Results
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£41.58Nighthawk (Concert Band - Score and Parts)
A slow, dark, and mysterious theme serves as a prelude to a new section that explodes with rhythmic energy. Instruments scored where they sound their best, layered themes, interesting harmonies, and a variety of percussion parts all combine to create an exciting musical journey from start to finish. The crafting of this piece will help make your students sound advanced for their age. Very Impressive!
Estimated dispatch 7-14 working days
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£44.55
Now The Winter's Come To Stay
Very lyrical and expressive, this peaceful David Shaffer composition is a wonderful tool for teaching legato style to mid-level groups. Carefully scored to assure a lush full sound and help your band attain a more mature sound. Written in the style of a chorale prelude, it will make a great change of pace selection for any winter or holiday concert. Very Highly recommended!
Estimated dispatch 7-14 working days
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£53.95Senor Cadera (Concert Band - Score and Parts) - Orcino, Leonard A.
There's no need to pass out the jalapeo peppers, this one is already Hot! Your young players will sound very mature with this contemporary Latin/funk chart. It has strong elements you look for in a lighter work: a driving bass line, punchy ensembles and hard grooving percussion. You can challenge some of your stronger players with a solo; let them read it or actually improvise. The band will want to play this one at every rehearsal and your audience will love the fresh new sound!Duration: 3.15
Estimated dispatch 7-14 working days
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£45.54
Joyful Is The Morning Sun (Concert Band - Score and Parts)
This exuberant and uplifting chorale by Matt Conaway will make bands of all ages sound fantastic. The melodies are simple and memorable, and the full, rich scoring will help even bands with reduced instrumentation sound warm and complete. An excellent addition to your next concert or festival program.
Estimated dispatch 7-14 working days
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£49.50
Nottingham Sketches
This delightful overture has a slightly British sound that is perfect for concert or contest performances by developing bands. The bright allegro section features strong melodic themes in the woodwinds that are followed by an impressive melody for all of the lower instruments. The adagio section includes solos for trumpet and flute before building to a lush full band sound. Very playable, this appealing piece is sure to pay big dividends for your band program. Extremely nice for this grade level!
Estimated dispatch 7-14 working days
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£209.99Dunamis (Concert Band - Score and Parts) - Waignein, Andre
Major Yvon Ducene wanted a new lush and colourful composition for his Guides military band, with Andr Waignein as its composer. Early in 1979 the composer began his assignment and in October of the same year, the finished full score was on the music stands of this prestigious military band of the Belgian Army.The introduction (Grave) mirrors an atmosphere full of serenity in which the theme, played by the oboes and the English horn is predominant and immediately holds the listener spell-bound. It is taken up again as central element of the slow movement.The Allegro breaks away from the quiet passion of the introduction. Here, the band can really show its capabilities to the full. Based on a very precise rhythm, an idiom of sudden desperation and adversity develops which, fused with a crushing aggression, culminates in a kind of eruption, soon calmed down by a Lento : peace and quiet has returned thanks to a melody by the horns and soon taken over by the clarinets. In the meantime, the saxophone - an instrument full of human emotion - express the main spatial dimension in contemporary psyche. Following a harmonic transition the brass-players take up the theme again in forte whilst the basses and the woodwinds intertwine in technical arabesques.The movings of the mind and the heart get an audible and almost touchable shape in the ensuing Allegro, a movement characterised by a rhythmic dialogue in which the whole orchestra participates and where the exposition contains a wealth of sound and technical contrasts. The Lento finally uses the central theme of the slow movement again, with some occasional references to the two allegros. The last page is of unprecedented grandeur. All the instruments display their most beautiful sound which were named by Jacques Ferschotte, when speaking about Honneger, "harmonies d'intensits" harmonies of the unmeasurable.Duration: 14:30
Estimated dispatch 7-14 working days
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£45.00Vulcan Rising! (Concert Band - Score and Parts) - Webb, Amy
Vulcan Rising! will make your budding instrumentalists sound like real pros! Vulcan, the Roman god of fire, volcanoes, and smithing, is depicted in music as he rises from the ashes of the mountains and appears in his awesomeness before the people of Rome. How great will this sound on your students' first concert! Exciting music for your first-year band! Duration: 1.20
Estimated dispatch 7-14 working days
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£470.99Earth, Water, Sun, Wind (Symphony No.1) (Concert Band - Score and Parts) - Sparke, Philip
Earth, Water, Sun, Wind is a four movement work with the unifying theme of these four elements. The music varies from being purely descriptive of the movements' titles to specific sound painting - Earth, for example, is pure music and non programmatic whereas Sun attempts to paint a specific sound picture. The Symphony as a whole concerns itself with man's relationship with these monumental aspects of nature.Duration 31:30Recorded on Anglo Records AR001-3 Earth, Water Sun, Wind
Estimated dispatch 7-14 working days
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£204.99Credentium Wind Band Set (Score & Parts)
A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times, symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town, and people should know about it.There follows a rhythmic, turbulent passage: in the course of history, Peer has not been spared the ravages of war, arson, occupation, epidemic and other evils. In contrast, a slow, pastoral, lyrical part expresses the periods of peace and prosperity the town has known, as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast, painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when, via a surprising, almost chaotic transitional passage, we are in effect transported back to our own time. A hopeful, festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen, the 95 members of the concert band have experienced an extended period of good fortune, and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations. 0:13:15
Estimated dispatch 7-14 working days
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£171.00Passacaglia and Fugue in C minor BWV 852 (Concert Band - Score and Parts) - Bach, Johann Sebastian - Cesarini, Franco
The Passacaglia is a set of instrumental variations based on an ostinato bass. Bach's Passacaglia and Fugue in C-minor for organ represents the pinnacle of what had been achieved in this compositional form at that time. In Franco Cesarini's arrangement for large wind orchestra, the particularly careful interpretation of the original piece enables him to exploit all the sound colors at his disposal, and in this sumptuous guise Bach's work also takes on a grandiose dimension, albeit tinged with late-Romanticism. The exposition of the beautiful theme begins in the bass part, immediately creating a solemn and serious atmosphere which is accentuated by the intensely pathetic character of the first variations. Up to the tenth variation it remains confined to the bass, but in subsequent ones it also passes to the soprano and alto register. The integrity of the theme is also embellished with elegant arpeggios, in whose lower and higher extensions the theme can be distinguished. Towards the end it returns to the bass in an impressive thickening of the polyphonic texture that swiftly re-establishes the key of C-minor. The "Thema fugatum" which follows immediately does not constitute a Fugue in its own right, rather it is nothing but the twenty-first and most extensive variation of the Passacaglia. This time Bach uses only the first half of the theme, superimposing a rhythmic countersubject that considerably enlivens the entire development of the composition. The polyphonic discourse becomes increasingly dense, until the building tension peaks in a powerful "Neapolitan sixth" chord, followed by a sudden pause. This culminating moment then leads to the coda and final cadence on a bright C-major chord. Duration: 12.45
Estimated dispatch 7-14 working days
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