Results
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£23.00
Duet Album Vol. 2
1. Sur le pont d'Avignon (Mlodie populaire) / 2. Sum, summ, summ (Mlodie populaire) / 3. Muss i denn zum Stadtele naus !(Mlodie populaire) / 4. Frre Jacques / 5. Le coq est mort (Mlodie populaire) / 6. Soyons gais (Mlodie populaire) / 7. Die Sternen (Mlodie populaire) / 8. Ei wie so tricht / 9. Marche (Ph. E. Chedeville) / 10. Santa Lucia (Mlodie populaire) / 11. Volkslied aus der Schweiz / 12. Stille Nacht / 13. Wenn ich ein Vglein war / 14. Deutscher Tanz (F. Schubert) / 15. Brderchen, komm tanz mit mir / 16. Les moines de St. Bernardin / 17. A toi la gloire (G. F. Handel) / 18. Amazing grace / 19. La Truite (F. Schubert) / 20. Wiegenslied (J. Brahms) / 21. Les anges dans nos campagnes / 22.La chasse (J. F. Michel) / 23. Matilda / 24. Glory, Glory Alleluja / 25. Auprs de ma blonde / 26.Leise rieselt der Schnee / 27. Napoli (Funiculi, Funicula) / 28. Le bon roi Dagobert / 29.Marche d'Ada (G. Verdi) / 30. American traditional / 31. Malbrough s'en va-t'en guerre
Estimated dispatch 10-14 working days
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£64.00The Directorate
Written by John Philip Sousa in appreciation of an honor awarded him by the Board of Directors of the 1893 St. Louis Exposition, The Directorate was one of the first pieces Sousa composed for his newly formed Sousa Band. Featuring lively wind parts, contrasting dynamics, interesting harmonic twists in the trio, and a rousing final strain, this march is ideal for teaching the classic march style. Rescored for the contemporary concert band's instrumentation from Sousa's original Carl Fischer composition, this march is now ready to be discovered by a new generation of performers.
Estimated dispatch 12-14 working days
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£64.00Daughters of Erin
Composed to celebrate the anniversary of women being admitted to the Notre Dame concert band, this Irish-themed composition includes The Bells of St. Mary's, I'll Take You Home Again, Kathleen, Girls of Our Town and The Women of Kilkenny. Featuring interesting harmonic and melodic twists, a variety of meters and solo passages for several instruments, this concert and contest selection also works well for folk-song themed concerts.
Estimated dispatch 12-14 working days
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£53.00Santa On Parade - Traditional German Carol(s)
Everyone loves a parade, including Old Saint Nick, whether it is at the North Pole or marching down Main Street. Santa On Paradeincludes three traditional Christmas songs in march style (Jolly Old St. Nicholas,Good King WenceslasandO, Christmas Tree) and briefquotations from four famous marches (High School Cadets,TheThunderer,National Emblem,andStars and Stripes Forever). This crowd favorite is an excellent choice for any holiday concert!
Estimated dispatch 12-14 working days
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£57.00Ancient Irish Hymn - Anonymous
Ancient Irish Hymn is based on the hymn "St. Patrick's Breastplate" written by Charles V. Stanford. Composer Sean O'Loughlin uses this heritage to create an authentic "symphonic" treatment of this beautiful hymn. It is a musical journey that is both sublime and breathtaking.
Estimated dispatch 12-14 working days
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£83.00Mother Earth (Fanfare)
Composer David Maslanka brings a short 3 minute fanfare into existance based on ispiration from a prayer by St. Francis of Assisi. Often hgh school bands do not get the opportunity to perform music by this important composer sue to their length and difficulty, but this piece is well within the reach of many high school groups. Certainly it will be a standard in the reportoire.
Estimated dispatch 12-14 working days
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£53.50Six Drummers Drumming
Using fragments from The Twelve Days of Christmas, Jolly Old St. Nicholas, and We Wish You a Merry Christmas, Johnnie has created a clever percussion feature sure to be a hit at your holiday concert and also fun for the entire band. The percussion parts can adjusted based on the number of players you have available, so just remember to change the title to fit your performance!
Estimated dispatch 7-14 working days
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£123.203 Letzte Motetten - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892.Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra.These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz.From this developed his personal standpoint, which always pursues the connection between the old and the new.
Estimated dispatch 7-14 working days
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£256.0014 Motetten - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892.Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra.These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz.From this developed his personal standpoint, which always pursues the connection between the old and the new.
Estimated dispatch 7-14 working days
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£285.00Mosaici Bizantini - Franco Cesarini
To mark the 30th anniversary of Mosaici Bizantini Franco Cesarini decided to publish this revised version. He added a few instruments to the instrumentation and completely revised the notation. The work is now available in large-sized full score and exclusively from the composer's publishing house.For this grand work, Franco Cesarini was inspired by three byzantine mosaics, which can be seen in churches in Venice and Palermo. He took the musical motives from Gregorian chants.The mosaics concerned depict the following extracts from "The Gospel according to St. Matthew":1. The Nativity2. The Temple of Jerusalem3. Angel of the ResurrectionThis new, revised version of this masterpiece will delight both the orchestra and the audience!
Estimated dispatch 7-14 working days
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