Results
-
£149.40Grevling i taket - Øystein Dolmen og Gustav Lorentzen
This is an arrangement which has to be performed a bit humorous in the spirit of the original.It starts with a kazoo-like opening, played on the mouthpieces. At C, flutes and clarinets should stand up. Maybe the musicians can play it by heart?Two bars before D, the tempo increase. On E, the trumpet players should stand (and play by heart)?New, even higher tempo two bars before F. The trombonists should stand up in bar 103 to prepare for a terrific tempo. But G will be played like a laidback reggae-version. The saxophonists can stand up simultaneous with the glissando in bar 120.The tempo at H should be high and fresh and with several sections standing. In bar 158 should almost all players sit. At bar 160 everyone should stand up.In bar 162, all players should turn to the audience during the crescendo.
Estimated dispatch 7-14 working days
-
£163.0060 Warm-up Chorales for Concert Band
During his experience as a band conductor and teacher of wind orchestra conducting at university, Franco Cesarini has dealt with the topic of warm-ups very frequently. Throughout these long years of conducting he has had the opportunity to try many existing methods, evaluating their advantages and disadvantages.After a long time, he has decided to compile a collection of chorales for warm-ups, which are organized according to the criteria that he considers most effective.While working on his60 Warm-up Chorales for Concert Band, Franco Cesarini has always borne in mind that amateur musicians play for pleasure.He feels that it is extremely important that they have satisfaction at every moment of the rehearsal and not to start the rehearsal with needless "punishing" exercises. Nobody is really motivated to start playing with scales, long notes, or tricky rhythmical exercises. There is often a distinguished absentee in band rehearsals, namely music itself!Although this publication does not foresee a specific tempo for the chorales, they should often be performed rather slowly but without dragging.Dynamics are not indicated, so that the conductor has the opportunity to draw the attention of the musicians to his gestures and to make them react according to his indications.Timpani and bell parts have been added with the aim of not leaving the percussionists completely inactive during the warm-up phase, but can also be omitted.The chorales are written in four parts (SATB) and are also playable in smaller groups. The four voices can be played in different combinations of woodwinds or brass quartets or in mixed combinations.The collection includes ten chorales for the following keys: D flat major, A flat major, E flat major, B flat major, F major and C major.With his 60 Warm-up Chorales Franco Cesarini would like to convey the message to play the chorales in a musical way, thus raising the musicians' awareness of phrasing, the right interpretation of cadences, rubato and agogic.Above all, never do anything without putting the musical aspect in the foreground. 60 Warm-up Chorales for Concert Band: A perfect collection to warm-up and improve tuning of a concert band!
Estimated dispatch 7-14 working days
-
£127.30Brittern - Solo for F-Horn - Elisabeth Vannebo
"Brittern" was written for my good friend, Brit Johnsrud to her Solo-CD recording "Light Blue Outfit". Brit is a former hornist with the Stavanger Symphony Orchestra and works today with the professional Navy Band in Bergen. This solo piece is inspired by traditional, Norwegian folk music. The slurs of the music it intended to make character to the "Halling" (A traditional Norwegian dance). The music also include trills, but for these the soloist may vary and decide where to play these. The tempo are approx. quarter note=88. Chords appears at letter E in solo part. This part of the piece may be improvised. If improvised, please omit some of the parts (are marked with May beomitted).
Estimated dispatch 7-14 working days
-
£149.40Bekken (Fra Lyriske stykker opus 62) - Edvard Grieg
Brooklet is one of the movements from Grieg's Lyric Pieces for Solo Piano opus 62. Information for the conductor: Brooklet is an technically advanced work for solo piano. In this arrangement, technical passages are simplified by overlapping and doubling some of the parts. To master the technical challenges and make it sound effortless, it is important to pay close attention to balance and precision. Some of the parts also have alternative parts added which can lower the technical challenges a bit. The normal instrumentation are Clarinet 1-2-3, but there is also an "optional" part for Solo Clarinet. This is included on the same sheet as Clarinet 1. Both parts can stand alone or be played together. (i.e. The Solo Clarinet part can be played in addition to Clarinet 1, in whole or in part if desired, or it can replace Clarinet 1 entirely, using only Solo Clarinet and Clarinet 2 and 3.). From bar 5 to bar 13, there is a suggested solo for Solo Clarinet. If played by Solo Clarinet, please omit Clarinet 1, 2 & 3 for these bars.
