Results
-
£80.00In Flanders Fields (Vocal or Instrument Solo with Narrator and Concert Band - Score and Parts) - Boysen Jr, Andrew
In Flanders Fields can be performed in two ways: with any wind soloist, narrator and band, or with vocal soloist (soprano, alto, tenor, bass) and band. In the first version, the narrator speaks the poignant words of John McCrae's famous poem about the sacrifices of World War I in between phrases from the instrumental soloist. If using a vocalist, the words are sung as lyrics to the instrumental solo melodies. In Flanders Fields is a perfect selection for any patriotic concert.
Estimated dispatch 7-14 working days
-
£75.00I Believe in Springtime (Trumpet Solo (or Childrens Choir) with Concert Band - Score and Parts) - Rutter, John - Noble, Paul
I Believe in Springtime is a celebration of life, with text and music by John Rutter. The original scoring was for children's choir, optional SATB chorus, and small orchestra. This arrangement maintains the original elements, with children's choir, optional SATB chorus, and band. In the absence of the children's choir, the arrangement is scored for solo trumpet, with the SATB parts performed by various sections of the band. Either way, the simple beauty of the melody gives this piece an air of refreshment to the meaning and beauty of life.
Estimated dispatch 7-14 working days
-
£36.95Melody (Violin or Flute Solo with Concert Band - Score and Parts) - Gluck, Willibald Christoph - Wiffin, Rob
This is an arrangement of Gluck's beautiful melody from Orfeo ed Euridice. It is the middle section of the pastoral 'Dance of the Blessed Spirits'. It is arranged here for violin or solo flute with reduced wind band accompaniment.
Estimated dispatch 7-14 working days
-
£80.00Clarinet Concerto (The Fallen) (Clarinet Solo with Concert Band - Score and Parts) - Wilson, Jeffery
The three movements are 'Conflict', 'The Fallen' and 'Resolution', themes that are freely interpreted musically. In 'Conflict', the solo clarinet begins with an ascending figure based on octave leaps, while the accompaniment contrasts with marcato quavers and harsh dissonances. The melody features seventh intervals, and while the movement is marked 3/4 the accompaniment is often 6/8. This is more evident in the second theme where the clarinet line moves much more by step. The development takes these ideas and the cadenza comes from yet more conflict between the now calm clarinet and dissonant clashes in the accompaniment. 'The Fallen' is the slow movement and poignantly features notes from 'The Last Post' in the opening and a beautiful working of 'David of the White Rock' later on. The final movement 'Resolution' is a Rondo in 6/8, brighter but with hints of the initial conflict through the sevenths in the meno mosso sections which interrupt the flow. Another long cadenza takes short ideas from the piece before the work comes to a triumphant end with all four E notes across the whole range, echoing the beginning. Wilson set out to write a concerto for a versatile instrument and has found ways to exploit its capabilities while keeping tonal centre. There are frequent altissimo notes within all three movements. Wilson does use the very low notes, most notably in the cadenzas, but much of the work is high, presumably to allow the clarinet to carry over the wind band accompaniment. A good command of all notes right up to A sharp an octave above the stave is needed, plus technique to travel to and from altissimo notes (legato). The piece is around 25 minutes long. Printing is clear and the piano accompaniment comes as a spiral bound volume.
Estimated dispatch 7-14 working days
-
£44.95La Chica Sin Nombre (Trombone Solo with Concert Band - Score and Parts) - Wiffin, Rob
A vibrant, rhythmic solo for trombone and band. La Chica sin Nombre was written in March 2020 at the request of Brett Baker. He wanted something in Latin style so I chose to go for a Mambo-type dance piece. This obviously works best with band accompaniment where I would always ask for Conga drums and Mambo Bell/Timbales rather than drum kit. The piece needs to be played with an appropriate feel for Latin music. It should sound light and easy to play but has a few tricky moments! Duration: 4.15
Estimated dispatch 7-14 working days
-
£139.99Breeze in the Forest (Flute Solo with Concert Band - Score and Parts) - Yagisawa, Satoshi
Breeze in the Forest was commissioned for the concert to celebrate the 60th birthday of Professor Haruyuki Nakatsukasa of Osaka Kyoiku University. "Kanreki" is a special term used to celebrate reaching the age of 60 in Japan. The composer was inspired by some of Professor Nakatsukasa's admirable characteristics upon composing this work: he speaks softly and at the same level as his students; he is fashionable, stylish and refined. The band accompaniment is at a moderate level of difficulty, allowing the solo flautist to choose this work for many an occasion.Duration: 7.00
Estimated dispatch 7-14 working days
-
£150.00A Child's Garden of Verses (Soprano Solo with Concert Band - Score and Parts) - Jager, Robert - Noble, Paul
A Child's Garden of Verses has a very special meaning for me. Bob Jager, a family friend, was visiting in our home, and my wife, Mitzi Noble, a soprano soloist, was singing to his children. Bob's two young children became so enthralled with the music that Bob wanted to capture that moment. So he composed this piece for Mitzi, and dedicated it to his children, Kathleen and Matthew. The text is from Robert Louis Stevenson's poems: I. Happy Thought; II. The Wind; III. The Land of Counterpane; IV. From a Railway Carriage; V. Escape at Bedtime. Bob writes: The ideal performance instrumentation would be one on a part. If a larger group is used the balance should be kept proportional. In a few places the terms Solo or One are used where the sonority is critical, and this should be strictly followed. Above all, the singer should never feel forced by the ensemble. This work was composed in 1972, and was never published. I am pleased that Bob has allowed me now to publish it under Noble Music Publications, so that it may be available for others to perform and enjoy. Mitzi writes: Although we did not have access at the time, the ideal performance would be with a throat mic so that the soloist is free to move around the stage and sing, as though singing and relating to children sitting on the front row.
Estimated dispatch 7-14 working days
-
£72.00Meditation (from Thais) (Flute Solo with Concert Band - Score and Parts) - Massenet, Jules - Glover, Andrew
Excerpted from French composer Jules Massenet's opera "Thais," this beautiful setting of "Meditation" has been arranged for flute solo with concert band. Feature your outstanding flautist or guest artist with this lovely work. The band accompaniment requires a minimal amount of rehearsal and preparation, and provides a great opportunity to showcase your soloist. Stunning! Duration: 4.30
Estimated dispatch 7-14 working days
-
£68.00Feuerfest Polka Op.269 (Anvil Solo with Concert Band - Score and Parts) - Strauss, Josef - Longfield, Robert
If you've been looking for an anvil solo with band accompaniment - and even if you haven't - this is it! A delightful Strauss polka provides the background to feature your best percussionist (or your principal, or the mayor, or any other special dignitary or friend of your band) on the anvil! Lots of fun for the band and the audience. Duration: 3.00
Estimated dispatch 7-14 working days
-
£119.99Ponte Vecchio (Trumpet, Alto Sax or Euphonium Solo with Concert Band - Score and Parts) - Yagisawa, Satoshi
This work was commissioned by the Osaka Kyoiku University Wind Orchestra. The world premiere took place with trumpet soloist, Osamu Kumashiro and was conducted by the composer, who was inspired by the famous Ponte Vecchio (the old bridge) during a visit to Florence. The solo part can also be performed on euphonium or alto saxophone.
Estimated dispatch 7-14 working days
View Music