Results
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£118.99I Love the 207 (Concert Band - Score and Parts) - Sakai, Itaru
I Love the 207 was composed in February 2010 for a commission by Osumi Symphonic Band in Kyoto. It was first performed on 25 April 2010 by Osumi Symphonic Band, conducted by Masanori Ozaki. This piece begins with an introduction to present the instruments, followed by a light scherzo. The title is an affectionate reference to the commuter rail 207 series of the West Japan Railway Company. When the band started their activity, the 207 series trains began running through the fields next to the building where they practice. The composer hopes that the trains continue to run and bring smiles to people's faces.Duration: 5:00
Estimated dispatch 7-14 working days
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£159.99Deliverance (Concert Band - Score and Parts) - Crausaz, Etienne
Deliverance is an exciting concert suite by Etienne Crausaz. The first movement is in the style of a siciliana, starting out quiet and calmly, then slowly building in excitement and energy. The second movement, a scherzo, allows for colourful sounds and timbres and is full of humorous musical elements and contrasts. The third movement, the vivace, presents a dialogue between the higher and lower registers of the band with plenty of time changes. Deliverance is an action-packed composition, full of colour and contrast.Duration: 11.00
Estimated dispatch 7-14 working days
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£132.00Andante e Alla Marcia (Concert Band - Score and Parts) - Dvorak, Antonin - De Meij, Johan
Dvorak's Symphony No.4 (1874) was a pivotal work in the career of this famous Bohemian composer. In the work Dvorak is finally freed from the influence of other composers and succeeds in producing a work in his own unique style. The slow introduction of the second movement (Andante sostenuto e molto cantabile) however clearly showed the influence of Wagner's Tannhauser, but the l'Alla Marcia du Scherzo is again typical Dvorak. You can also hear the obvious references to the traditional music of Bohemia which played an important part in late works of Dvorvak. A terrific classical work for your concert repertoire. Duration: 5.45
Estimated dispatch 7-14 working days
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£168.50Manhattan (Trumpet Solo with Concert Band - Score and Parts) - Sparke, Philip
Manhattan was commissioned by the United States Army Band for their solo trumpet player Woodrow English, and first performed by them in Carnegie Hall, New York, in November 2003. The two movement work demonstrates both the lyrical and technical abilities of this outstanding player. The 'theme' is a weekend in New York and the opening bluesy movement, Saturday Serenade, describes the city on a Saturday night, perhaps in a smoke-filled jazz bar. While writing Sunday Scherzo, the composer pictured an early morning jog in Central Park.This vivaciously rhythmic second movement ends with an even quicker coda bringing the work to a brilliant close. Each movement can also be played individually when a shorter solo is required. Manhattan is a major work in the solo trumpet repertoire.Duration: 9:30
Estimated dispatch 7-14 working days
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£404.99Fifth Symphony (Concert Band - Score and Parts) - Barnes, James
Commissioned in 2000 to commemorate the 50th anniversary of the formation of the Japanese Ground Self-Defense Force Central Band in 1951 at the conclusion of Allied occupation. Scored for a very large band, including six antiphonal trumpets, the work is in four movements: I. Eulogy, II. Scherzo, III. Reverie, and IV. Jubilation. Subtitled Phoenix, the composer writes: Like the legendary Phoenix bird, which self-immolates, then arises from its own ashes more resplendent than ever, Japan has recovered from the massive devastation of World War II to become a greater and more respected nation than ever before. Duration: 43.00
Estimated dispatch 7-14 working days
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£267.99Sinfonietta No.3 (Concert Band - Score and Parts) - Sparke, Philip
In each of the four movements of this major work for concert band, the composer has tried to capture in music something of the spirit of this beautiful Swiss town of Rheinfelden, which lies on the banks of the Rhein. The opening movement, Promenade, sees woodwind and brass alternating short melodic fragments leading to a noble melody from the horns. The dreamy Ballad features a saxophone solo and chorale-like melody. This leads, via a four bar Interlude, to the Scherzo which takes the form of a moto perpetuo.Duration: 18:20
Estimated dispatch 7-14 working days
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£13.95The Kings Go Forth (Concert Band CD)
Great British Music for Wind Band Vol.6The Central Band of the Royal Air Force conducted by Wing Commander Rob Wiffin with the Royal Northern College of Music Wind Orchestra conducted by James Gourlay1Fiesta!Philip SparkeCentral Band of the Royal Air Force7.092Diversions - Variations on a Swiss Folk SongPhilip SparkeCentral Band of the Royal Air Force15.553-6New World DancesMartin EllerbyCentral Band of the Royal Air Force8.39 Earth Dance 2.08 Moon Dance 3.25 Sun Dance 3.066-8Sinfonietta No.1Philip SparkeCentral Band of the Royal Air Force14.05 Overture 2.41 Aria 5.32 Scherzo 5.259-11The Kings Go ForthEdward GregsonRoyal Northern College of Music Wind Orchestra17.17 The Church 4.27 The People 4.42 The State 8.05
