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£89.99Fanfare for the Champions - Otto M. Schwarz
Fanfare for the Champions was commissioned by the municipal concert band of Landeck under the direction of Helmut Schmid on the occasion of the 375th anniversary of the band. The orchestra, which premiered Nostradamus (a key work of the composer), and which also commissioned Mantua - Freedom of the Eagle, has forged a friendship with the composer over a period of many years. This orchestra has participated in the major European competitions and has always performed with distinction--thus the title of the work Fanfare for the Champions.The fanfare, which is written in a style typical for the composer, should convey a feeling ofhappiness: the feeling to have created or accomplished something special. Don't resist that feeling!
Estimated dispatch 7-14 working days
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£66.00La Tourterelle - Eugène Damare
A delightful polka from the "Golden Age" era which features the piccolo in all its glory. This arrangement by Louis W. Lewis will delight any audience and is a great way to introduce the smallest member of the flute family to the audience. Instrumentation: Solo D-flat (or C) Piccolo or Solo Cornet (Baritone), C Flute 1/2, Oboe 1/2, Bassoon, E-Flat Clarinet, Clarinet 1, Clarinet 2/3, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Cornet 1, Cornet 2, Cornet 3/4, Horns 1/2, Horns 3/4, Trombone 1/2, Trombone 3/Bass Trombone, Baritone (T.C. and B.C.), Basses (Tuba), Percussion (Snare Drum, Bass Drum, Triangle)
Estimated dispatch 7-14 working days
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£317.99Music of the Spheres - Philip Sparke
The piece reflects the composer's fascination with the origins of the universe and deep space in general. The title comes from a theory, formulated by Pythagoras, that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. ('Harmonia' in Ancient Greek, which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the six known planets from the sun and that the planets each produced a musical note which combined to weave a continuous heavenly melody (which, unfortunately, we humans cannot hear). In this work, these six notesform the basis of the sections MUSIC OF THE SPHERES and HARMONIA. The pieces opens with a horn solo called t = 0, a name given by some scientists to the moment of the Big Bang when time and space were created, and this is followed by a depiction of the BIG BANG itself, as the entire universe bursts out from a single point. A slower section follows called THE LONELY PLANET which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life, and the constant search for other civilisations elsewhere in the universe. ASTEROIDS AND SHOOTING STARS depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet, and the piece ends with THE UNKNOWN, leaving in question whether our continually expanding exploration of the universe will eventually lead to enlightenment or destruction.
Estimated dispatch 7-14 working days
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£78.99Invicta - James Swearingen
A dramatic contest overture. The strong lyrical middle section provides just the right contrast for teaching different musical styles. For that next concert "Invicta" is sure to be a powerful and dramatic performance that your audience won't soon forget.
Estimated dispatch 7-14 working days
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£80.99Takeda Lullaby
If you are looking for a truly authentic cross-cultural work, or just a fresh lyrical selection for your ensemble, don't miss this beautiful setting of the famous Japanese folk song "Takeda Lullaby" (or "Takeda No Komoriuta"). Using (optional) traditional Japanese percussion instruments, this exquisite work has an amazing rhythmic and harmonic touch. Includes an optional 2-part choir part. A truly special selection for any occasion and a valuable addition to any concert. Ravishing!
Estimated dispatch 7-14 working days
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£87.99
Intrada: Adoration and Praise - Claude T. Smith
This work is an impressive set of variations on the hymn tune "Praise to the Lord, The Almighty." The opening majestic statement is followed by challenging variations. Extra flair can be added with an optional antiphonal brass ensemble amid the dramatic conclusion. An impressive finale for concerts and ceremonies. A supplemental string set (CTS-7829-99) may be purchased separately for performances by combined band and orchestra.
Estimated dispatch 7-14 working days
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£76.99Theme from "Happy Days" - Charles Fox
Happy Days was originally the melody that accompanied the credits of the TV show of the same name during its first few seasons. They both became so popular that the song eventually became the show's main theme in the 1970s and 80s. Happy Days is an upbeat song that people can't help but tap their feet to whenever they hear it. It even reached the top five on the American charts. No one will be able to sit still when your band strikes up this tune!
Estimated dispatch 7-14 working days
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£149.99The Last Of The Mohicans - T. Jones
This Hollywood blockbuster from 1962, is an historic and epic drama that turned out to be a massive box-office hit, despite the unknown cast. Its success can undoubtedly be attributed in part to the excellent soundtrack. Erik Mast has made a wonderful arrangement of the soundtrack which has become a masterpiece in its own right.
Estimated dispatch 7-14 working days
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£109.99
The 80's Charts Medley
In this medley, our arranger Geert Deforche has combined three mega hits from the 80s: "You Can't Hurry Love" by Phil Collins, "Walking on Sunshine" by Katrina and the Waves, and "The Way to Your Heart" by Soulsister.
Estimated dispatch 7-14 working days
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£179.99Spartacus - Jan Van der Roost
Spartacus is a "Symphonic Tone Poem" with 3 joints. Each section has its own melodical materials, however: in the final movement the main theme from the second section returns in a 'grandioso'-tutti. The last bar but one recaptures the 'oriental' atmosphere of the very beginning. The first section (= from the beginning till J) builds up a climax by repeating and accumulating some melodical and rhythmical stuctures. The oriental character of the melodical fragments refers to the origin of the Roman slaves. The second section evokes the love between Spartacus and his loveby giving a peaceful atmosphere. The mean theme (presented the first time at letter L) has a broad andwide character and refers slightly to filmmusic. In this part of the composition, a special attention is given to the orchestration. The final section is more agressive and martial and refers to the revolt of the slaves against the Roman oppressors. In the middle of this movement, an accumulation of the 12 tones symbolizes the crucifixion of the slaves: the english horn resumes partly the cadenza of the flute (at letter J), as if he wants to show again the eternal love between Spartacus and his love a very last time ... The theme at the third bar of letter T is actually based on the 2nd theme of this section (which starts at the fifth bar of letter R), but has been worked out rhytmically.
Estimated dispatch 7-14 working days
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