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£59.95Qin Shi's Stone Army - Tyler Arcari
The Terracotta army that guards the tomb of China's first emperor Qin Shi Huang is nearly 8,000 warriors strong. This new piece for beginning ensembles is set to depict these magnificent stone soldiers. New composer Tyler Arcari draws on his background in music education to bring us a stunning new piece that young band students will love to play. It will sound rich and full, even with less experienced players. In addition to the wonderful music in this piece, there are great opportunities for cross-curricular learning with this contest worthy piece.
Estimated dispatch 7-14 working days
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£57.50Shakespeare Meets Godzilla - Robert Buckley
This inventive and entertaining piece is a mash-up of two entirely different music styles - Renaissance music and classic horror music. Danger is afoot! Shakespeare, armed with only his quill, must stop an enormous creature from destroying his Globe Theatre. As in an epic film score, the music underpins and adds drama to the heroic tale. The effective orchestration and artful interplay between the two music styles gives this piece the colorful sound and intensity of a much more advanced piece.
Estimated dispatch 7-14 working days
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£62.51Caprice (Euphonium Solo with Concert Band) Andrew Batterham
VIEW SCORE PDF Caprice was written for Matthew van Emmerik, to showcase his virtuosity in an engaging piece of concert music. The work is in theme and variation form, with the primary material being the theme from the last of Paganini's Ventiquattro Capricci per violino solo, a collection of 24 caprices for solo violin. This theme has been the inspiration for similar works by many composers since it was first published, including Liszt, Brahms, Rachmaninov, Benny Goodman and Andrew Lloyd Webber. In this work, the famous theme is treated to a more contemporary approach. The first variation, Capricious, relies on motor rhythms and jagged dialogues between the soloist and the band. It is couched in an organic scale reminiscent of the Phrygian mode. The second variation, Sad, is in direct contrast, acting as a traditional ballad and allowing the soloist to explore the expressive side of the instrument. The third variation, Energetic, is a micro set of variations in itself, designed to display the soloist's innovative technique and stamina. Each section is more challenging than the last, until the work concludes with a whirlwind dance at breakneck speed. Like all of Batterham's recent work, the musical language of Caprice draws upon classical, jazz, funk and ska elements to create a unique sound where anything can happen, and probably will. This arrangement was made possible through Matt's instigation and generosity. To view a video of Matthew van Emmerik performing the version with brass band please visit www.youtube.com/watch?v=D0hsvux_a5o To view a video of Fletcher Mitchell performing the version with piano please visit www.youtube.com/watch?v=NOZ6KRldDVo Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Instrumentation: Euphonium Soloist Piccolo Flute 1-2 Oboe Bassoon Clarinet in Eb Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba String Bass Percussion 1-3
In stock: Estimated dispatch 1-3 days
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£44.95Windfall (Concert Band - Score and Parts) - Fraser, Bruce
Windfall should be taken at a steady march tempo, with full note values and is a useful piece for developing a good band sound. Dynamic changes are particularly important to avoid monotony in the overall sound and young players are introduced to the concept of D.C. al fine.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 3:00
Estimated dispatch 7-14 working days
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£60.00Spania (Flexible Ensemble - Score and Parts) - Shaffer, David
A delightful piece with a Spanish flavor that is sure to be a highlight of any concert performance and will allow very small bands and bands with severe instrumentation issues to sound just like the big guys. Will sound big and powerful as long as you have the four main parts covered. Includes optional tympani, percussion and piano parts which can enhance the sound even further. A real toe-tapper!