Estimated dispatch 7-14 working days
-
£101.30Honorary March of Her Majesty Queen Sonja - Svein H. Giske
This march was commissioned by The office of cultural affairs in Fana and Ytrebygda (a part of Bergen Municipality) for the opening of The Bergen Light Rail. The premiere was given by The Norwegian Navy Band Bergen and Smrs skolemusikkduring the light rails maiden voyage. Her Majesty Queen Sonja of Norway opened the light rail on June 22nd 2010.My ida was to give the march a strong link to Bergen. In the bass solo (letter B) I have quoted Bergens "national"anthem Nystemtn and in the Trio (letter E) I have used a bugle call from Bergens unique tradition of archerchery brigades. The first part of the march is meant to have a sort of train feel to it; somethingthats moving steadily through thestreets of the city.
Estimated dispatch 7-14 working days
-
£252.10Tuba Libre! - Lars Erik Gudim
Tuba Libre! was commissioned by Eirik Gjerdevik, Tubaist with the Norwegian Navy Band Bergen and also widely sought after as a soloist and conductor.The work is the first major work the composer wrote for Brass Band.Eirik Gjerdevik recorded the work on his album "Eirik the Viking", a recording which also feature Stavanger Brass Band conducted by Morten E. Hansen. The album was released by Lawo Classics in 2014 (LWC 1064).The version for Concert Band was also premiered by Eirik Gjerdevik, this time conducted by the composer.
Estimated dispatch 7-14 working days
-
£174.10Power of Love - Lewis
The song appears early in the movie "Back to the Futur"e as Marty McFly (Michael J. Fox) skateboards to school. Later in the film, McFly and his band play a hard rock version of the song for a Battle of the Bands audition.This is one from1985 is one of Huey Lewis and the News biggest hits.
Estimated dispatch 7-14 working days
-
£68.99Requiem Aeternam - Giacomo Puccini
Giacomo Puccini was commissioned to write a second opera after the resounding success of his first, Le Villi. However, the original four-act, grand opera Edgar, to a libretto by Ferdinando Fontana, received a rather lukewarm reception at its premire in La Scala in Milan in 1889 - initially, the work was only performed three times. Of all the planned performances in the subsequent two years, only one took place, in Lucca, Puccini's birthplace. There, the work was well received. Nevertheless, the composer decided to make drastic changes to Edgar the most radical being the reduction of the opera to three acts, as well as altering a few arias, charactersand instrumental parts. In its revised form, the work was even less popular than before. The discarded fourth act later provided material for Tosca (the duet Amoro sol' per te), but Puccini never felt the need to defend Edgar - as he did other less fortunate operas, such as La Rondine and Suor Angelica. On a piano excerpt for his female friend Sybil Seligman he even corrupted the title to 'E Dio ti GuARda da quest' opera' (may God preserve you from this opera). This did not prevent Arturo Toscanini performing the Requiem from the third act at Puccini's funeral in Milan Cathedral on 3 December 1924. The Requiem in the third act is being played when the long funeral procession carries the alleged body of Edgar - the confusedyoung man hesitating between the love of the virtuous Fidelia and the exotic Tigrana. The mass hails Edgar as a hero, but a monk claims that he has betrayed his country for a few gold pieces. When the soldiers try to desecrate the body, they discover that the armor contains none. The monk reveals himself as Edgar. He wants to leave with his faithful Fidelia, but the vengeful Tigrana stabs him and kills Fidelia. Edgar grieves over the lifeless body of his beloved, while Tigrana is arrested and the people submerge into prayer.
Estimated dispatch 7-14 working days
-
£144.99
Febesa - Filip Ceunen
The title of this work, Febesa, refers to the four notes it is based on: F, E, Bflat (BES in Dutch) and A. At the beginning of the work, the sound of these notes creates a mysterious, extraordinary atmosphere. The work slowly builds from the low brass as the thematic torch is handed to the woodwind section and this leads into a grand tutti. In a tonal and refreshing allegro, the febesa-theme now has a more harmonic role. After this passage, the symmetric form of the work brings us back to the mysterious atmosphere of the introduction, with solos for euphonium, oboe and flute.
Estimated dispatch 7-14 working days
-
£109.99Rejoice! - Naoya Wada
Rejoice! was commissioned by the Kitakyushu City Foundation for Promoting Arts and Culture (KICPAC) on the occasion of the 50th anniversary of the founding of the city on Feburary 10, 1063. The composer grew up in this city and feels at home there. Kitakyushu was born from the merger of five municipalities of Moji, Kokura, Tobata, Yahata and Wakamatsu centred on the ancient city of Kokura. These five former cities are represented in five themes in distinct keys at the beginning of the piece: G major, e major, g major again, Bb major and F major. Rejoice! is dedicated to the city of Kitakyushu and Mr. Kenji Kitahashi, mayor of the city. The premire was held on March3, 2013 at the Kitakyushu Soleil Hall, performed by the Comfort Wind Ensemble, conducted by Mr. Satoru Yoshihara.
Estimated dispatch 7-14 working days
View Music