Estimated dispatch 7-14 working days
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£137.95Sinfonietta No.1 (Concert Band - Score and Parts) - Sparke, Philip
Sinfonietta No.1 was commissioned by the Foundation of Friends of the Marine Band of the Royal Netherlands Navy. It was first performed by them in 'De Doelen', Rotterdam on the 13th November 1990 (in a joint concert with the Royal Marines Band from Great Britain) which celebrated the 325th anniversary of the Netherlands Marine Corps and coincided with the 45th anniversary of the band and the 175th anniversary of naval music in the Netherlands.The work is in three, linked movements:I: OvertureSeveral contrasting motivic ideas open the work, but none manage to develop into a theme of any sort. Eventually a short theme appears on clarinet, alto saxophone and horn but it is swept away by runs of triplets from the woodwinds. The theme returns, accompanied by the triplets from the woodwinds. The theme returns, accompanied by the triplets, and this leads to a return of the opening material to close the movement.II: AriaThe second movement opens with violent outbursts from the timpani until a simple, mournful tune is presented by flute and bassoon over a sparse accompaniment by the lower brass. Trumpets introduce a quicker, turbulent central section but this leads back to a brief repeat of the original tune, bringing the movement to a peaceful close.III. ScherzoThe final movement is a fast and furious scherzo which bursts into life with a flurry of notes. The vivacious main (woodwind) theme is first played by the flutes and then by the whole woodwind section. A cornet then takes centre stage with a fanfare-like theme which is then taken up by the brass. A bridge passage then leads to a version of this theme for full band. The original flute tune is then developed until the horns introduce a chorale tune which is taken up by saxes and then full band until the opening material reappears. The woodwind and brass themes are then combined and lead to a forceful version of the chorale which becomes more and more dissonant until the opening of the Overture returns to bring the work to a rousing finish.Recorded on QPRM134D THE KINGS GO FORTH, Central Band of the Royal Air Force
Estimated dispatch 7-14 working days
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£27.95
Sinfonietta No.1 (Concert Band - Score only) - Sparke, Philip
Sinfonietta No.1 was commissioned by the Foundation of Friends of the Marine Band of the Royal Netherlands Navy. It was first performed by them in 'De Doelen', Rotterdam on the 13th November 1990 (in a joint concert with the Royal Marines Band from Great Britain) which celebrated the 325th anniversary of the Netherlands Marine Corps and coincided with the 45th anniversary of the band and the 175th anniversary of naval music in the Netherlands.The work is in three, linked movements:I: OvertureSeveral contrasting motivic ideas open the work, but none manage to develop into a theme of any sort. Eventually a short theme appears on clarinet, alto saxophone and horn but it is swept away by runs of triplets from the woodwinds. The theme returns, accompanied by the triplets from the woodwinds. The theme returns, accompanied by the triplets, and this leads to a return of the opening material to close the movement.II: AriaThe second movement opens with violent outbursts from the timpani until a simple, mournful tune is presented by flute and bassoon over a sparse accompaniment by the lower brass. Trumpets introduce a quicker, turbulent central section but this leads back to a brief repeat of the original tune, bringing the movement to a peaceful close.III. ScherzoThe final movement is a fast and furious scherzo which bursts into life with a flurry of notes. The vivacious main (woodwind) theme is first played by the flutes and then by the whole woodwind section. A cornet then takes centre stage with a fanfare-like theme which is then taken up by the brass. A bridge passage then leads to a version of this theme for full band. The original flute tune is then developed until the horns introduce a chorale tune which is taken up by saxes and then full band until the opening material reappears. The woodwind and brass themes are then combined and lead to a forceful version of the chorale which becomes more and more dissonant until the opening of the Overture returns to bring the work to a rousing finish.Recorded on QPRM134D THE KINGS GO FORTH, Central Band of the Royal Air Force
Estimated dispatch 7-14 working days
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£53.50Northlake Festival Overture (Concert Band - Score and Parts) - Curnow, James
In classic band overture style, this time-tested composition from 1993 contrasts a bold opening with an energetic scherzo and variations of the opening theme. Quality literature for festival or contest.
Estimated dispatch 7-14 working days
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