the late 1840s. He built a thriving agricultural and spiritual community that became his "promised land." The music depicts the struggles and triumph of those first settlers in the area, who worked the land and fought for their ideals through much persecution. Promised Land contains all of the rhythmic interest and memorable motives that Sean's music is so known for. It is also an excellent choice for contest/festival.
Estimated dispatch 12-14 working days
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£59.95Where Eagles Sing - Paul Lovatt-Cooper
The inspiration for this piece came when the composer visited Florida and the Bird Sanctuary in Walt Disney World's Animal Kingdom. He was in the audience to see the rare bird show where he witnessed some fabulous looking and endangered...
Estimated dispatch 5-7 days
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£39.95Of Shepherds and Kings (Concert Band - Score and Parts) - Wiffin, Rob
This salsa is a not-too-serious look at the shepherds and kings at the Christmas nativity scene. The shepherds are represented by the carol While Shepherds watched their flocks by night, appearing here in a minor key. They are a rather earthy crew as opposed to the more refined kings with their carol We Three Kings of Orient. At one point the shepherds try to show that they should not be underestimated with their allusion to Henry Purcell's song Nymphs and Shepherds but the arguments between the two groups continue to the very end.Technically the piece is not that difficult but it needs the appropriate rhythmic feel. There are several add-on latin percussion parts which are not essential but will add to the spirit of the music if you have the players available.Duration: 3.30
Estimated dispatch 7-14 working days
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£87.95Galloping Home (Concert Band - Score and Parts) - King, Denis - Longhurst, Clive
Galloping Home is the name of the theme tune to the popular 1970's TV programme, 'The Adventures of Black Beauty'. The children's show ran between September 1972 to March 1973 and became a 'must watch' in the UK and the USA. It is hoped that this transcription will evoke many happy memories for those who used to watch it and be enjoyed by those who are not so familiar.
Estimated dispatch 7-14 working days
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£124.99Buffalo Bill (Concert Band - Score and Parts) - Deleruyelle, Thierry
Buffalo Bill takes us on a journey into the world of 19th-century American pioneers, cowboys and Native Americans, through a musical fresco combining an incantatory melody, a majestic theme and a faster section that plunges us into the heart of a buffalo hunt. This work was commissioned by the Orchestre d'harmonie de Montrouge, in France, the town that hosted Buffalo Bill's show at the 1889 Universal Exhibition and where the Buffalo district still stands.Duration: 11.30
Estimated dispatch 7-14 working days
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£53.95At Max Power! (Concert Band - Score and Parts) - Webb, Amy
It's time to show the world that your band has what it takes to be the best. Can they push to the front, give it all they've got, and sprint to the finish line? Your students have put in hard work, time, and effort to make their concert the best it can be. What better way to end your program than with this exciting piece by Amy Webb that lets them sprint to the finish line!Duration: 2.00
Estimated dispatch 7-14 working days
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£123.203 Letzte Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 14.00
Estimated dispatch 7-14 working days
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£95.995 Tantum Ergo (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (SSATB) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.Duration: 11.00
Estimated dispatch 7-14 working days
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