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  • £137.99

    Hanover Festival - Philip Sparke

    The Hanover Wind Symphony, New Jersey, USA was founded in 1984 by its conductor Peter Boor. He commissioned HANOVER FESTIVAL to celebrate the band's 15th Birthday and the first performance took place on October 27th 1999. The piece starts with a solemn brass fanfare. Woodwinds join in and the music subsides into an expressive chorale. A climax is reached and the fanfare returns. Trumpets introduce an explosive vivo section, characterised by an energetic theme from the horns and low clarinets. A bridge passage with strong brass chords leads to a playful section that introduces a legato central theme under woodwind figures. This is taken up by the full band, the playfulmusic returns and the original horn tune is reintroduced. Finally the opening fanfare returns, this time accompanied by music from the vivo section, until a fast and furious coda closes the work.

    Estimated dispatch 7-14 working days

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  • £109.99

    Homage - Jan Van der Roost

    In the most literal sense: a piece for an occasion. The actual occasion was Jan de Haan's twentieth anniversary as a conductor of the top Dutch brass band, "Soli Deo Gloria" (Leeuwarden). To mark the occasion, the band commissioned the Belgian comopser Jan Van der Roost to create a surprise piece: without knowledge of the person being celebrated, a suitable source of inspiration was sought for. After some thought the chorale-theme from Camille Saint-Sans organ symphony was chosen, a piece with which Jan de Haan has a special bond.Apart from this chorale, Homage is also based on the names of notes taken from 'Jan de Haan' and 'Soli Deo Gloria', resulting in the tonerow: DEGAH. Both elements are combined together and form a grand climax towards the end of the piece when the whole band unites in the Saint Sans' theme.

    Estimated dispatch 7-14 working days

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  • £64.99

    Fantasia 2000

    Disney's eagerly awaited new movie is sure to be a huge hit with audiences everywhere. This medley features excerpts of Carnival Of The Animals, Beethoven's Symphony No. 5, The Sorcerer's Apprentice, and The Firebird Suite.

    Estimated dispatch 7-14 working days
  • £183.99

    Summer - Johan de Meij

    Summer is the second in a series of symphonic poems, inspired by the seasons and the folk music of Scandinavia. In Spring, the composer made use of two Swedish folk tunes, whereas Summer incorporates Finnish folk music, his ownmusical impressions of the landscape and a quote from Jean Sibelius Symphony No. 1, resulting in a sonorous and inspiring tone poem.

    Estimated dispatch 7-14 working days

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  • £183.99

    The Big Apple, Part I - Skyline - Johan de Meij

    An ode to New York. The Big Apple is a musical representation of the spirit, the glamour and the unfriendliness of one of the most fascinating cities in the world. Listening to this symphony is as exciting as a visit to Manhattan. The listener is never allowed a moment's peace, even the tranquil slow passages are accompanied by an ostinato rumbling in the background. As in the City there is never a quiet moment. This edition contains only the first movement of this epic work.

    Estimated dispatch 7-14 working days
  • £183.99

    The Big Apple, Part II - Gotham - Johan de Meij

    An ode to New York. The Big Apple is a musical representation of the spirit, the glamour and the unfriendliness of one of the most fascinating cities in the world. Listening to this symphony is as exciting as a visit to Manhattan. The listener is never allowed a moment's peace, even the tranquil slow passages are accompanied by an ostinato rumbling in the background. As in the City there is never a quiet moment. This edition contains only the second movement of this epic work.

    Estimated dispatch 7-14 working days
  • £454.99

    The Big Apple (Complete Edition) - Johan de Meij

    An ode to New York. The Big Apple is a musical representation of the spirit, the glamour and the unfriendliness of one of the most fascinating cities in the world. Listening to this symphony is as exciting as a visit to Manhattan. The listener is never allowed a moment's peace, even the tranquil slow passages are accompanied by an ostinato rumbling in the background. As in the City there is never a quiet moment.

