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£75.00Christ the Lord is Risen Again (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
John Rutter's original setting of this popular Easter hymn is resplendent and celebratory, with frequent metre changes that give a fresh feel to these historic words.
Estimated dispatch 7-14 working days
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£60.50The Pink Panther (Concert Band - Score and Parts) - Mancini, Henry - Lopez, Victor
This item is now out of print.Add this to spice up your concert. This one's a real crowd pleaser.Duration: 2:00
Estimated dispatch 7-14 working days
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£72.99The Temptations on Stage (Concert Band - Score and Parts) - Saucedo, Richard L.
Rarely has a single musical group been so distinct and influential on pop culture as this Motown sensation. Featuring their most popular hits, Richard's energetic medley rocks along with Get Ready, My Girl, Papa Was A Rolling Stone, and I Can't Get Next To You.
Estimated dispatch 7-14 working days
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£47.50Surfin' U.S.A. (Concert Band - Score and Parts) - Berry & Wilson - Sweeney, Michael
The Beach Boys classic Surfin' USA comes alive in this terrific arrangement playable by first year musicians. Plenty of fun!
Estimated dispatch 7-14 working days
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£65.00Eye of the Storm (Concert Band - Score and Parts) - Gingery, Ralph
Here's a rock chart with a powerful and very contemporary feel. Guaranteed to be a major hit on any program!Duration: 2.30
Estimated dispatch 7-14 working days
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£24.95British Grenadiers and Voice of the Guns (Concert Band - March card set) - Patch, S. W.
Royal Regiment of Artillery march card set
Estimated dispatch 7-14 working days
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£218.30Norsk Kunstnerkarneval Op.14 - Johan S. Svendsen
This well-known work was composed in Christiania in 1874 for a burlesque Carnival in "Kunstnerforeningen".An early title for the work was "Bryllup paa Dovre". The manuscript score and parts at The National Library in Oslo of the early version with this title have much more music than the version printed by C.F. Peters, Leipzig in 1881. The form in this first version was ABA with an additional trio part that later were discarded. In the trio Svendsen used the melody Sterreisen (Os har gjort kva gjeras skulle) from Lindeman's collection of Norwegian Folk Tunes. (Vol. I/115). In the A-part a wedding tune (Bruraslaatten) from Sogn is used (Lindeman Vol. I/476). The Carnival's literary theme was the connection between the cold north and the warm south. Musically the south is represented in Svendsen's music by Raffaele Sacoo's melody from 1835 "Te voglio bene assai".I believe that if Norwegian quality music from this period is going to be performed, it must at least be available. There must be editions for modern instrumentations with full scores. I do this as my contribution to expand and enrich the repertoire for Concert Bands.- Stig Nordhagen -
Estimated dispatch 7-14 working days
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£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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£121.00Sinfonia #1 - Walter S. Hartley
A brief, accessible work by wind band standards, Sinfonia (1961) demonstrates some of the serial compositional techniques embraced by Walter Hartley at the midpoint of the 20th century. The piece is neoclassical in form and approach, yet still stretches the boundaries of tonality and melodic conventions - a common practice at the time of its creation. Performers will appreciate this newly engraved edition that was reconstructed from original manuscript sources.
Estimated dispatch 7-14 working days
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£109.99Normandy, 1944 - Jeremy S. Martin
D-Day, June 6, 1944. A fateful day and the turning point of World War II. A day that has only gained importance and reverence over the years. It was a day that we should never forget; for lives that were lost and lives that were saved through that sacrifice. This work resounds with homage to fallen heroes.
Estimated dispatch 7-14 working days
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