Estimated dispatch 7-14 working days
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£174.99Et in terra Pax (Concert Band - Score and Parts) - Van der Roost, Jan
This piece was commissioned by the Concert Band Vlamertinge and is a plea for peace: the title translates as Peace on Earth. This is expressed by means of the vocal contribution expected from the performers. In various places of the piece you can recognize, the words Et In Terra Pax, an appeal for peace, at first jumbled together but later more rhythmically structured, developing into synchronized massed voices. The work starts with a pentatonic theme based on the notes D, E, G, A and C (taken from 'ConCErtbAnD VlAmErtinGE' and the name of the conductor, NiCk VAnDEnDriessChe). A somewhat sad melody is developed during an orchestral climax which leads to the first explosion of sound (measure 62 onwards). Suddenly the opening measures are recaptured, albeit with a differently coloured sound: the words Et in Terra Pax bring the first movement to a close. A restless Allegro follows which abruptly stops and is replaced by a calming chorale-like passage. A narrator reads aloud the poem 'Sonnet' by the young poet Charles Hamilton Sorley, who was killed during World War I. This poem fittingly puts into words the cruelty and senselessness of war. After the expanded recapitulation of the allegro, the broad, almost infinite atmosphere of the beginning returns. Clarinet and English horn play the pentatonic opening theme once more, this time broadly, while the words Et in Terra Pax are repeated again and again by the rest of the ensemble. The composer has purposely avoided all forms of aggression and bombastic sounds regularly used in works about war. Fear of violence and destruction can be heard and felt during the allegro passages. The charged opening makes way in the end for hope: May peacefulness replace cruelty in everyday life, too.Duration: 13:45
Estimated dispatch 7-14 working days
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£104.99Canterbury Chorale (Concert Band - Score and Parts) - Van der Roost, Jan
This quiet piece with its broad tones was originally written for brass band on request of Robert Leveugle, chairman of the composers own band: Brass Band Midden Brabant (Belgium). The direct cause was a visit to the beautiful cathedral of the English city Canterbury, in which so many fine compositions sounded throughout the centuries. Later on, Jan Van der Roost rescored this piece for symphonic wind band, exploring the full richness of colours of this formation. Besides solo phrases for several instruments, there are some massive tutti passages making the wind orchestra sound like a majestic organ. By the way: an "ad libitum" organ part adds an extra richness, colour and power to this piece, making it sound even more broad and grand.Duration: 6:30
Estimated dispatch 7-14 working days
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£204.99Storia Eroica (Concert Band - Score and Parts) - Waignein, Andre
This composition was commissioned by the "Municipal Brass Band of Luxembourg-Bonnevoie". It was premiered in presence of the Grand-Duke Heir Henri on January 24, 1998 with this orchestra, and with the composer as director. This work is a musical evocation describing this magnificent Luxembourgian region and her inhabitants. The overture evokes the serenity met in this region. An orchestrale development, as rhythmic as sound, propels the orchestra in a "military" atmosphere putting in evidence all the registers of the orchestra. This tension is maintained until the general explosion of the whole. One cantilena appears in all the innocence. Gradually, the orchestration suppresses, until the exhaustion. The passage which follows represents the tempestuous events which took place through ages. A spectacular cadence, by the clarinet or by the soprano saxophone, terminates this disorder. An ample and lyric theme reflects the generosity which always played an important role. Then, having found some of initial themes, work ends in an atmosphere of enjoyment, developed in rich and eclectic one variety which proves the sphere of influence of the sound colour at Andr Waignein.Duration: 14:00
Estimated dispatch 7-14 working days
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£19.95ZOO BALL (Score) - Strachan, Keith
Zoo Ball is score in five parts with various transpositions for each voice. Parts 1 & 2 are the Soprano parts. Part 1 should 'outweigh' part 2 in sound, if not in numbers, as it is often divided. Trumpets/Cornets and Clarinets should be divided accordingly between the parts. Part 3 is the Alto part. It is occasionally scored as an individual part but frequently doubles part 2 or 4. Part 4 is the Tenor part. Part 5 is the Bass part and frequently doubles part 4, either in unison or at an octave lower.The Zoo Ball is a suite of twelve light-hearted pieces for the young wind of brass band by Keith Strachan.It can be seen from the titles that the young player is introduced to a variety of dance rhythms that are both fun to play and enjoyable to listen to.It is scored in five parts (some of which divide in places) so can be played by ensembles of aroung ten players up to full band. When a fuller instrumentation is available, teachers and conductors are encouraged to vary the scoring as appropriate, particularly in repeated sections. This will allow players to rest occasionally and add changes of colour to the band sound by avoiding excessive doubling.Contents:Lion's PrideHippo's WaltzKangaroo HopEel CongaElephants' MarchSnake, Rattle and RollPanther TangoPenguin PolkaBuffalo BluesBlack Mamba SambaTiger RagMonkey Swing
Estimated dispatch 7-14 working days
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£69.95
ZOO BALL (Value Set) - Strachan, Keith
Includes the score and 1 each of the 17 instrumental partsZoo Ball is score in five parts with various transpositions for each voice. Parts 1 & 2 are the Soprano parts. Part 1 should 'outweigh' part 2 in sound, if not in numbers, as it is often divided. Trumpets/Cornets and Clarinets should be divided accordingly between the parts. Part 3 is the Alto part. It is occasionally scored as an individual part but frequently doubles part 2 or 4. Part 4 is the Tenor part. Part 5 is the Bass part and frequently doubles part 4, either in unison or at an octave lower.The Zoo Ball is a suite of twelve light-hearted pieces for the young wind of brass band by Keith Strachan.It can be seen from the titles that the young player is introduced to a variety of dance rhythms that are both fun to play and enjoyable to listen to.It is scored in five parts (some of which divide in places) so can be played by ensembles of aroung ten players up to full band. When a fuller instrumentation is available, teachers and conductors are encouraged to vary the scoring as appropriate, particularly in repeated sections. This will allow players to rest occasionally and add changes of colour to the band sound by avoiding excessive doubling.Contents:Lion's PrideHippo's WaltzKangaroo HopEel CongaElephants' MarchSnake, Rattle and RollPanther TangoPenguin PolkaBuffalo BluesBlack Mamba SambaTiger RagMonkey Swing
Estimated dispatch 7-14 working days
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