    Estimated dispatch 7-14 working days
  • £129.99

    Ratatouille Satirique - Traditional

    Erik Satie, born in Honfleur in Normandy (France) in 1866 is undoubtedly one of the most striking personalities in the history of French music. He composed in various, often quite divergent, styles. Besides light-hearted, entertaining works he also wrote several serious compositions, among which the three ballets: Parade, Rel che and Les Aventures de Mercure. However his piano pieces, such as Trois Gymnopdies or Gnossiennes will remain his most popular compositions. Satie co-operated with almost all great artists of his time: Pablo Picasso, Jean Cocteau, Sergej Diaghilev and Georges Braque and the composers Darius Milhaud (Le Groupe des Six) and Claude Debussy. Johan deMeij made an orchestration of three short pieces by Erik Satie: I. Prlude (from: Jack in the Box) II. Rverie (from: Trois petites pices montes) III. Marche: Le Piccadilly (1904) It was only after Satie's death in 1925 that the manuscript of the piano piece Jack in the Box was recovered. Satie himself thought he had lost the manuscript in a bus. When his flat in Arceuil was cleaned out, a small notebook was discovered behind his piano and it contained the manuscript which was assumed to be lost forever. The Rverie (De l'Enfance de Pantagruel) is an extract from Trois petites pices montes, originally composed for small symphony orchestra. In this suite it is meant as a restful intermezzo. It is clear that, as with Milhaud (La Cration du Monde) and Debussy (Golliwogg's Cakewalk; Le Petit Ngre), it is hard to deny obvious influences of jazz music in Erik Satie's compositions. Le Piccadilly, dating from 1904, displays a lot of similarities with the compositions of Scott Joplin.

    Estimated dispatch 7-14 working days

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  • £129.99

    Ratatouille Satirique

    Erik Satie, born in Honfleur in Normandy (France) in 1866 is undoubtedly one of the most striking personalities in the history of French music. He composed in various, often quite divergent, styles. Besides light-hearted, entertaining works he also wrote several serious compositions, among which the three ballets: Parade, Rel che and Les Aventures de Mercure. However his piano pieces, such as Trois Gymnopdies or Gnossiennes will remain his most popular compositions. Satie co-operated with almost all great artists of his time: Pablo Picasso, Jean Cocteau, Sergej Diaghilev and Georges Braque and the composers Darius Milhaud (Le Groupe des Six) and Claude Debussy. Johan deMeij made an orchestration of three short pieces by Erik Satie: I. Prlude (from: Jack in the Box) II. Rverie (from: Trois petites pices montes) III. Marche: Le Piccadilly (1904) It was only after Satie's death in 1925 that the manuscript of the piano piece Jack in the Box was recovered. Satie himself thought he had lost the manuscript in a bus. When his flat in Arceuil was cleaned out, a small notebook was discovered behind his piano and it contained the manuscript which was assumed to be lost forever. The Rverie (De l'Enfance de Pantagruel) is an extract from Trois petites pices montes, originally composed for small symphony orchestra. In this suite it is meant as a restful intermezzo. It is clear that, as with Milhaud (La Cration du Monde) and Debussy (Golliwogg's Cakewalk; Le Petit Ngre), it is hard to deny obvious influences of jazz music in Erik Satie's compositions. Le Piccadilly, dating from 1904, displays a lot of similarities with the compositions of Scott Joplin.

    Estimated dispatch 7-14 working days

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  • £149.99

    Trois Rag-Caprices - Darius Milhaud

    The French composer Darius Milhaud (1892-1974) was a member of the 'Groupe des Six'. This group of six composers gathering Honegger, Poulence, Auric, Durey, Tailleferre and Milhaud, imitated Erik Satie by revolting against the deeply rooted traditional conventions of that time. They reacted against impressionism (Debussy) and romanticism (Wagner, Mahler) and felt very strongly about the music of Satie and Strawinsky. Milhaud's most popular work is undoubtedly the ballet 'La Cration du Monde', one of the most striking examples of jazz influences in classical music. The premire at the 'Th?tre des Champs Elyses' in October 1923 caused a real scandal with the Paris public.The 'Trois Rag-Caprices' for piano were composed one year earlier, in the summer of 1922, and could be considered as a kind of preliminary sketch for 'La Cration du monde'. There are indeed clear similarities between both compositions as to the rhythmical and harmonic aspects. The 'Trois Rag-Caprices' were orchestrated for symphony orchestra by Milhaud himself some time later. The same happened to 'Saudades do Brasil' (1920), a piano composition punctuated with Latin-American influences, which was written after his stay in Rio de Janeiro (1917-18) exactly as his ballet 'Le Boeuf sur le Toit'. Johan de Meij's orchestration of 'Trois Rag-Caprices' for symphonic band is a most welcome addition next to the original band works of Milhaud, such as 'Suite Fran?aise' (1945) and 'West Point Suite' (1951).

    Estimated dispatch 7-14 working days

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