Results
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£70.00Last Friday Night (T.G.I.F)/The Edge of Glory (Concert Band - Score and Parts) - Lopez, Victor
Recently, the ladies of pop are ruling the charts and veteran writer Victor Lopez has selected two very playable titles from Lady Gaga and Katy Perry's repertoire that will rock your audience. A dynamic duo of artists and tunes. Recognised by students and audiences alike, this pop duo is certain to please!Duration: 5.00
Estimated dispatch 7-14 working days
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£53.50Adventures on Earth (from E.T. The Extra-Terrestrial) (Concert Band - Score only) - Williams, John - Lavender, Paul
Dynamic suite for concert band from the landmark Steven Spielberg classic film!
Estimated dispatch 7-14 working days
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£367.99
Adventures on Earth (from E.T. The Extra-Terrestrial) (Concert Band - Score and Parts) - Williams, John - Lavender, Paul
Dynamic suite for concert band from the landmark Steven Spielberg classic film!Duration: 10.00
Estimated dispatch 7-14 working days
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£2.50God Bless America (SA(T)B Choral Octavo) - Berlin, Irving - Eilers, Joyce
Joyce Eilers and Paul Jennings have combined their considerable talents to create a setting of Irving Berlin's God Bless America that is ideal for younger bands, string groups and choirs in schools. Duration: 2.45
Estimated dispatch 7-14 working days
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£45.95LAST FRIDAY NIGHT (T.G.I.F.) (Kate Perry) (Concert Band) - White, Jacob
The fresh, dance-pop feel of this catchy, toe-tapping tune is sure to be a hit with your concert ensemble!
Estimated dispatch 7-14 working days
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£47.52Meet Mr. T (Concert Band - Score and Parts)
Written for the fine middle school band program in Corning, New York ("The Crystal City''), this is Edmondson's most dramatic and memorable work for this level to date. Exciting percussion, moving themes and a variety of textures and colors highlight this outstanding work for young band.
Estimated dispatch 7-14 working days
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£59.40T. D.'s Boogie Woogie
A classic arrangement from the great "big band era" that gives your whole concert band a chance to shine. Includes electric bass and drum set parts to insure an authentic performance and the trombone solo is written out in the Tommy Dorsey style to help your lead trombonist Andy has taken a classic and made it very playable with a little work, you'll see why this chart REALLY SWINGS!
Estimated dispatch 7-14 working days
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£134.99The Legend of Ratu Kidul - Filip Ceunen
The Legend of Ratu Kidul carries us into the world of Indonesian mythology, on the island of Java:Once upon a time, the Queen of the Southern Seas was a kind and beautiful princess. She was the daughter of Prabu Munding Wangi, the favourite ofthe entire court and the local people. Her royal father doted on his daughter. Her name was Dewi Kadita, but many called her Dewi Srengenge or the Angry Princess.Prabu Munding Wangi longed for an heir, but Dewi Kadita's mother couldn't fulfil thiswish. So he took a second wife, called Poetri Moentiara, who was very jealous of the lovely princess and her mother. She begged the king to banish both her rivals from court. However Prabu Munding Wangi didn't do as she asked. He loved his first wifeand her daughter. The second wife bore him a healthy heir, but the monarch remained firm. So Poetri Moentiara called upon the renowned witch, Djahil. She promised her a princely reward, if Dewi Kandita and her mother were banished. Djahil thought fora moment and incanted this rapal (spell): "May leprosy befall you both". Soon both mother and daughter began to suffer this dreadful disease. According to the law of the land, they were to be banished to the wild forest high on the mountain. With aheavy heart, King Munding Wangi saw the law carried out. So the two set off on their way to the forest, covered in terrible sores. A great sadness fell across the land, except for Poetri Moentiara, the second wife of the king, who had achieved heraim. The princess fell on hard times. In the forest lived a hermit, who took pity on the mother and daughter. The queen couldn't bear the shame and within a few days had died. Now Dewi Kandita was all alone in the world. There was still the hermit,however, who fortunately provided food and shelter in a cave temple. He bound her weeping sores but couldn't relieve her emotional pain. Dewi Kandita became increasingly bitter and eventually left the hermit. She travelled southward from village tovillage, further and further, until eventually she reached the shores of the Southern Sea. She climbed upon a high cliff and gazed out onto the sea that spread before her. She was tempted to dive into the deep green and blue. In the cool waters shewould be able to forget all her pain and suffering. Suddenly awaking from these thoughts, she jumped into the deep. The gods, who had looked on Dewi Kandita throughout her hardships, were filled with deep compassion. So they transformed her into apowerful spirit of the netherworld, Ratu Kidul, and to this day she resides in her grand palace under the sea.
Estimated dispatch 7-14 working days
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£76.99Clockwork - Thomas Doss
In vivid, imaginative musical pictures Clockwork tells the story of a young girl who finds it hard to get up in the mornings: Every evening Barbara sets her alarm so that she doesn't sleep in and isn't late for school.Today, as usual, she cant make it, and lets her alarm ring again and again. She dozes off and dreams of lovely things - landscapes and stories - while time flies by and the clock continues to tick. As the big living room clock loudly strikes eight, however, she jumps up, startled - school has already begun! Now she'll be late again...
Estimated dispatch 7-14 working days
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£95.995 Tantum Ergo - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Hymns for four-part mixed choir a cappella (1846, St. Florian)No. 1 in E flat major (WAB 41/3): Quite SlowNo. 2 in C major (WAB 41/4): AndanteNo. 3 in B flat major (WAB 41/1): SlowNo. 4 in A flat major (WAB 41/2): SlowHymn for five-part (2 S, A, T, B) mixed choir and organNo. 5 in D major: SolemnlyThey are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.
Estimated dispatch 7-14 working days
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