Results
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£72.99Stranger Things, Music from (Concert Band - Score and Parts) - O'Loughlin, Sean
The popular TV series Stranger Things has reminded us of some of the great songs from the 1980s! With songs supporting key moments in the storyline, here is an emotion-packed medley of classic rock hits along with the iconic theme.Includes:Stranger Things Main ThemeShould I Stay or Should I GoMaster of PuppetsSeparate Ways (Worlds Apart)Running Up That Hill
Estimated dispatch 7-14 working days
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£63.50Sverige pa Vakt (Sweden on Guard) (Concert Band - Score and Parts) - Widqvist, Viktor - Blixt, Niclas
Sweden On Guard is part of Widkvist's earliest march production. It was composed around 1914 when he served in the engineering troops.It is worth noting that the march from the beginning was probably intended for a small sized brass band and was later rearranged for a full military band by the composer. When I searched in the Swedish War Archives many years ago, looking for more or less forgotten marches, this work, among others, appeared. I immediately became attached to the young Widkvist's catchy melodies and clear harmonic tonal language that express faith in the future and optimism.Sweden On Guard has never been published in print before, and the work of modernizing the setting without resorting to the elegance and resilience of the original has been a challenge.- Niclas BlixtDuration: 2.30
Estimated dispatch 7-14 working days
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£143.00I'm Headin' Home (to My Best Friend) (Concert Band - Score and Parts) - Ukkonen, Per-Olof
I don't know why I get ideas on my way home. Maybe it depends on who is waiting. This is my third pop song for Concert Band inspired by going home. Keep the tempo up throughout the song, you are Headin Home! The first two titles are Walking Home and Another Way Home.- Per-Olof Ukkonen
Estimated dispatch 7-14 working days
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£124.00Rotterdam 1945 (Concert Band - Score and Parts) - De Meij, Johan
Rotterdam 1945 was written at the request of Maestro Arjan Tien, the chief conductor of the Marine Band of the Royal Netherlands Navy, to commemorate their 75th anniversary in 2020. 1945 also marked the end of World War II, the year that my home country Holland was liberated from Nazi Germany. My father was born in Rotterdam in 1910, so I have a special bond with this dynamic city. I have used the numbers 1-9-4-5 to create the main theme and translated it into a four-note motif: C - D'- F - G. - Johan de Meij. Duration: 7.30
Estimated dispatch 7-14 working days
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£150.00A Child's Garden of Verses (Soprano Solo with Concert Band - Score and Parts) - Jager, Robert - Noble, Paul
A Child's Garden of Verses has a very special meaning for me. Bob Jager, a family friend, was visiting in our home, and my wife, Mitzi Noble, a soprano soloist, was singing to his children. Bob's two young children became so enthralled with the music that Bob wanted to capture that moment. So he composed this piece for Mitzi, and dedicated it to his children, Kathleen and Matthew. The text is from Robert Louis Stevenson's poems: I. Happy Thought; II. The Wind; III. The Land of Counterpane; IV. From a Railway Carriage; V. Escape at Bedtime. Bob writes: The ideal performance instrumentation would be one on a part. If a larger group is used the balance should be kept proportional. In a few places the terms Solo or One are used where the sonority is critical, and this should be strictly followed. Above all, the singer should never feel forced by the ensemble. This work was composed in 1972, and was never published. I am pleased that Bob has allowed me now to publish it under Noble Music Publications, so that it may be available for others to perform and enjoy. Mitzi writes: Although we did not have access at the time, the ideal performance would be with a throat mic so that the soloist is free to move around the stage and sing, as though singing and relating to children sitting on the front row.
Estimated dispatch 7-14 working days
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£145.00Searching for Lost Dreams (Windependence Concert Band - Score and Parts) - Wilson, Dana
As I began this piece, it was as though I were entering a dream. The music was atmospheric, undefined, and somewhat disorienting. Gradually the material became more focused, but just in time to switch to a very different--though related--sound world, which became the second movement. The overall poignancy, varied sound worlds and dramatic shape of the music suggested the title. - Dana Wilson Duration: 8:00
Estimated dispatch 7-14 working days
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£85.00Rejoice and Sing! (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Rejoice and sing! was written in celebration of the 95th birthday of Sir David Willcocks. John Rutter writes: I was delighted to be asked by OUP to compose a new carol in his honour. Writing 'Rejoice and sing!' I recalled the many happy Christmas concerts he conducted with the Bach Choir in London's Royal Albert Hall, thinking also of his fondness for quirky rhythms, hence the lopsided 7/8 which runs through much of the music. This arrangement is written for combined Concert Band and Chorus, but may be performed by band alone. It is compatible with the original version except that it is transposed down by one-half step (semi-tone).
Estimated dispatch 7-14 working days
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£137.99Everything Beautiful (Concert Band - Score and Parts) - Hazo, Samuel R.
Premiered by Maestro Eugene Migliaro Corporon conducting the National Honor Band of America, this spectacular memorial for renowned band director Charles Campbell will surround your students and audiences in layers of emotion. Expressive moments upon moments allow the ensemble to follow their musical instincts, gaining an aesthetic reward each time. Typical of performances, the work fades into introspective silence, then is followed by lengthy applause.Movements:I. The Stillness of RememberingII. Irish TuneIII. While I Think on Thee, Dear FriendDuration: 9:00
Estimated dispatch 7-14 working days
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£225.00Amsterdam Suite (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 1st Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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