Results
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£84.95Journey And Celebration (Concert Band - Score and Parts) - Hart, Paul
Journey and Celebration is an expansive overture, full of strong themes and robust writing. It is an ideal opener or closer for a concert, and in the finale the composer has combined his experience of writing for Big Band with the symphonic texture of the Concert Band to produce an exciting finish.
Estimated dispatch 7-14 working days
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£16.95
Journey And Celebration (Concert Band - Score Only) - Hart, Paul
Journey and Celebration is an expansive overture, full of strong themes and robust writing. It is an ideal opener or closer for a concert, and in the finale the composer has combined his experience of writing for Big Band with the symphonic texture of the Concert Band to produce an exciting finish.
Estimated dispatch 7-14 working days
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£76.99Scarborough Fair, Variations on (Concert Band - Score and parts) - Custer, Calvin
First published in 1989, this work from the late Calvin Custer epitomises his command of orchestration and understanding of musical pacing. The familiar folk melody is stated first by a solo flute then followed by a remarkable series of variations starting with a brass choir accompanied by woodwind flourishes. An Andante variation features the woodwind choir accompanying solos by baritone and oboe, and this leads to a striking fugue variation and bold finish. Truly symphonic band writing at its best.Duration: 4:45
Estimated dispatch 7-14 working days
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£179.99Spartacus (Concert Band - Score and Parts) - Van der Roost, Jan
Spartacus is a "Symphonic Tone Poem" with 3 joints. Each section has its own melodical materials, however: in the final movement the main theme from the second section returns in a 'grandioso'-tutti. The last bar but one recaptures the 'oriental' atmosphere of the very beginning. The first section (= from the beginning till J) builds up a climax by repeating and accumulating some melodical and rhythmical structures. The oriental character of the melodical fragments refers to the origin of the Roman slaves. The second section evokes the love between Spartacus and his love by giving a peaceful atmosphere. The mean theme (presented the first time at letter L) has a broad and wide character and refers slightly to film music. In this part of the composition, a special attention is given to the orchestration. The final section is more aggressive and martial and refers to the revolt of the slaves against the Roman oppressors. In the middle of this movement, an accumulation of the 12 tones symbolises the crucifixion of the slaves: the english horn resumes partly the cadenza of the flute (at letter J), as if he wants to show again the eternal love between Spartacus and his love a very last time ... The theme at the third bar of letter T is actually based on the 2nd theme of this section (which starts at the fifth bar of letter R), but has been worked out rhythmically.Duration: 13:50
Estimated dispatch 7-14 working days
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£275.00Praise Jeruslem! (Concert Band - Score and Parts) - Reed, Alfred
Kovia YeroosaghemVariations on a Armenian Easter HymnA major work of lasting importance for the modern symphonic band or wind ensemble by this acknowledged master of the medium. This set of variations on a 7th Century Armenian Communion Easter hymn calls forth every possible sound, colour and tonal effect, showing off the winds, brasses and percussion of the modern band in all their glory. An overwhelming conclusion that blends an additional six-voice brass choir with the full band makes this one of the finest closing works for a concert in many years.Duration: 16.45
Estimated dispatch 7-14 working days
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£79.99A Festive Overture (Concert Band - Score and Parts) - Reed, Alfred
A Festive Overture was commissioned by the Tri-State Festival, held annually under the auspices of the Music Division of Dickinson State College in Dickinson, North Dakota, for performance at the 1963 Festival. The first performance took place on November 2nd, 1963, at the concluding grand concert of the festival, with the Dickinson State College Symphonic Band under the composer's direction. The score is in traditional overture form, a brilliant opening allegro followed by a reflective, lyrical interlude, and concluding with a return to the first themes and mood. The entire work is built on three motifs, which are heard in the first section, with the middle section developed from one of these, which first appears as the bass line to the main theme. In the course of the work, the full resources of the modern, integrated concert band are called upon, to present these motifs in constantly varied forms and combinations, and in scintillating tone colors. The wording of the commission presented a basic challenge: that of writing a major work on the highest musical level and yet capable of performance by a good high school band. We believe that this challenge has been met, and are proud to offer this work as a contribution to the modern school and concert band repertoire.
Estimated dispatch 7-14 working days
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£67.32A Vision of Majesty
Vision Of Majesty is written for mature bands. More demanding than most of his previous pieces, it is a bold and dynamic opus which explores the full resources of the symphonic band. VERY NICE!
Estimated dispatch 7-14 working days
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£125.00American Games (Concert Band - Score and Parts) - Maw, Nicholas
If Nicholas Maw is best known as a master of expansive, often melancholy, musical statements, his riveting American Games for symphonic wind band displays a different side of his fascinating output. Unfolding as one continuous span, this driving, dynamic 7-movement work is filled with rhythmic zest and a sophisticated feeling for colour. Commissioned for the 1991 BBC Proms, the work was first performed there by the Royal Northern College of Music Wind Orchestra.
Estimated dispatch 7-14 working days
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£79.99Ancient Desert Drone (Concert Band - Score and Parts) - Cowell, Henry - Worman, James
Ancient Desert Drone was composed for orchestra in 1940, at the request of Percy Grainger, who encouraged the idea of using a single pitch "drone" throughout the work (similar to Grainger's own The Immovable Do) and to whom the piece is dedicated. While the work suggests an Eastern charm with its distinctive mode and primitive rhythms, Cowell himself stated there was no particular programmatic intent. This transcription for band is an exotic and welcome addition to the repertoire for winds. Dur: 5:00Recorded by the Trinity University Symphonic Wind Ensemble - James Worman, conductor
Estimated dispatch 7-14 working days
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£89.99
Band Fever (Concert Band - Score and Parts)
Modern wind music in the style of the great Big Bands was the model for the composition Band Fever by Otto M. Schwarz. It was written on commission of the prestigious South Tyrolese concert band, Symphonic Winds. The piece features two soloists, one saxophone and one flugel. Rhythms like Hip Hop Style and Double Samba support a catchy melody, which is later taken up by the full band, forming the basis for the above-mentioned soloists' improvisations. A unique work in the world of wind music, Band Fever allows both soloists and conductor to display individuality and creativity. It is especially suitable as an opener of the light part of a concert, or as a feature number for special soloists in the orchestra. 04:30
Estimated dispatch 7-14 working days
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